Sentences with phrase «glacial decoy»

When Brown invited Rauschenberg to design the costume and sets for Glacial Decoy (1979), her first work on a proscenium stage, a «quartet that «slides» back and forth,» Rauschenberg created a backdrop of 620 photographic slides showing sites in and around Fort Myers, Florida, near his home base of Captiva Island.

A member of the media takes photograph in front of a work of art by American artist Robert Rauschenberg entitled «Glacial Decoy 1979» during a press preview of an exhibition of his work at the Tate Modern in London, Tuesday, Nov. 29, 2016.

During the 1980s Brown produced large - scale works intended for the stage and began her artistic collaborations, beginning with Glacial Decoy (1979) which had sets and costumes by artist Robert Rauschenberg.

This danger was exposed in Brown's recent concert at the Brooklyn Academy of Music [Oct. 16, 17 and 18, «81], where the black - and - white restraint of Glacial Decoy was immediately followed by the coloristic exuberance of Brown's most recent work, Son of Gone Fishin», with a set by Donald Judd, costumes by Judith Shea and, in what is perhaps the most significant departure from Brown's previous practice, a musical score by Robert Ashley.

Brown's Glacial Decoy has gone into the Petronio Company repertory as part of the Bloodlines project, Petronio's homage to important works by... Read more»

The images, taken in Fort Myers, Florida, can be found in two concurrent print series by the artist: Glacial Decoy Series (1979 — 80) and Rookery Mounds (1979).

Robert Rauschenberg: Glacial Decoy and Portfolio of 12 Photographs, Magnuson — Lee Gallery, Boston, October 1980.

Robert Rauschenberg: Rookery Mounds, Lithographs and Etchings for Glacial Decoy, Castelli Graphics, New York, December 8, 1979 — January 5, 1980.

«Bloodlines,» Stephen Petronio Company, October at the Dance Center of Columbia College: A program of three works, including Merce Cunningham's «RainForest» and Trisha Brown's «Glacial Decoy,» provided the absolute best kind of education — that is, the fun kind.

Excerpt of Trisha Brown Dance Company performing Glacial Decoy (1979), narrated by Brown and Rauschenberg.

Image: Trisha Brown, Glacial Decoy, 1979.

When Brown invited Rauschenberg to design the costume and sets for «Glacial Decoy» (1979), Rauschenberg created a backdrop of 620 photographic slides showing sites in and around Fort Myers in Florida.

Moving left to right, and dissolving as they go, they formed the original backdrop for a 1979 dance, «Glacial Decoy,» by the choreographer Trisha Brown, who died in March and with whom Rauschenberg had worked many times.

Set, costumes, and lighting by Rauschenberg for Trisha Brown Dance Company's Glacial Decoy (1979).

Glacial Decoy.