Sentences with phrase «glass paint into»

Apply a few light coats of the Looking Glass paint into the jar allowing 20 seconds in between each coat.Spritz more of the vinegar water mixture over the paint.
I used the Martha Stewart Glass Spray Paint Kit to turn the glass paint into spray paint.

Not exact matches

Thus Schickel, whose versatile work has encompassed painting, sculpture, stained glass, furniture, and architectural design, in one of his most inspiring works turned a simple barn in his own Loveland into a quite reverent place of worship.
But on a crisp autumnal day, Kathleen Folden, a truck driver, marched into our local museum, and began smashing the glass that surrounded a painting by a Stanford - based artist, Enrique Chagoya.
It is not uncommon to go into some of the poorest and most destitute communities around the world, where many of the people live in cardboard and tarpaper shacks and have barely enough food to live on, and in the middle of this community, find a large, grandly constructed church building with towering steeples, intricate stained glass, beautiful woodwork, and gorgeous hand - painted murals.
God's church is not made of wood, concrete, glass, paint, carpet, and shingles, but of people who are called by God to follow Jesus into the world.
You get that wonderfully hard, wood - protective quality with paints and stains because the fats are so fragile, when they get heated they turn into something like a glass coating.
Some pins are coated with enamel paint and clear acrylics, but the best are those fashioned with cloisonnè enamel — a powdered, colored glass that is mixed with water, brushed into tiny reservoirs on the pin face and fired in a furnace.
This blogger used frosted glass spray paint on her mason jars and then loaded them up into a repurposed wood caddy.
You get that wonderfully hard, wood - protective quality with paints and stains because the fats are so fragile, when they get heated they turn into something like a glass coating.
A lot of lipsticks promise that they're long - wearing, but in reality they smear or fade before you finish your first glass of wine or turn the lower half of your date's face into an abstract painting after one kiss.
There's nothing I love more than pouring myself a glass of wine, tucking into our ensuite and painting my nails.
I decided to make my own when I spray painted a 25 cent garage sale picture frame and could not get the glass back into the frame.
Spacious master bathroom features a single bathroom vanity painted light gray and adorned with glass knobs, divided into his and her sections, topped with white marble under white beveled mirrors illuminated by Longacre Sconces flanking open shelving.
Pingback: Transform an old glass container into a beautiful piece using gold spray paint From Evija with Love
Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.
Human Giant duo Rob Huebel and Paul Scheer are turning their long - running live show Crash Test into a TV special, and they're filming it on a 60 - foot glass bus with their heads painted on the side of it.
Electric engine and trunk lid release, Multi function display, On board computer, Variable PAS, 4 speakers, Porsche CDR - 24 CD / radio, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending split rear spoiler, Body colour bumpers, Body colour electric / heated door mirrors, Chrome plated stainless steel tailpipes, Coming home function, Door entry guards in stainless steel, Dual tailpipe, Electric windows one touch open / close, Front fog light / position light, Green tinted heat insulating glass, Heated washer nozzles, High level LED brake light, Solid paint, Windscreen with grey top tint, Alcantara handbrake / gearshift, Alcantara roof lining, Alcantara steering wheel rim, gear lever and handbrake grip, Coat hook integrated into back seat, Continuously variable dimming interior light, Cup holders, Door entry guards with Cayman S logo, Electrically adjustable backrest, Floor mats in interior colour, Footwell illumination, Front door storage bins, Height / reach adjust steering wheel, Integrated head restraints, Interior orientation lighting, ISOFIX child seat preparation + airbag deactivation, Leather finish on door handles, Leather interior in standard colour, Lockable glovebox, Luggage retainer on engine cover, Porsche crest embossed in headrests, Sports look pedals with rubber insert / stainless steel frame, Storage compartments in front section of centre console, Storage pockets in backrests of front seats, Sunvisors with illuminated vanity mirrors, Interior design package (in matching exterior paint colour)- Cayman, 3 point automatic seatbelts, ABS+ABD, ASR, Driver / Front Passenger airbags, Motor Slip Regulation - Engine Drag Torque Control, Passive occupant restraint system, POSIP for driver and passenger, Red painted brake calipers, Seatbelt pretensioners with load limiters, Side (thorax) airbags, Alarm system with interior protection, Remote control central locking, Transponder engine immobiliser, Porsche Active Suspension Management, Porsche stability management (PSM), Black instrument dials, Numbered plaque on glovebox lid, Rear centre console painted black, 19» Turbo alloy wheels, Sealing compound and compressor kit
As its name suggests, there are microscopic gold - tinted glass flakes infused into the red paint, creating a spectacular effect in the deep, lustrous paint as the light catches the finish.
Electric engine and trunk lid release, Multi function display, On board computer, Variable PAS, 4 speakers, Porsche CDR - 24 CD / radio, 2 speed front wipers + intermittent wipe, Aspherical driver's exterior mirror, Automatically extending split rear spoiler, Body colour bumpers, Body colour electric / heated door mirrors, Coming home function, Dual tailpipe, Electric windows one touch open / close, Front fog light / position light, Green tinted heat insulating glass, Heated washer nozzles, High level LED brake light, Windscreen with grey top tint, Coat hook integrated into back seat, Continuously variable dimming interior light, Cup holders, Door entry guards with Cayman S logo, Electrically adjustable backrest, Footwell illumination, Front door storage bins, Height / reach adjust steering wheel, Integrated head restraints, Interior orientation lighting, ISOFIX child seat preparation + airbag deactivation, Leather finish on door handles, Lockable glovebox, Luggage retainer on engine cover, Sports look pedals with rubber insert / stainless steel frame, Storage compartments in front section of centre console, Storage pockets in backrests of front seats, Sunvisors with illuminated vanity mirrors, 3 point automatic seatbelts, ABS+ABD, ASR, Driver / Front Passenger airbags, Motor Slip Regulation - Engine Drag Torque Control, Passive occupant restraint system, POSIP for driver and passenger, Red painted brake calipers, Seatbelt pretensioners with load limiters, Side (thorax) airbags, Alarm system with interior protection, Remote control central locking, Transponder engine immobiliser, Porsche stability management (PSM), Sealing compound and compressor kit
