Sentences with phrase «ghost house by»

The books that are apart of the bundling program are; Cleanskin Cowgirls by Rachael Treasure, Ghost House by Alexandra Adornetti, Kerry Stokes: The Boy from Nowhere by Andrew Rule, Last Woman Hanged by Caroline Overington and The Menzies Era by former Australian PM John Howard.

Not exact matches

Now a ghost town, Table Rock, Wyoming was founded by Colorado Interstate Gas (CIG) as a company town to house workers during the region's housing shortage in the late 1970s.

The ghost is temporarily banished from the house by Paul D, Sethe's lover, but Beloved returns with a vengeance as the teenager she would have been had she not been slain.

The one whose house has every ghost and ghoul in place by daybreak on Oct. 1?

A previous study by researchers at McGill University in Montreal found that the home - sharing company is driving up rental prices and reducing housing availability due to so - called «ghost units» not made available to residents of New York City.

Known as the Sands of Hell, Namibia Skeleton Coast National Park houses some incredible shipwrecks and a Ghost Town formerly known as Kolmanskop, which was founded in the early 1900s by a large German population when diamonds were found in the desert but abandoned 40 years later.

Something that might be worn by the ghost mistress of the house, shrouded in with layers of black lace.

Directed by Mark Waters (Freaky Friday; Ghosts of Girlfriends Past; Mean Girls), who paints his story upon the tableau of New York City with featured tourist stops including the Guggenheim Museum, the Flat Iron Building, and (naturally) Central Park, the cinematic Popper is no longer a poor house painter like his literary counterpart.

When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses — ghost - written by Mitchell, who, it is implied, has become the publisher's mistress.

Freak Show has been preceded by the ghosts of Season 1 (Murder House), serial killers and demonic possession of Season 2 (Asylum) and the pricking of witch's thumbs in Season 3 (Coven).

The Winchester Mystery House, as it's known, is a legendary tourist attraction (according to San Jose folklore, it really is said to be haunted by the ghosts of people killed by Winchester rifles).

But when it emerged that «Monster House» creator Gil Kenan was set to take charge, The prospects of «Poltergeist» improved immeasurably: his films have precisely the right blend of spooky thrills, oddball invention and emotional heft to suit this story of a young girl abducted by vengeful ghosts.

Eric and Skye are amateur ghost hunters, which doesn't sit well with the rational Matt, but that's nothing compared with Eric's declaration that Sarah is also a believer — that the house in which they grew up was haunted and he swears they were saved from ghosts by a swarm of butterflies.

He succeeds on this front by providing truly chilling ghosts — floating specters of inky black tendrils that form into the gray porcelain faces, horrifically gaping mouths and kohl - ringed, milk - saucer eyes of a family murdered in a Tokyo house that is now occupied (but not for long!)

Volume 1 Charles Dickens: Mickey's Christmas Carol • The Muppet Christmas Carol • Oliver & Company • Oliver Twist • Ghosts of Girlfriends Past Directed by Robert Zemeckis: Beowulf • Back to the Future (25th Anniversary Trilogy) • Forrest Gump • Who Framed Roger Rabbit Motion Capture: Avatar • District 9 • Pirates of the Caribbean: Dead Man's Chest Victorian England: The Prestige • Sherlock Holmes Mickey's Magical Christmas: Snowed In at the House of Mouse • Winnie the Pooh: Seasons of Giving • Disney Channel Holiday The Santa Clause • Fred Claus • Four Christmases • Deck the Halls • Unaccompanied Minors • Santa Buddies • The Nightmare Before Christmas Peanuts: Deluxe Holiday Collection • Alvin and the Chipmunks: Classic Holiday Gift Set • A Muppets Christmas: Letters to Santa It's a Wonderful Life • White Christmas • The Christmas Star • The House Without a Christmas Tree • I Want a Dog for Christmas, Charlie Brown Jim Carrey: Dr. Seuss» Horton Hears a Who!

Helen Mirren stars as the infamous and eccentric heiress Sarah Winchester, who built a house to serve as a prison, an asylum, for hundreds of vengeful ghosts — of people killed by the Winchester rifle.

Such production design - heavy haunted house features as The Shining, The Haunting, and The Innocents have also been cited as a heavy influence on Crimson Peak by del Toro; of late, though, the filmmaker seems to have begun playing down the idea that he's making a haunted house genre throwback, and more than Crimson Peak is a Gothic romance first, set piece - oriented ghost story second.

