Siegel weaves a history of surveillance techniques and technologies through interviews with
psychoanalysts, former Stasi employees and a former East
German group of Native American sympathisers, excerpts from surveillance videos and GDR feature films, and lingering tracking shots of Stasi offices.
The film was featured at the 2008 Whitney Biennial and collects mundane Stasi surveillance footage, interviews with
psychoanalysts, East
German «Indian hobbyists» and shots of derelict state radio stations.