Sentences with phrase «glass paintings series»

Until January 28, 2017, the exhibition features a selection of Burges» most recent artworks from his Reverse Glass Paintings series.

Not exact matches

No. 4 in a series of paintings illustrating Carroll's Through the Looking Glass.

In that green island inside the city, I discovered what I saw as a series of paintings behind the glass, a refracted reality.

Moving on to 1954 and the low - keyed eighth painting in the series (now in the Museum of Modern Art, New York)-- greys, blues, muffled yellows on a surface just over six feet high by three and a half feet wide, a motor metropolis of tightly curving ramps with headlight beams spreading like stains suggest a vision, slightly smudged, as if seen through the thick glass window of a skyscraper; at any rate remote from the scene of automotive nightmare.

Beyond Rembrandt and Dürer, Mr. Polke says he has been influenced by Goya, particularly his haunting black paintings, which inspired him to create a series of photographs and glass - panel paintings in the early 1990s.

On view here are a series of twisting glass brick sculptures and her largest painting to date, a breathtaking cloud - like triptych that measures more than 25 feet wide and conveys her interest in science, poetry, and metaphysical realities.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

The exhibition at Lisson Gallery includes Untitled (White Multiband, Vertical Strokes)(2003), incorporating glass microspheres in acrylic on canvas; multiple works from the innovative White Band series; and recent paintings from the Black Band series; alongside the lightbox Untitled (Electric Light)(1968/2017), composed of argon and Plexiglas.

Adam Belt's new series are loosely poured paint and glass powder over topographies that are inspired by real places.

The show, which takes up both storeys of Goodman's new Golden Square gallery, includes a major new glass panel sculpture; fluid, colourful «Flow» paintings; steely monochromes and a series of «Strip» paintings which systematically rework an old abstraction into new ones.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

An «artistic alchemist» of a sort, his opus is defined not just by painting and photography, but also by film, including his Der ganze Körper fühlt sich leicht und möchte fliegen (The Whole Body Feels Light and Wants to Fly)(1969), a series of stained - glass windows that he created for the Grossmünster cathedral in Zurich (between 2006 and 2009), drawings, sculptures, and others.

The exhibition includes a series of circular assemblages made out of materials such as paper, fabric, plastics, paint, and acrylic glass; the disc - shaped constructs appear scattered across the gallery floor.

Wilson's Anatomy of a Flower is a series of paintings on recycled photography glass that depicts sedum and Spanish moss, which she found to be especially alluring in the Conservatory during her time in the Winter Workspace in 2011.

[citation needed] Drawing on his early glass - painting training, Polke realized a series of stained - glass windows for the Grossmünster cathedral in Zurich between 2006 and 2009.

Steve Karlik, Flip, 2010 From the Tension and Compression series Glass sheets with enamel paint 18 x 48 x 1/4 inches

This series of «glass» paintings, a theme which the artist began exploring a decade ago, is inspired by themes of domesticity and voyeurism.

The book includes large - scale reproductions of rare early drawings, photographs, stained - glass assemblages, Structural Constellations, and a range of abstract paintings, including examples from his Homage to the Square series.

He has always been interested in the relationship between image and allegory, and between representation and flatness, and in the work selected for «Greater New York,» he presents a series of loosely painted heads, wearing heavy glasses and sometimes smoking cigars.

With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass.

For the exhibition, Brzezanska is exhibiting a new series of work combining the three elements of panel painting, glass...

The German artist experimented with a series of work on glass that layered geometric shapes in secession creating a 3 dimensional painting 2 dimensional when viewed at the right angle.

Brazilian artist Kim Poor will exhibit a series of paintings in various mediums, including her unique technique of glass fused on the steel plate, baptised «Diaphanism» by Salvador Dali.

Sindbad is the title of a series of 98 lacquer pictures made in 2008, painted on the back of 12 x 10 - inch panes of glass.

Two galleries and a sculpture courtyard showcase her timeless work including impressive steel and blown glass sculptures alongside a smaller series «War Toys» and «Flasks of Fiction», mixed - media collages and her latest explorations in painting.

Works by Spoons include a series of dinosaur paintings inspired by recent trips to the North East while works by Dungan feature imagery inspired by old ephemera found along the Pacific, all of which come to life when viewed through 3D glasses provided by the gallery.

