Sentences with phrase «generation artists such»

This is exemplified by the Marianne Boesky Gallery's solo booth of stunning work from the Syrian artist Diana al - Hadid, as well as by the return of established older generation artists such as the Lebanese - American Etel Adnan and Sudanese painter Ibrahim El - Salahi.

Since then it has organized 16 exhibitions ranging from works by leading 20th - century artists like George Grosz and Martin Kippenberger, to younger generation artists such as the painters Oliver Clegg and Adrian Ghenie.

Hers is a simple idea, yet one that is elucidated with quiet force and rivals the concepts of many great Pictures Generation artists such as Louise Lawler and Laurie Simmons.

Levinthal's work became an important influence on Pictures Generation artists such as Cindy Sherman, Laurie Simmons and Richard Prince, who came onto the art scene in the late 1970s and whose work incorporated popular imagery and mass media.

Indeed, her use of cinematic imagery would anticipate the work of Pictures Generation artists such as Sarah Charlesworth and Robert Longo.

Nowadays, Alex is still very active as an author [8] and plays the role of a conceptual guiding star to many younger generation artists such as Elizabeth Peyton and Julian Opie.

My photographic influences are diverse: they include Pictures Generation artists such as Jack Goldstein and Jim Welling, who was very supportive when I lived in Los Angeles about 12 years ago.

Not exact matches

The problem with such genealogies of artistic ascent is that they turn artists into precursors of unborn generations.

Artists such as Michelangelo and Leonardo DaVinci inspired generations with their perfection and style of art and this is no different to Alessandro Nesta whose legacy in the world of football and his ability to make defending an art form has left its mark on this generation and the world of football.

In a similar spirit, Thorn also posted an article celebrating the first generation of postwar shojo manga artists, the men and women whose work profoundly influenced such Magnificent 49ers as Keiko Takemiya and Moto Hagio.

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

If the political despair of post-Second World War and McCarthy - era artists, such as de Kooning, Passloff, and Resnick, generated an inward looking, psychologically inflected humanist vision, the post-Vietnam generation had seen the groundbreaking gains and political optimism of the civil rights, feminist, indigenous, and gay rights movements.

Gorvy is recognized as an expert and passionate advocate of the work of Francis Bacon, Jean - Michel Basquiat, Lucian Freud, Alberto Giacometti, Willem de Kooning, Pablo Picasso, Mark Rothko, Cy Twombly, and Andy Warhol, as well as a younger generation of artists such as Martin Kippenberger, Jeff Koons and Richard Prince.

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

Younger than this generation, all of whom were born in the early 1930s, and were undoubtedly affected by the horrors of World War II, Farrell shares something with the reductive impulses that are central to Minimalist artists such as Robert Ryman, Brice Marden and, to a lesser degree the Radical Painting of Marcia Hafif.

Rail: My first question is how did you get to show with Willard Gallery which was mostly associated with artists of older generations such as Lyonel Feininger, Morris Graves, Mark Tobey, Charles Seliger, and so on?

The use and depiction of everyday items allowed Pop artists to challenge the nature of marketing, explore identity representation and counter the heavy - handed emotional intensity of previous generations, such as the Abstract Expressionists.

The addition of a large - scale sculpture from this period by Nancy Graves, one of the leading artists of her generation, introduces an important woman artist to the ICA / Boston's collection and marks a major contribution to the museum's holdings of sculptures by such artists as Louise Bourgeois, Tara Donovan, Rachel Harrison, and Keith Sonnier.

German artist Sigmar Polke's stylistic heterogeneity and experimentation were highly influential for a generation of innovative artists such as Martin Kippenberger, Richard Prince, and Fischli & Weiss.

It was the exploitation of such unexpected moments that this generation of artists that came into prominence in the 1940s and 50s were open to, and these artists, composers and writers became associated with the New York School.

While early practitioners such as Robert Mangold embraced a minimal sensibility, the next generation of artists such as Elizabeth Murray and Ralph Humphrey further evolved the practice; Murray's canvases are explosive and energetic, and Humphrey's paintings are tactile, with thick and textured surfaces.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

The gallery's roster includes established and highly influential artists, such as Paul Chan, Günther Förg, Guyton \ Walker, Rachel Harrison, Richard Hawkins, Jacqueline Humphries, Michael Krebber, Allen Ruppersberg, and Gedi Sibony, as well as a younger generation, including Trisha Baga, Bernadette Corporation, Helen Marten, and Haegue Yang.

She has collaborated with numerous artists of her generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging technical advancements such as virtual reality, artificial intelligence, and computer games.

