Sentences with phrase «german woodcut»

The manual production technique calls to mind 14th - century German woodcut patterns, but in Smith «Äôs inimitable drawing style.

photograph: © Galerie Christian Lethert The German Woodcut: Christiane Baumgartner MFA Museum of Fine Arts, Boston 30.09.2017 — 31.03.2018

This volume accompanies a major retrospective of Kiefer's works at the Royal Academy of Arts which includes a number of new works especially made for the exhibition and explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Not exact matches

The artist's historical research for this show began with an investigation of German printmaker Sebald Beham's sixteenth century woodcut, Fountain of Youth - Bathhouse (ca. 1531).

The rest of the canvas is densely filled with bold, instinctual marks like the harsh black lines of German Expressionist woodcuts in the first decades of the twentieth century.

Reflecting on the first artwork she and Andy bought — a $ 50 woodcut of a German art critic at the Provincetown, Massachusetts, art auction — Deborah emphasizes that cities need galleries that can take the time to befriend, educate, and excite young collectors.

The first section traces the woodcut's emergence as a modern medium with works by Paul Gauguin, Edvard Munch, Henri Matisse, Pablo Picasso, Wassily Kandinsky, and the German Expressionists.

Michel Wolgemut, German, 1434 — 1519, Wilhelm Pleydenwurff, German, c. 1458 — 1494, and Albrecht Dürer, German, 1471 — 1528, View of Nuremberg, 1493, hand - colored woodcut in Hartmann Schedel, Liber Chronicarum (Nuremberg Chronicle)(Nuremburg: Anton Koberger, 1493), Paul Mellon Collection, in Honor of the 50th Anniversary of the National Gallery of Art, 1991

At a stroke, the gift transforms the museum's German holdings — strong in the Renaissance (Dürerer's «Rhinoceros», Holbein, Cranach) and also boasting modernists (Kirchner, Klee)-- bringing it up to date with stellar, rare examples of drawings, watercolours, gouaches and woodcuts by Georg Baselitz, Gerhard Richter, Sigmar Polke, AR Penck, Blinky Palermo and Markus Lüpertz: works that brilliantly interpret the difficult history of the postwar divided nation.

Plus: Students identify rare Dürer woodcut in German museum National Gallery of Art returns Schnorr von Carolsfeld drawing to heirs of Holocaust victim and Harvard launches Bauhaus database

Large woodcuts, however, harking back to German expressionism feel deliberately clunky (but still clunky), while a photo - display on the philosopher Simone Weil, borrowed from Berlin's Peace Library, is highly intriguing, but it's not her work.

Woodcut prints, which have a long history in Germany, were adopted by the German Expressionists as a means of escape from modern metropolitan anxiety.

In addition to his well - known Cubism - inspired paintings and woodcuts, «At the Edge of the World» includes comic strips he created for German and American newspapers and wooden toys carved for his children.

Emil Nolde (1867 - 1956) Painter, printmaker (woodcuts) whose works exemplify German Expressionism.

While their execution is generally jaggedly severe (reminiscent of Expressionist woodcuts or the angularity of German Renaissance drapery folds), the resemblance to mid-career Pollock and de Kooning is unmistakable.

If German artist Josef Felix Müller was going to create the huge woodcuts he envisioned, print publisher Peter Blum would have to find a new approach.

Our collection features works by artists from many countries such as the 16th century German Renaissance woodcut artists, Conrad Faber von Kreuznach, «Konrad Faber von Creuznach», the 17th century French artists, Antoine Masson and Francois Bignon, the British Artist, author and lithographic printer, Thomas Robert Way, the nineteenth century Norwegian painter, Anders Monsen Askevold, Anders Askevold, the British artists, Francesco Bartolozzi, George Percy Jacomb Hood, Sir Francis Seymour Haden, Luigi Schiavonetti and Donald Wilkinson, the French artists, Pierre Bonnard, Pierre Gusman, Othon Friesz and Gustave Adolphe Simonau, or the American artists such as Martin Lewis, Elmer William Brown, Elmer Brown, Jon Corbino, Robert Cumming, Erika Kahn, Louise Nevelson, Arthur Litt, James Craig Nicoll, Margaret Sargent, Margarett Sargent, Raphael Soyer and Federico Castellon, the Mexican artists, Jose Guadalupe Posada, and Francisco Dosamantes, and Jose Ignacio Aguirre, the Japanese artists, Hokusai, Kuniyoshi, Toshi Yoshida, and Yoshitoshi, the Austrian artist, Hans Gerstmayr, the German artists, Hilde Goldschmidt, Peter Ackermann and Hanns Anker, the Israeli artists, Abel Pann, David Sharir, Mireille Kramer and Yigal Zemer, the Satirical artists, James Gillray, George Cruikshank, William Hogarth Thomas Rowlandson and many others.

German - born Buttner's work is typical of the Turner Prize's newfound humility - her signature pieces are nine simple, line - drawn, black - and - white woodcuts of beggars, while her other work shows a fascination with the lowly and mundane.

A German printmaker and watercolor painter, Dürer raised woodcutting, at the time mainly a utilitarian printing process, to an art form.

Romanian - German brothers Gert and Uwe Tobias exhibit fairy tale - inspired ceramics and woodcuts on canvas that infuse this Belgian gallery's light - blue booth with a sense of fantasy.

However Arjan not explores the dramatic contrast between areas of intense light and heavy shadows that led, for example, the German expressionists intense research centre to chart the universe, especially the woodcuts.