Sentences with phrase «glass sculpture from»

The main gallery with an optic glass sculpture from the series «Five Elements» by Hiroshi Sugimoto; photos © Inexhibit

During my visit, the pavilion was housing an inaugural exhibition of Hiroshi Sugimoto, entitled The Sea and the Mirror, featuring ten large format photographs and an optical glass sculpture from the series Five Elements by the Japanese artist.

On exhibit will be nine hand - blown sea glass sculptures from Horvitz's ongoing series started in 2014.

Since 2013, the NYCB Art Series has brought original collaborations with contemporary art's brightest stars to the public during NYCB performances at the David H. Koch Theater at Lincoln Center (you might remember Dustin Yellin's 3,000 pound glass sculptures from last year).

On the design - side, New York's R & Company has a stunner of a booth, with hanging works from glass artist Jeff Zimmerman, curvaceous wooden furniture by Wendell Castle, glass sculptures from Thaddeus Wolfe, and anthropomorphic furry seating from the Haas Brothers.

Not exact matches

Browse and purchase paintings, sculpture, ceramics, glass, jewelry, books and other creations from the artists, artisans, and authors who created them.

But at least when we drive all this way, we know we're not going to get rained on,» said David Leppla, who traveled from Cedarville, N.J., to sell his and wife Melaine Guernsey - Leppla's stunning glass vases, bowls and sculptures.

Chicago police Monday plan to track down guests from a weekend wedding anniversary party in the Garfield Park Conservatory to determine who smashed a $ 70,000 glass sculpture on display in the middle of an ankle - deep pond at the popular Chihuly exhibit.

IMPOSSIBLE BOX Hans Schepker has built outstanding sculptures of impossible objects, such as this Crazy Crate made from glass (above, left).

Light glides in purples and greens, bubbles hang like glass sculpture, and, for the length of a held breath, viewers (that is, the few who actually saw the movie before it was pulled from theaters) find themselves in the kind of idealized cartoon fantasy Jem could have been.

The Past Provenance Of This Stunning TVR Sagaris Is Firmly In Place And We Firmly Believe That This Has To Be One Of The Rarest Examples, With An Excellent Array Of Important Factory Options, Staggeringly Low Mileage And And Extensive Historical History File, So With This We Expect A High Level Of Interest From Every Corner Of The Globe, With Options To Ship Worldwide, Available Upon Request... Exterior: The Aggressive Sculptured Fibre Glass Body Is Presented In The Launch Colour Finish Of Red Glow Pearl, Which Is A Truly Fantastic Shade In Showcasing The Hostile Multiple Bonnet Vents, The Fabulous Sagaris Body Lines And The Now Famous Signature TVR Curves.

This cute and cuddly yellow glass sculpture has spotted you from a distance, and has its tail caught in a wag.

Artwork being revealed for the first time will include virtually every medium from watercolors to pastels and oils, bronze to marble and metal sculpture, blown glass and ceramics.

The tiled floor, white walls, and shadow box shelves offset the glass works of art that range in size from paperweights and jewelry to larger sculptures.

GUEST BEDROOMS: - Two king - sized bedrooms housed in stand - alone pavilions - Featuring king four - poster beds, cream coloured walls, wooden floors and soaring roofs - Front terrace lit by colonial - style bell - jar lanterns and furnished with antique daybed leading from glass sliding doors onto the bedroom - Spacious dressing rooms - Wall - mounted LCD satellite TV, DVD player and iPod dock - Air - conditioned and fan - cooled - Air - conditioned ensuite bathroom with sculptured terrazzo bathtub, double washbasins, glass doors leading to alfresco area with outdoor rain shower in a private walled courtyard - Additional single bed can be configured upon request

Glass sculptures suggesting heating coils and functional implements assume a variety of attitudes when viewed from different angles, and with subtly interlocking constructions, they uncannily convey motion; they also operate like Escher works in the round.

His more than 125 public sculptures grace everything from the grassy sweeps of idyllic public parks to the imposing facades of steel and glass skyscrapers.

Last week Artist Adam Distenfeld connects us to «Akhnhten» by Philip Glass and talks about his sculptures made from recovered natural rocks from construction sites in NYC.

The sculptures, all from 2016, are presented in niches and glass vitrines designed in collaboration with the artist.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

It will feature multiple mosaic artists, metal sculptures, craft jewelry, knitted critters, crochet, cast paper, glass tableware and original lighting designs, all sourced from reused materials.

This stunningly illustrated survey encompasses works from the late 1950s to the present — photo - paintings, abstractions, landscapes, seascapes, portraits, color charts, grey paintings, glass and mirror works, sculptures, drawings and photographs — providing the definitive account of Richter's achievements.

This exhibition features works completed over the past two years from twenty - four artists in Tyler School of Art's nine MFA programs: Ceramics, Fibers and Material Studies, Glass, Graphic and Interactive Design, Metals / Jewelry / CAD - CAM, Painting, Photography, Printmaking, and Sculpture.

The energy that imbues these pieces is infectious, and necessarily so: the viewer participates in the work by physically moving around the gallery: circling the glass sculptures to watch them sparkle from all angles; gazing up and peering down; approaching the paintings and inspecting them from sniffing distance, to reveal the secret symbols that construct their artful chaos.