The Pitch: After her family moves to a dilapidated old house in the middle of nowhere, a teenage girl (Stewart) realizes the place is haunted by pissed - off ghosts that only she and her baby brother can see.

Although the townspeople try to keep Kipps from learning their tragic history, he soon discovers that the house belonging to his client is haunted by the ghost of a woman who is determined to find someone and something she lost... and no one, not even the children, are safe from her vengeance.

The Sessions Promised Land Broken City Side Effects Amour Take This Waltz Beasts of the Southern Wild Tinker Tailor Soldier Spy Oz, The Great and Powerful Side By Side A Separation Wreck - It Ralph Compliance Admission The Silence The Prodigal Son Evil Dead Flashdance Days of Heaven Jurassic Park 3D Double Indemnity Room 237 To the Wonder The Place Beyond the Pines ParaNorman Iron Man 3 The Paperboy The Great Gatsby Bernie Star Trek Into Darkness Oblivion Now You Seen Me All Good Things End of Watch Lars and the Real Girl The Way Way Back Tucker and Dale Vs. Evil Behind the Candelabra Man of Steel Beautiful Creatures Stoker Not Fade Away Identity Thief Mama This is the End V / H / S The Heat White House Down The Exorcism of Emily Rose World War Z The Blue Umbrella Monsters University Despicable Me Modern Times The Conjuring Red Pacific Rim The Wolverine We're the Millers Fruitvale Station Lee Daniels» The Butler Seven Psychopaths Bachelorette Blue Jasmine Chronicle Like Crazy The Spectacular Now Austenland Hot Fuzz The World's End Best Worst Movie The Possession Isidious: Chapter 2 Prisoners Anna Karenina Don Jon Enough Said V / H / S / 2 The Ward Gravity Captain Phillips Nebraska Honeymoon Suite We Are What We Are Winter in the Blood Truth or Blood The Search for Simon Ghost Light They Will Outlive Us All Hot «n Bothered Casual Encounters A Better Life Mud 12 Years a Slave Much Ado About Nothing (2013) About Time Thor: The Dark World Only God Forgives Frances Ha Salinger Dallas Buyers Club JFK The Hunger Games: Catching Fire Frozen Philomena Parkland Delivery Man Prince Avalanche The Hobbit: The Desolation of Smaug Upstream Color Jackass Presents: Bad Grandpa What Maisie Knew The Great Beauty (La Grande Bellezza) Lovelace Saving Mr. Banks The Secret Life of Walter Mitty August: Osage County The Wolf of Wall Street American Hustle

Most movie reviews were ghosted by various staff writers under a house byline (Mae Tinee — get it?

Haunted house flicks that include inhabitants being spooked by ghosts, possessed and needing exorcism?

When: May 22nd Why: Though it's not the first horror movie to be remade by Sam Raimi's Ghost House Pictures since opening up shop a decade ago, «Poltergeist» is actually a great choice to receive the remake treatment, even if the original still holds up pretty well today.

Winchester (formerly known as Winchester: The House That Ghosts Built) is the latest spooky offering from the filmmaking siblings Michael and Peter Spierig, and was inspired by the myths and legends that have sprung up over the years around the infamous Winchester Mystery House.

The film was produced by Sam Raimi's Ghost House Pictures, the same outfit that was behind The Grudge — a film that The Messengers owes more than a little to.

Winchester (PG - 13 for violence, sexuality, drug use, mature themes and disturbing images) Revenge flick revolving around a Winchester Gun heiress (Helen Mirren) whose house is haunted by the ghosts of people killed by her company's repeating rifle.

Sometimes it's the condescending boyfriend who insists the house is not, in fact, occupied by a vengeful Japanese water ghost, or perhaps it's the resident Poindexter in the heist crew who insists that some jobs are just too risky to endeavor.

Related Reviews: New: The Ice Storm • Behind the Candelabra • The Iceman • Arthur Newman • Slacker Written by Armistead Maupin: The Night Listener Produced by Alan Poul: The Newsroom: The Complete First Season Laura Linney: Driving Lessons • The Details • The Squid and the Whale • Primal Fear • Arthur Christmas Billy Campbell: The Rocketeer • The Killing: The Complete First Season • Ghost Town Parker Posey: Dazed and Confused San Francisco: Mrs. Doubtfire • The Princess Diaries • Full House: Season 7 • Eli Stone: Season 1 • The Conversation • Zodiac Runaway Daughters • New York Stories • Life on Mars: The Complete Series • Ebbie The Murder of Mary Phagan • Tales from Avonlea: Season One • A Single Man • Heidi • Rectify: Season One

Ghost House is an exercise in listless tickboxing, burdened further by its grimdark, anti-fun tone.