«I want to translate particular experiences into universal observations» — Judy Chicago Chicago's series Heads Up includes watercolors, sketches, two - dimensional painted glass and three - dimensional cast glass and ceramic heads.

It also includes 27 very recent works made since 2002, including his series of glass constructions; the Silicate series; all six Cage Paintings; and his iconic painting «September,» a powerful depiction of the terrorist attacks on the World Trade Center in New York in 2001.

This volume includes, amongst other series, selections from «Diary / Landscape,» in which Welling matched the writing of his ancestors» letters with Connecticut winter landscapes; «Glass House» a meditation on Philip Johnson's 1949 residence, shot using colored filters; examples from his «Degrades,» pure color photograms created in the darkroom as well as selections from his recent «Wyeth» and «Choreograph» track his early interest in painting and dance.

Triny Prada combines light and water in her installation, comprised of Murano glass and gold sculpture, and a new series of paintings made with thread, gold powder, gauze, 22 carat gold leaf, and vinyl paint.

Scheduled to launch at Art Expo New York this April, the series allows viewers to «experience original oil paintings like never before,» Nicol says, as 3D glasses turn the collection into an interactive experience.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

In addition to this triumphant return to his old gallery, with a show of new plate paintings (a series of works that first catapulted him to fame back in 1979), Schnabel has had major exhibitions at the Aspen Art Museum; the Glass House in New Canaan, Connecticut; and currently has a show at the Schloss Derneburg Museum in Germany, as well as an opening this week at the Almine Rech Gallery in New York.

Whereas the first room is dedicated to thirteen paintings from the years 1963 to 2000, the second room presents the work 9 Upright Standing Panes [CR: 879 - 3], as well as the series of reverse glass paintings Aladdin [CR: 913/1 -42].

Comprising 100 small paintings in enamel on the back of glass, Sinbad is the first series of works by Richter to allude to The Book of One Thousand and One Nights (Arabian Nights) and was followed in 2010 by Aladdin [CR: 913, 915].

2008: Richter produces Abstract Paintings and makes the Sinbad series [CR: 905/1 -100], using enamel on the back of glass.

