Sentences with phrase «german art»

It's called «Achtung Baby: An American Mom on the German Art of Raising Self - Reliant Children» and was just published this month by Picador.

Work of Gerhard Richter is considered to be one of the most groundbreaking in the history of German art, and for a reason.

The proposal is up for discussion next month, and the German art world is holding its breath while Baselitz was the first to speak up through his actions.

Another major feature of German art emerging from the early 20th century was a strong tendency towards producing works of a grotesque style [8].

A German Expressionist painting by Ernst Ludwig Kirchner at the Museum of Modern Art will be returned to the heirs of the German art collector Max Fischer, the museum announced Monday.

A predilection for German art spotlights Sigmar Polke and dedicates individual galleries to defining works by Gerhard Richter and Anselm Kiefer.

As a result of new research on German art by Dr Dorothy Rowe of Bristol University» sDepartment of History -LSB-...]

«Modern German Art», The Studio Vol.

An obituary card with a portrait of German art dealer Hildebrand Gurlitt (1895 - 1956), the father of Cornelius Gurlitt, in a folder at the municipal archive in Duesseldorf, Germany.

Greenberg borrowed the word «painterly» from the German art historian Heinrich Wolfflin (1864 - 1945), who employed it in his book Principles of Art History, to mean «the blurred, broken, loose definition of colour and contour.»

Barbara Gladstone ripped apart her facade and allowed her interior to be covered in duct tape to indulge the artistic ambitions, respectively, of the young German art stars Gregor Schneider and Thomas Hirschhorn.

In early 1974, soon after he shared an all - star New Year's Day bill at St. Mark's with William Burroughs, John Cage, Gregory Corso, Allen Ginsberg, Byrd Hoffman [Robert Wilson], Taylor Mead, Ed Sanders, Patti Smith, Anne Waldman, and Lewis Warsh, and several months before Art - Rite editors Edit deAk and Walter Robinson began their epochal evening (not yet «performance») series «PersonA» at Artists Space, Onnasch Galerie at 139 Spring Street (the first German art space to open in SoHo) booked — I know no better word — the two least commercial not - yet - performance artists in town, Jack Smith and Farina, for evening appearances.

She studied textiles at the Bauhaus, a German art and design school, after being turned away from other departments due to her gender.

2014 Sculptor's Jewellery, Pangolin London, London, UK The Shape of Things: Three Decades of British Modernist Sculpture, Daniel Katz Fine Art, London, UK In the Shadow of War, Djanogly Art Gallery, University of Nottingham, UK Mini Crucible, Gallery Pangolin, Gloucester, UK Crucible 2, Gloucester Cathedral, Gloucester, UK British Invasion, The Bechtler Museum, North Carolina, US Sculpture in the City 2014, Square Mile, London, UK Masterpiece, South Grounds, The Royal Hospital Chelsea, London, UK Those early years: British and German Art After 1945, Sprengel Museum, Hannover, DE Jane Drew (1911 - 1996): An Introduction, Institute of Contemporary Arts (ICA), London, UK

He also studied Caspar David Friedrich (1774 - 1840), the innovative genius of German art in the 19th century, whose romantic landscape painting reflected so much of the German soul.

Hofmann was a well established German artist who had founded the Berlin Secession (1898) which was the first open revolt against academic traditions and paved the way for modern German art movements such as Expressionism.

Besides, she is invited for significant art events worldwide, such as «Viva Arte Viva», the 57th Venice Biennale, Venice, 2017; «Deutschland 8 — German Art in Beijing», Beijing, China, 2017; «The Garden — End of Times; Beginning of Times, # 3 The Future», Denmark - Aarhus, Denmark, 2017; «Forming in the Pupil of an Eye», Kochi - Muziris Biennale, India, 2016; «Me», Schirn Kunstalle, Frankfurt, 2016; «Le Precieux Pouvoir des Pierres», MAMAC, Nice, France, 2016; «Night Begins the Day: Rethinking Space, Time, and Beauty», Contemporary Jewish Museum, San Francisco, USA, 2015, etc..

2010 Permanent Trouble: Art from the Collection Kopp Munich, East German Art Forum Gallery, Regensburg, Germany (cat.)

From 1991 to 1993, he was senior curator at the Walker Art Center in Minneapolis, where one of his projects was «Photography in Contemporary German Art: 1960 to the Present,» a critically acclaimed exhibition that toured internationally.

Although «magic realism» is a term today more commonly associated with the 20th - century literature of Latin America, it was first coined in 1925 by the German art historian and critic Franz Roh to describe an emerging style of modern realist paintings with fantasy or dreamlike subjects, and is often seen as parallel to or overlapping with the New Objectivity movement.

