At
Gladstone Gallery the viewer dons 3D glasses and is transported to a strangely suspenseful and quasi-psychedelic experience evoking cataclysm and unease.
Not exact matches
This technique, which
Gladstone employs frequently, is also a subtle reward for the
viewer's physical presence in the
gallery; it is hard to imagine these details reading well on Instagram.
[15] She began working with stone in 1986; for her exhibition that year at the Barbara
Gladstone Gallery in New York, Holzer introduced a total environment where
viewers were confronted with the relentless visual buzz of a horizontal LED sign and stone benches leading up to an electronic altar.