German photo artist Peter Schlör displays digital black - and - white photographs of Volcanic landscapes from Canary Islands and Central Anatolian Cappadocia.
Not exact matches
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte
artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and
German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes
photos, posters and lobby cards)
The jury included lead juror Sophie Hackett, the AGO's associate curator of photography; Okwui Enwezor, Nigerian - born,
German - based scholar, curator, writer and director of Haus der Kunst, Munich; and New York — based
photo and video - based
artist Laurie Simmons.
# 2.7 m Record price for Andreas Gursky's
photo A photograph of the Rhine river by
German artist Andreas Gursky created in 1999 has sold at auction for a record $ 4.3 million at Christie's New York.
It is one of the earliest examples of the
artist's
photo - paintings, based on a photograph of a shipwreck taken in March 1963 that he discovered in Quick, a
German magazine.
German artist Gerhard Richter creates both abstract and
photo - realistic paintings.
This week David Zwirner dedicated his spacious booth to a solo presentation of work by
German photographer Thomas Ruff dominated by the
artist's notorious «supernudes,» blurry, large - scale
photos of hard - core pornography that straddle the line between abstraction and graphic figuration.
erwin wurm «architecture», 2011 fabric, wood 39.37 x 70.87 x 47.24 inches 100 x 180 x 120 cm courtesy the
artist and lehmann maupin gallery, new york
photo by
german guevara for e11even productions courtesy the
artist, bass museum of art and lehmann maupin gallery, new york
erwin wurm «kuhfladen», 2005 aluminum, paint 7.87 x 34.25 x 27.56 inches 20 x 87 x 70 cm edition of 8
photo by
german guevara for e11even productions courtesy the
artist, bass museum of art and lehmann maupin gallery, new york
erwin wurm «house II», 2011 bronze 20.87 x 39.37 x 31.5 inches 53 x 100 x 80 cm edition of 7, 2ap
photo by
german guevara for e11even productions courtesy the
artist, bass museum of art and lehmann maupin gallery, new york
After forming and then promptly disbanding the satirical art movement Capitalist Realism, founded with fellow
German artists Sigmar Polke and Konrad Leug, Richter would go on to explore the nature of image making, testing the limits of what might be called a
photo, and what might be considered a painting.
Salgado is hostile to the term «
artist,» too, even though his luminous, backlit
photos are worthy of a 19th - century
German Romantic painter.
The influence of
German art on the
artist has never been more keenly felt;
German Expressionism, the sculptures of Georg Baselitz and the
photo drawings of Arnulf Rainer and Anselm Kiefer are among the art historical referents Bhabha explores in this new body of work.
PIERRE Banchereau — I like the classical Flemish painters of the 17th century, such as Jan van Huysum, the flower
photos of Hans - Peter Feldmann, the opulent décor of the Villa Boscogrande in Luchino Visconti's The Leopard, or the work of the
German visual
artist Gerhard Richter.
A giant, abstract - looking
photo mural, commissioned from
German artist Gerhard Richter, looms over the central space.
Inspired by latest aeronautic technologies, the
German photo and video
artist will show a collection of large - scale photographs that give us a futuristic vision of the forthcoming space tourism.
The digital era introduced us to the works of Thomas Ruff, perhaps the most notable representative among today's
photo artists, alongside fellow
German Wolfgang Tillmans.
Then, Marc Benda of Albertz Benda walked up from his gallery's Platform project, which is an interactive
photo - booth work by the
German artist Fiete Stolte, Eye (2017).
For fifty years,
German artist Thomas Bayrle has critically echoed capitalism's all - pervasive organizational structures in his meticulously designed paintings, sculptures, and
photo collages.
Demand commissioned
German artist Thomas Scheibetz to design custom vitrines (the only three dimensional objects in the exhibition), which house the VKhUTEMAS
photos and copies of Yvan Goll's 1920 screenplay Chapliniade containing illustrations by Léger.
(Six months later,
German artist Andreas Gursky dethroned Sherman when his landscape
photo sold for $ 4.3 million, also at Christie's.)
The
German artist Gerhard Richter, for example, blurs
photo - realist paintings to overcome the natural limitations of figurative painting, resulting in the integration of both abstraction and figuration into one work.
One of the first
German artists to address the country's Nazi history, Gerhard Richter's oeuvre includes both abstract and
photo - realistic paintings.
This is one of the most complex and melancholic images in an exhibition of recent works by the
German «
photo -
artist» Andreas Gursky, which has just opened at White Cube Gallery in Bermondsey.
For the first time, S.M.A.K. presents three late works by the
German artist Anna Oppermann (1940 - 93), who became internationally known for her visually overwhelming ensembles: variable assemblages of objects, texts, photographs, coloured
photo - canvases and paintings.