I can think of no more hierarchical place on Earth than the German art world.

Candida Höfer was born in 1944 in Eberswalde, Germany, and is one of the leading figures in contemporary German art photography.

The special exhibition space currently houses the museum's impressive collection of Postwar German Art.

Sperone Westwater Fischer was founded in 1975, when Italian art dealer Gian Enzo Sperone, Angela Westwater, and German art dealer Konrad Fischer opened a space at 142 Greene Street in SoHo, New York (The gallery's name was changed to Sperone Westwater in 1982).

In Europe, Joseph Beuys reinvigorated German art in the»60s with his populist, iconoclastic pedagogy at the Dusseldorf Academy of Art, drawing attention to both the city and the school and producing artists producing a generation of giants including Gerhard Richter, Sigmar Polke, and Blinky Palermo.

Paik said that the museum made a conscious decision in the 1980s to begin collecting postwar German art.

1954: Participates in the Willem Sandberg exhibition Deutsche Kunst nach 45 (German Art after 1945) at the Stedelijk Museum Amsterdam: for the first time after World War II, Contemporary German Art is shown abroad.

You may want to look up the exhibitions and their artists of Galerie Ernst Arnold, Dresden which supplied the large selection of prints in the Modern German Art exhibition.

A. Everett «Chick» Austin did show in 1930 Richard B. Fuller — 4D — Dymaxion House, Modern Mexican Art, Modern German Art, and Photography 1930 in Hartford immediately after their presentation in Cambridge.

With the turn of the twenty - first century, painting boldly reasserted itself in German art, which for a decade had been dominated by photographers such as Andreas Gursky, Thomas Ruff, and Thomas Struth.

Commissioned by and performed at Dia: Beacon in October, 2005, this project is the result of Jonas's research into German art historian Aby Warburg's essay about a fin de siècle trip to the American Southwest.

The 1991 Whitney Museum Biennial comes to mind, as does the 1992 - 93 «Photography in Contemporary German Art» (seen in New York and Los Angeles), a fine show organized by SFMOMA chief curator Gary Garrels (then at the Walker Art Center in Minneapolis), and «Passage de l'image,» which visited SFMOMA in its old quarters in 1992.

The Contemporary Art Evening Auction on 29 June in London will present a selection of works of major significance, including 34 lots from The Duerckheim Collection, the most important private collection of post-war German Art ever to be offered for public sale.

German art critic and editor Isabelle Graw discusses with the artist his aesthetic and symbolic strategies in the cultural contexts of America and Europe.

This is the second publication from the ongoing research series, Global Art and the Museum (GAM), which was initiated in 2001 by German art historian Hans Belting and artist, writer and curator Peter Weibel at the ZKM Center for Art and Media in Karlsruhe, Germany.

> German art historian takes over at British Museum ft > British Museum: German art historian Hartwig Fischer becomes new director independent > Hartwig Fischer: the German helping the British Museum change the world theguardian > German art historian «to run British Museum» bbc

Ben Brown Fine Arts is proud to present ASPECTS OF GERMAN ART (PART TWO), an exhibition which spans eight decades of German painting and features work by some of the most important and pioneering...

He specifically adores German painting - recent German painting - and the many homages and piss - takes add up to a history of German art since 1960, with strong emphasis on Gerhard Richter and Sigmar Polke.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

It also includes collections such as German art of the 1980s, minimalism, American abstraction, conceptual art and design.

A monumental work, painted during a decade of prosperity in Germany, which addressed the complex issues facing post-war German art & society.

In contemporary German art, comparisons could be drawn to Anselm Kiefer and Neo Rauch in their experimentations with texures, alchemy and memory.

In 1964, a 21 - year - old German art student named Peter Heisterkamp (sometimes also, depending on how you parse his paternity, Stolle, Schwartze or Eichelmann) took on the outlandish name.

German Art: 19th Century Neoclassicism, Realism and Impressionism in Germany.

Tour leader Astrid Honold is a Berlin based German art historian focusing on artistic practice and the application of photography in painting.

It was a tumultuous week for German art.

Late last week the German Culture Minister, Monika Gütter, announced a plan that would aim to preserve the country's artistic heritage through restricted circulation of German art — requiring that artifacts valued at $ 150,000 ($ 165,900) or more or that are more than 50 years old receive an export license before leaving the country.

Schröder - Sonnenstern's work was ignored by a postwar German art scene concerned with abstraction.

Students learned to recognize and appreciate German art in its sequences of movements in relationship to the unifications of Germany and the formation of the modern German identity.

Although Buthe, who made vast installations, paintings, and drawings, was a central figure in German art of the»70s and»80s and exercised great influence as a teacher, this exhibition is the first large solo show of his work since his death.