A Ghost Story By Imogen Sara Smith Time is malleable and love is a mystery in David Lowery's entrancing twist on the haunted house movie

James Wan's latest foray into the haunted house genre leads him straight into The Conjuring which is «based on a true story» about the Perron family who were terrorized by demonic entities in which ghost hunters Ed and Lorraine Warren were called upon to investigate.

In this year's Crimson Peak, produced by Legendary and Universal and starring Mia Wasikowska, Jessica Chastain, Tom Hiddleston and Charlie Hunnam, del Toro uses his unique sensibilities to tell a gothic romance that features odd characters, ghosts, and a house that I'd never want to live in.

Monster House helmer Gil Kenan is directing from a script by David Lindsay - Abaire with Sam Raimi and Rob Tapert producing through their Ghost House Pictures banner with Roy Lee.

... is directed by Brad Bird (Mission: Impossible — Ghost Protocol) and stars Britt Robertson (Under the Dome), George Clooney (Gravity), Hugh Laurie (House), Raffey Cassidy (Snow White and the Huntsman) and Thomas Robinson (The Switch).

Lights Out (PG - 13 for violence, mature themes, disturbing images, incessant terror and brief drug use) Haunted house horror flick revolving around a family which finds itself preyed upon by a malevolent ghost (Alicia Vela - Bailey) that only strikes in the dark.

Marcus describes the aspect of the second victim as «unnatural» and «pointing at a mirror,» leading to something almost as tricky: Marcus's exhumation of a child's mural in a house identified by a guidebook ghost story.

The Hundred - Year House By Rebecca Makkai Penguin • $ 16 • ISBN 9780143127444 Though this story features a Marxist scholar, an unemployed academic, an annoying mother - in - law and a ghost, the real star of the show is Laurelfield, the Chicago estate where 100 years of family history unfolds.

The Ghost Network by Catie Disabato Melville House • $ 16.95 • ISBN 9781612194349 published May 5, 2015 order from: BAM B&N Indiebound Amazon

We hummed along in silence for maybe half an hour, the sparse ghosts of small houses sliding by out in the landscape; then the Pontiac slowed and rattled over a low bridge into a town square.

Setterfield's erudite first work of fiction has all the hallmarks of a classic gothic novel, including the creepy ruined house, long - kept secrets, a madwoman in the attic and a dabbling of ghosts, Set in present - day England it has drawn comparisons to novels by the likes of Daphne du Maurier, Wilkie Collins and Charlotte Bronte.

Of course, over the years I watched publishing houses publish their fair share of garbage, culminating with the trend of publishing ghost written junk food by vacuous, empty headed, reality TV stars with absolutely nothing of value to say.

There she discovers that the house is haunted by two ghosts — one good and one evil.

Be a friendly ghost — Haunt a house full of girls while you solve puzzles, play tricks and cause trouble An immersive adventure — Visual Novel elements mixed with 3D environments Beware your weakness — See too many panties and you will destroy humanity From the creators of Zero Escape — Written by Kotaro Uchikoshi, of the Zero Escape Trilogy

There are some exceptions of course - including an exhilarating fast - paced stage which has you swinging around and traveling on a single string of yarn, a trippy experience that forces you to travel across smoke trails left by bullet bills, and a ghost house that only reveals platforms and behind moving curtains.

As a spirit unbound by physical form, Elena can traverse otherwise - unsurmountable obstacles and interact with other ghosts to piece together the dark history of the house — but she will have to use both her spectral and physical forms in order to solve puzzles, navigate through the sinister estate, and find her lost father.

So too are some of the more extreme levels that actually give players something to do - take, for example, this ghost house - themed feat of design, dubbed Pit Of Panga: P Break by its creator.

This project was first presented in Ratmakan kampung in October 2014 as an inflatable ghost house, Rumah Hantu, with an embroidered interior that was created from drawings by the local kids of their ghost stories and the film If There's Something Strange In Your Neighbourhood...

The work isn't on display at Tate Britain because it was demolished only a few months after its creation, but the ghost of «House» lives on, and the fusion of domestic objects and architecture with the power of human memory and experience, is at the core of every artwork produced by Whiteread in the subsequent 3 decades.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.