Sentences with phrase «german magazine art»

This luxurious tome studies the work of the photographer dubbed Mr Zeitgeist» by German magazine ART for his studies of youth culture.

Wolfgang Tillmans, the first German - born artist, and first photographer, ever to be awarded Britain's prestigious Turner Prize, has become, in recent years, «Mr. Zeitgeist,» as the German magazine ARt has called him.

Not exact matches

Although the term abstract expressionism was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism.

A transcript of the interview is going to be published in the German art magazine Weltkunst.

In this video, Liam Gillick talks about how his German Pavilion should be experienced, and Ralf Schlüter of the German art magazine Art — Das Kunstmagazin reviews Liam Gillick's work (in German languagart magazine Art — Das Kunstmagazin reviews Liam Gillick's work (in German languagArt — Das Kunstmagazin reviews Liam Gillick's work (in German language).

In this excerpt from Phaidon's 1999 monograph Mike Kelley, the artist speaks with Isabelle Graw, founder and editor of the German art magazine Texte Zur Kunst, on the advantages of becoming your own best critic — even if it means inventing a fictional artist biography.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeArt by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeart by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

In the 1970s and 1980s, he was a music editor for the German magazine Spex, and he has written art criticism and essays in renowned art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(201art criticism and essays in renowned art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(201art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(201Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(2014).

German Expressionism, Starship Troopers and Hilary Mantel — Art Quarterly editor Claire Wrathall introduces the latest issue of our members» magazine.

German - born Tillmans, who has worked and exhibited in London in recent years, has smashed the boundary between commercial photography and art: much of his early work was for fashion magazines, including a famous image of four of his friends sitting in the branches of a tree, not wearing any clothes at all.

Since 1994 the Künstlerhaus Bethanien has been publishing the Be Magazine, a bilingual (German / English) journal for art and criticism.

He has written about contemporary art in the newspapers El Universal, Reforma, and Excelsior, for the German Press Agency (DPA), as well as in the magazines Código, Vice, Ramona (Argentina) and Forbes.

Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and Californart history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and CalifornArt Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and CalifornArt in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and CalifornArt; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.

He has also contributed to German art magazines and national daily newspapers.

A magazine - style catalog in German and English: «Art & Stars & Cars», edited by Renate Wiehager, is available.

Some years later, now an art student, whilst flicking through a certain New York based art magazine, I came across images of the paintings of German artist Albert Oehlen, and suddenly all these dreams came back.

German photographer Thomas Struth gives a behind the scenes look at building construction in NYC in his series «High Art» for the New York Times Magazine.

A lengthy piece on RISD and a handful of other leading art schools appears in the March / April issue of the German magazine Kunstforum International.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

In 2005 Richter, in an interview by the German political magazine Spiegel, urged the citizens of Salzburg to «do something about» a sculpture by Markus Lüpertz, and described the work as expressing the deprivation of public art sponsorship in Germany.

D'Agostino writes in and translates among a number of different languages, primarily Italian, German, French, Spanish and English, and he is Contributing Editor at The L Magazine, Assistant Editor of Journal of Italian Translation and co-founder of a new blog devoted to art writing, After Vasari.

Featuring interviews, conversations, portraits and essays of these five ladies, but also other German and American arts makers of the time, the magazines represented a strong voice of female talents, always accompanied by an exhibition.