The interiors are finished in a «Dusk» hue leather whereas the exterior colour scheme is inspired by the night sky — integrating glass particles into the paint for a sense of light and depth.
Glass doors from a terrace open into a living room with painted concrete floors, bench - style couches, gold silk blinds and a flat - screen TV.
Enjoy the common viewing room in the central atrium where hand crafted stained glass doors open up into a beautiful and unique wildlife gallery of paintings and hand carved art by local Vancouver Island artists.
- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.
«Pour» insists on real pours, and an older artist at Benson's gallery, James Hyde, has pushed painting more and more into the third dimension, sometimes under glass.
Thr Brooklyn - based artist, 29, who joined Lehmann Maupin last May, fashions the surfaces of his large expressionistic pictures and assemblages from «oil skins,» created by pouring oil paint into glass, allowing it to dry, then peeling away the resulting sheets of color.
Five paintings structured after works by Kandinsky and Malevich — McElheny's Crystalline Prism Painting I, II, III, IV, and VI — feature press - molded and polished glass prisms inset into a field of black, matte oil paint brushstrokes, visible behind or through a surface made of a sheet of «museum glass».
Set into a painted film of white gloss, opalescent hues of the butterflies» gossamer wings produce the effect of a Gothic stained - glass rose window.
She was interested in finding a way to bring light into her work, and began to incorporate materials such as glass, plastic, gold leaf, and other reflective materials into her paintings.
The show, which takes up both storeys of Goodman's new Golden Square gallery, includes a major new glass panel sculpture; fluid, colourful «Flow» paintings; steely monochromes and a series of «Strip» paintings which systematically rework an old abstraction into new ones.
The swirling, bleeding colours of the Flow paintings conjure the chaos of light when you close your eyes while staring into the sun, and yet the glass surface causes the entire abstraction to recede into an otherworldly dimension of order that stands simultaneously removed from and just within the grasp coherence.
According to the artist, the broken plate paintings begun in 1978 were inspired by the Spanish visionary architect Antonio Gaudi who imbedded bits of glass and crockery into the plaster walls of his buildings.
In the late 1950s and early 1960s he made paintings and began as soon as 1961 to incorporate glass into small objects.
Albert Culbertson and Indira Burgos make paintings and boxes with imagery burned into wood using a magnifying glass and sunlight.
I think painting will finally be able to fully incorporate the notion of time into itself by creating experiential paintings that can be viewed and experienced through screen technology which becomes one with our eyes (ie Google Glass / lenses) or everyday virtual reality simulators such as the Oculus Rift.
By contrast, the labels at the New Museum accord with my experience by allowing whatever referential features may be there to remain at the level of suggestion by focusing on form and process («Composed along a central axis, each work is charged with a magnetic asymmetry; delineations between colors are blurred in the process of melting the powdered enamel pigment into glass») and by relying on Müller's biography (her work with a genderqueer collective) to prompt viewers to wonder what exactly gender might have to do with what we see in her paintings — if anything at all.
Paintings, drawings, printmaking, stained glass, jewelry, ceramics, pottery, fiber, mosaics, sculpture, and more are placed throughout the gallery, giving viewers a glimpse into the creativity that takes place throughout the many classrooms.
The resulting compositions are determined as much by the scale of the glass units Harman happens to find, and the often unpredictable interaction between the leftover paints he injects into the cavities, as by any deliberate action of the artist.
These vertical paintings compress the domed temple into animate flatness, like an arched stained - glass window.
Upon closer inspection, the viewer realizes that the painting is an image of a glass shattering into pieces, with its blue liquid spilling out.
To Krasner's horror, Bertha Schaefer, a gallery owner who began her career as an interior designer, put the painting behind glass and converted it into a table.
Overture will present over 25 new works exploring philosophical and theoretical ideas surrounding global displacement and conflict, demonstrating Khan's profound interrogation into language and meaning over a wide array of media — painting, sculpture, photography, works on paper, and, for the first time in his career, works on glass.
Careful lighting transforms the 13 monkey - god paintings lining the room into stained - glass windows and viewers behave as if they're in a non-specific holy space.
Made of layers of paper dipped in water and ink, chunks of plaster, glass and crystal shards and pieces of rock and quartz, Harnischfeger's wall works bristle with the taut energy borne of multiple materials situated over and against each other: built up, carved into and painted over.
Cut - and - paste collage may have formed the compositional backbone of 20th - century art, but Russell Mills takes the tradition into moodier realms of disorientation, mixing paints with ashes, teeth and crushed glass.
The works are fashioned from the same small handful of materials and shapes: tubes of stainless steel; circular and rectangular sheets of transparent and reflective glass; thin lines cutting out, carved into, or painted on to hard surfaces.
Wilson has cut into the black glass, leaving vacant shapes in the otherwise unmarred surface, which correspond with the faces of the Venetians in Longhi's paintings.
The walls of the gallery have been painted various shades of green and a glass door that leads into a back garden area is covered by a camouflage sheet and adhered with packing tape.
«I want to translate particular experiences into universal observations» — Judy Chicago Chicago's series Heads Up includes watercolors, sketches, two - dimensional painted glass and three - dimensional cast glass and ceramic heads.
Scheduled to launch at Art Expo New York this April, the series allows viewers to «experience original oil paintings like never before,» Nicol says, as 3D glasses turn the collection into an interactive experience.
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