A far more effective selection was Barry Le Va's shattered - glass floor piece from 1968 — 71 that underlined Reed's debt to procedure - based sculpture.

Celebrated for her exquisite structures of fused metal and glass, the exhibition will also include works in a range of media, from early ceramic and wood sculptures to seminal explorations in metal to dynamic paintings and works on paper.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

Hefti's iridescent glass pane sculptures, each unique, are made from special anti-reflective glass, commonly used to protect artworks and intended to be invisible.

The current exhibition includes ten sculptures spanning from the early wood and glass works through to the seventies» etched glass and steel pieces and finally his last works - the blown glass and bronze works of the eighties.

Spanning 40 years her creative output ranges from early wax reliefs and polyurethane sculptures, cantilevered installations, to videos, Polaroids as well as work in ceramics, glass, paper and neon.

Mainly contemporary, some Modern British, original prints, paintings, sculpture, glass and ceramics from emerging artists to Royal Academicians.

We'll explore sculptures and mosaics made from reused glass followed by a hands - on workshop making art with supplies from our reusable glass section.

Equally drawn to the history of figurative sculpture as to a wide range of craft and artisan traditions around the world — from ceramic techniques to glass blowing, enameling to welding — Upritchard pushes these practices in new directions, bringing them together to create a striking and original visual language of her own.

Stella has an essential place in the Glass House's collection overall, with additional works currently stored, but not currently on view, in the Painting Gallery and several pieces on display in the adjacent Sculpture Gallery, all of which range from the 1960s to the 1990s.

In these works, blue gazing balls, hand blown from glass, have been placed on white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitarian objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas.

Roni Horn's work was a real draw: We placed two of her cast glass sculptures ($ 975,000 each) and several works from her series of Hack Wit drawings ($ 85,000 each).

With media that range from the evocative glass marbles of Maya Lin's site - specific installation Fox Lake to the daunting stacking of thousands of buttons in Buffs by Tara Donovan to the textural properties of wood both carved and found from the sculptures of Louise Nevelson and Leonardo Drew to the exquisite detail of Fred Wilson's Venetian glass chandelier Oh!

Irene Shum Allen (Curator and Collections Manager, The Glass House) provides us with an introduction to Philip Johnson as an art patron, and presents three major works on display at The Glass House: an outdoor sculpture by Donald Judd (Untitled, 1971), which is believed to be Judd's first outdoor site - specific installation; the painting Averroes (1960) by Frank Stella; and Bruce Nauman's neon sculpture Neon Templates of the Left Half of My Body Taken at Ten Inch Intervals from 1966.

With the support of an expert team, Chihuly's exploration of color and form continued unhindered as his focus evolved from small sculptures to larger outdoor installations, to vast environmental exhibitions wherein he creates habitats made entirely from glass.

She takes a similar methodical approach to her dynamic sculptures, constructing a tower out of glass or aluminum bricks that, layer by layer, seem to emerge from the floor.

For the 2003 Venice Biennale, Wilson created a mixed - media installation of many parts — focusing on Africans in Venice and issues and representations of blacks and whites — which included a suite of black glass sculptures; a black - and - white tiled room, with wall graffiti culled from texts of African - American slave narratives; and a video installation of «Othello,» screened backwards.

The free standing sculptures range from 18 inches to six feet in height and are a kaleidoscope of hand - blown, translucent, iridized, modeled, and cathedral glass.

Facilities include works on paper with more than 3,000 prints and drawings; painting storage with works from the Renaissance to the present; and object storage with Greek and Roman pottery and glass, Ancient American ceramics and African and European Medieval and Renaissance sculpture and artifacts.

This broad assortment of over 10,000 4» x 5» glass slides, formerly used to teach History of Architecture and Town Planning, encompasses historical sites, architecture, painting, sculpture, manuscripts, city planning, drawings, jewelry and mosaics from ancient history through the 20th century.

He exhibits selections of his signature «painting sculptures», culling from his ongoing dynamically figurative cosmos Psychogeographies as well as intimately - scaled acrylic and glass contrasts.

The Art Center's collections chart the history of art from antiquity to the present and comprise over 21,000 works, including paintings, sculptures, drawings, prints, photographs, and glass and ceramic wares.

Grossman rose to national prominence in the 1960s for her sculptures of heads carefully carved from the soft wood of discarded telephone poles, overlaid with leather, and adorned with zippers, glass eyes, enamel noses, spikes and straps.

Bul draws on Taut's mountainous forms and prolific use of glass for her suspended sculptures, creating delicate towering structures that rise from a floating island of looping beads, wires and crystals.

10/11/2017 -11 / 2/2018 Peter Bremers: Looking Beyond the Mirror From a master of the kiln - casting technique in glass sculpture comes two distinct bodies of work in Peter Bremers» abstract style that express his exploration of human existence, from the perspective of the individual's perception of the world as well as an observation of our collective power as a group of individuFrom a master of the kiln - casting technique in glass sculpture comes two distinct bodies of work in Peter Bremers» abstract style that express his exploration of human existence, from the perspective of the individual's perception of the world as well as an observation of our collective power as a group of individufrom the perspective of the individual's perception of the world as well as an observation of our collective power as a group of individuals.

An installation view of «The Wandering Lake» shows, on the table and back wall, glass urinary - device sculptures from 2017, and on the side walls, the three - channel video «Configurations» (2016).