The activities of that era provided a path for the increasingly influential voices and innovative practices of new generations of contemporary artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best of 2017.

It will start with the great American artists of the first generation such as Richard Estes, John Baeder, Robert Bechtle, Tom Blackwell, Chuck Close and Robert Cottingham, then move on to Hyperrealism in Europe and to artists of subsequent generations.

Minimalism emerged in the late 1950s when artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous generation.

For generations, artists such as Mark Rothko, Yves Klein and Kazimir Malevich have attempted to locate and convey a certain ethereal quality within a space of visual absence, one that abstract painter Peter Halley defined as a «serenity or radiance».

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

The city's artists from the 60s and 70s, such as Larry Bell, Ed Ruscha, Kenneth Anger, have gained an iconic status in art history, while artists from the generation after them, such as Charles Ray, Paul McCarthy and Henry Taylor, have been receiving great international recognition since the 1980s.

The exhibition considers works by famed Nouveau Réalisme artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger generation of contemporary artists who came of age in the wake of Pop Art.

Keeping with its aim of promoting a new generation of Asian artists, Galerie Paris - Beijing celebrates the creative energy of the Land of the Calm Morning with works that combine the use of traditional materials such as wood, metal or charcoal, and the exploration of highly innovative techniques.

Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.

Never before have we seen a private collection that shows the «before and after» of Arte Povera in such depth — its roots in Burri and its huge legacy to succeeding generations of artists around the world, from Cy Twombly and Anish Kapoor to Thomas Schütte and Olafur Eliasson.

It features key examples of the technique by artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary artists of different generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.

Alex Gartenfeld, Deputy Director and Chief Curator of ICA Miami, said, «The Everywhere Studio marks the first time ICA Miami has mounted such a far - reaching historical survey, placing the next generation of artists in dialogue with their predecessors and within an art historical framework.

Redolent of everyday devices in certain communities and populations such as a hut or a wheel, the artist focuses not just on ideas around personal or interpersonal identity, but he also emphasizes on how memory can be the vehicle for transmitting certain typologies of quotidian practices from generation to generation.

A member of the so - called Pictures Generation of artists that emerged in the 1980s, known for their appropriation of mass media imagery, the work of Richard Prince has consistently grappled with such issues as authorship, reproduction, and context.

These are impressively adept paintings with a confident sense of scale, but they do not have a distinctive character compared to contemporary works by artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's generation.

Integrating photography, kitsch, psychoanalysis and critical theory, the influence of the Pictures Generation on postmodern conceptualism is still seen within the work of many contemporary artists such as Lorna Simpson, Margaret Lee, and Olaf Breuning.

Gathered in laboratory - like settings of ateliers and arts academies across Europe and the Americas, such figurative models demonstrate the standards of excellence according to which generations of artists learn the classical idioms of beauty and perfection.

Featuring key works by 150 artists, it connects four generations of street practitioners, incoporating both niche artists such as Miss Van and noteworthy names as Jean Tinguely, Keith Haring, Barbara Kruger, Jenny Holzer, Gordon Matta - Clark, Billboard Liberation Front, Guerrilla Girls, and Banksy.

Abigail Lane emerged as part of the YBA generation of artists when in 1988 she and fellow students such as Damien Hirst, Gary Hume and Sarah Lucas co-organized the legendary Freeze exhibition showcasing their own work while students at Goldsmiths» College.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

Moreover, the gallery has represented the estates of some of the world's greatest artists such as Yves Klein, Louise Nevelson, Wifredo Lam and Roberto Matta, in some cases for several generations.

This is distinctly different from the earlier generation of women artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea of being called a feminist.

By presenting the public with such notions, Abramovic became arguably the most important member of the generation of pioneering performance artists that includes the likes of Bruce Nauman, Vito Acconci and Chris Burden.

In Art in America this month Raphael Rubinstein, after reading issues of AiA from thirty years ago, considers the fate of Neo-Expressionism, a movement popular in the 1980s championed by painters such as Sandro Chia, Enzo Cucchi, Francesco Clemente, Markus Lüpertz, and Julian Schnabel that was ultimately overshadowed by the more cerebral work created by artists like Jenny Holzer, Sherry Levine, and Richard Prince — what we now call «The Pictures Generation.»

Culling inspiration from advertisement, film and television, and creating visual spaces for social criticism, the Pictures Generation artists were deeply influenced by the pedagogy of writers such as Michel Foucault, Roland Barthes, and Julia Kristeva.

Canadian artist Kelly Richardson is one of the leading representatives of a new generation of artists working with digital technologies to create hyper - real, highly charged landscapes, alongside figures such as John Gerrard and Saskia Olde Wolbers.