Sentences with phrase «glass house series»

Not exact matches

And yes, there was even House of Cards merch to be found, such as these drink glasses — which are no doubt intended to help you party like Peter Russo (that's a joke related to the series — you'll have to watch it to get it).

In a conversation for this series, Machado explained how Shirley Jackson's The Haunting of Hill House became a kind of call to arms, especially a scene where a little girl refuses an ordinary water glass — insisting instead on drinking from an adorned «cup of stars.»

A few among the many highlights of the Audi Prologue concept series are Matrix laser headlights; 22 - inch wheels with a «five - arm» design; 2 - inch carbon - fibre ceramic disc brakes; LED tail lights with housings made of 3D glass that produce 3D, sculpted effects; and OLED displays for an additional, multifunction driver display in the front centre console, and for the rear passengers in the rear centre console and on the front seats backs.

The key visual change that marks the 570GT out from its Sports Series stable mates is the revised glass house that flows gently down to the rear of the car making way for an additional luggage compartment under a side - opening glass hatch.

This photograph by James Welling is part of an ongoing series of works begun in 2006 which documents Philip Johnson's iconic Glass House built in 1949 in New Canaan, Connecticut.

The Glass House, Philip Johnson's New Canaan, Conn. modernist paean to voyeurism (well, sort of), has played host to a number of site - specific projects over the last few years, ever since its exhibition series began with a show of Frank Stella sculptures in situ back in 2012.

During my visit, the pavilion was housing an inaugural exhibition of Hiroshi Sugimoto, entitled The Sea and the Mirror, featuring ten large format photographs and an optical glass sculpture from the series Five Elements by the Japanese artist.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

This volume includes, amongst other series, selections from «Diary / Landscape,» in which Welling matched the writing of his ancestors» letters with Connecticut winter landscapes; «Glass House» a meditation on Philip Johnson's 1949 residence, shot using colored filters; examples from his «Degrades,» pure color photograms created in the darkroom as well as selections from his recent «Wyeth» and «Choreograph» track his early interest in painting and dance.

Typically grouped with the Pictures Generation, Welling has, over the years, done series about Philip Johnson's Glass House and Andrew Wyeth's studio, in the process exploring how cameras reproduce lighting effects and movement.

In addition to this triumphant return to his old gallery, with a show of new plate paintings (a series of works that first catapulted him to fame back in 1979), Schnabel has had major exhibitions at the Aspen Art Museum; the Glass House in New Canaan, Connecticut; and currently has a show at the Schloss Derneburg Museum in Germany, as well as an opening this week at the Almine Rech Gallery in New York.

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?

His exhibition debut in 1975 was a series of Polaroids of his Venice loft, followed by Connecticut landscapes in 1977; the artist famously spent three years photographing architect Philip Johnson's Glass house in New Canaan, Conn., beginning in 2006.

Redondo explores her masterpiece in two works — the video The Glass House and a series of photographs Blow Up / The Glass House.

Three glass houses on large canvases complete the series.

On view through March 7, 2011, «New Pictures 3: James Welling, Glass House» showcases an elegant photographic series of Philip Johnson's modernist architectural masterpiece, Glass House (1949).

The Garden at Sarah Wiseman Gallery will include works by Sarah Spackman, who regularly makes paintings of her allotment produce; there will also be a new series of paintings by Alison Pullen, who will be working with Chelsea Physic Garden and Kew, painting on location in their glass houses and gardens.

Furthering Walead Beshty's interest in the ruptures created by the photographic artifact, this series takes a single appropriated image, featuring the Philip Johnson Glass House, and corrupts it repeatedly, generating intensely colorful and increasingly abstract images.

«A 300» by 300» lightweight structure supports a series of thin glass channels housing a net - work of pipes, tubes, and algae to produce ï ¬ ltered, clean air and gases for biofuel.