Rosenquist's recent work is also featured in Italy in James Rosenquist:
Gli anni novanta, a solo show at the Civico Museo Revoltella, Galleria d'Arte Moderna, Trieste.
Among the most historically important have been de Chirico,
gli anni Venti (de Chirico in the 1920s), 1986 — 1987, then transferred to Palazzo Reale in Milan, and Boccioni 1912 Materia, 1991 — 92; Marino Marini — Mitografia (Marino Marini — Mythography), 1994 — 1995, which analyzed the evolution of the most characteristic aspect of the artist's output; Morandi ultimo — nature morte 1950 — 1964 (The Later Morandi — Still Lifes 1950 — 1964), 1997 — 1998, then transferred to the Peggy Guggenheim Collection in Venice, and de Chirico,
gli anni Trenta (de Chirico in the 1930s), 1998 — 1999, and recently Alberto Burri, opera al nero (Work in Black), 2012 - 2013, focused on a particular aspect of the artist's production: the treatment of black in his «Cellotex» works; Emilio Vedova, De America, in collaboration with the Fondazione Emilio e Annabianca Vedova, based on a series of about fifty paintings on canvas and paper, all in black and white, realized in 1976 - 77.
Civico Museo Revoltella, Galleria d'Arte Moderna, Trieste, James Rosenquist:
Gli anni novanta, June 11 — Sept. 15.