2016 OA Gallery, ManyMini Exhibition, Kirkwood, MO Third Degree Glass, Multiple Choice: Art Group 360, St. Louis, MO Missouri Athletic Club, Art Group 360 Exhibition, St. Louis, MO 2015 Jacoby Art Center, Get Real: Art Group 360 Exhibition, Alton, IL OA Gallery, Small Works Invitational, Kirkwood, MO 2014 The Saint Louis Artists» Guild, The Art of the Collective: Art Group 360, St. Louis, MO 2013 Grafica Contemporary Fine Art, Multiple Choice: Art Group 360, Webster Groves, MO 2012 Creative Art Gallery, Focus 360 Exhibition: Art Group 360, St. Louis, MO Best of Foundry Artists Exhibition, Foundry Art Centre, St. Charles, MO Ober Anderson Gallery, Viewpoints: inaugural Art Group 360 Exhibition, Kirkwood, MO Regional Arts Commission, Sharing Art & Heart, St. Louis, MO 2011 Gateway Gallery, Clayton, MO MAD Art Gallery, City Wide Open Studios, St. Louis, MO 2010 Gallery II Resident Artists Exhibition, Foundry Art Centre, St. Charles, MO Art St. Louis Off - site solo Exhibition, World Trade Center, Clayton, MO Gateway Gallery, Clayton, MO 2009 Gateway Gallery, Clayton, MO 2008 Foundry Art Centre, Ameristar Gallery, St. Charles, MO Gateway Gallery, Clayton, MO Argonne Gallery, Kirkwood, MO Art Saint Louis Off - site solo exhibition, St. Louis RCGA, St. Louis, MO Firehouse Gallery, Webster Groves, MO 2007 Lapis Gallery: Fons & Fons — Recent works - Oil Pastel / Raku Vessels, Denver, CO 2005 Arvada Center for the Arts and Humanities 19th Annual Art Market Exhibition, Arvada, CO 2004 Arvada Center for the Arts and Humanities 18th Annual Art Market Exhibition, Arvada, CO Lapis Gallery: Fons & Fons — Oil Pastels / Raku Vessels, Denver, CO 2003 Kirk Norlin Gallery: West Highland Artists Cooperative December Show, Denver, CO Selected Juried Exhibitions 2015 The Exhibition XXX, Art St.Louis, MO 2015 6 Inch Squared Exhibition, Randy Higbee Gallery, Costa Mesa, CA 2014 Summer Regional Exhibit, St. Louis Artists» Guild, MO 2013 6 Inch Squared Exhibition, Randy Higbee Gallery, Costa Mesa, CA St. Charles County Parks & Recreation, Paint Your County Parks, St. Charles, MO — Best of Show 2012 Regional Arts Commission, Metro Exchange Exhibit in collaboration with Foundry Art Centre, St. Louis, MO 2010 Painting: The Artful Palette, Foundry Art Centre, St. Charles, MO Metzger Memorial All Media National Exhibit, St. Louis Artists» Guild, St. Louis, MO 2008 Jacoby Arts Center 4th Annual Juried Show, Alton, IL 2007 - 8 Metzger Memorial All Media Exhibition, St. Louis Artists» Guild, St. Louis, MO 2005 Oil Pastel Society «Beginnings» National Show - Honorable Mention 2004 Rocky Mountain Biennial 2004, Museum of Contemporary Art, Fort Collins, CO Northern Colorado Artists Assoc. 13th National Exhibit, Fort Collins, CO - Honorable Mention Colorado Visions Art Exhibit, Westminster Community Artist Series, Westminster, CO 2003 Viewpoint 2003 National Juried Art Exhibition, Cincinnati Art Club, Cincinnati, OH National Society of Artists 21st National Juried Show, Alvin, TX Women Artists of the West 5th International Juried Exhibition, Dubois, WY Englewood Arts National Juried Art Show 2003, Museum of Outdoor Art, Englewood, CO Northern Colorado Artists Assoc. 12th Annual National Art Exhibition, Fort Collins, CO Boulder Artists Association 12th Annual National Juried Exhibition, Boulder, CO Spring Salon V. 2, Limner Gallery, New York, NY

Since then, he's painted, drawn and printed an ever - widening series of images based on close - up photographs of family members and friends, including composer Philip Glass, painter Alex Katz, choreographer Merce Cunningham and former President Bill Clinton.

The exhibition also includes a selection from his ongoing World Stage project, which he initiated in 2006 by establishing a satellite studio in Beijing; the Down series (2008); several bronze portrait busts, including the Brooklyn Museum's Houdon Paul - Louis (2011); and new stained glass «paintings.»

The collection is said to be inspired by his «Gazing Ball» series from 2014 - 2015, composed of reproduced master paintings with a large blue glass ball reflecting viewers in a gallery setting.

The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle installation (Island Universe) inspired by the physicist Andrei Linde.

On show are Lynda Benglis» early wax paintings, her brightly colored poured latex works, the «Torsos» and «Knots» series from the 1970s, and her recent experiments with plastics, cast glass, paper, and gold leaf.

The exhibition Liza Lou: Color Field and Solid Grey also includes Lou's Solid Grey and Color / White canvases, a series of «paintings» woven out of glass beads.

In addition to lesser - known early works, this exhibition also explores new developments, which include bronze busts, «paintings» in stained glass, and works from his World Stage series.

Also included is a generous selection from Wiley's ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist's new series of stained glass windows.

This exhibition includes examples from his «Oli» series (1960), from his «Pietre» series (1952) with affixed Murano glass fragments, a painting made of copper from his «Metali» series, as well as several «Tagli», or slashed canvas works.

Together with a series of paintings and wall drawings, Creed specifically created Work No. 1343 where every single piece of cutlery, glass, chair and table was different and brought together a mix of the mass - produced and hand - crafted, from classic antiques to contemporary design from all around the world.

The exhibition features new works created specifically for the Wellin, including a site - specific, 70 - foot wall painting installation; a 4 x 10 foot, glass and metal mobile; and a series of large - scale paintings and drawings.

The latter was the first major showing of her Yellow Man series of paintings, a creative theme that now include sketches, watercolours, oils, tapestry, stained glass art, dance and theatre.