Sentences with phrase «glo acrylic»

No Strings (diptych) 2010 Day - glo acrylic, pearlescent and metallic acrylic, and Roll - a-Tex on canvas 228,5 x 315 x 10 cm

Peter Halley, Six Prisons, 2009 Acrylic, Day - Glo acrylic and Roll - a-Tex on canvas 66.5 x 84 inches June 3 - 27, 2009 Waddington Galleries presents an exhibition of seven new paintings by Peter Halley.

A protagonist of the dynamic New York art scene of the 1980s, and founder of the seminal Index magazine, he gained recognition as one of the main champions of the neo-geo movement with his geometric paintings rendered in intense fluorescent Day - Glo acrylic paint and Roll - a-Tex texture additive.

Day - glo acrylic and Roll - a-tex on canvas.

Benglis exemplifies a meandering creativity, putting materials through their paces, and taking advantage of new technologies, be they Day - Glo acrylics or video equipment.

With their stark, rectilinear compositions and their palette of unmodulated blacks and retina - searing fluorescents, the nine large paintings in «Peter Halley: Early Work, 1982 to 1987» still pack a visual wallop, their Day - Glo acrylics as deathless as Clorox bottles.

Peter Halley: MARY BOONE GALLERY Artforum International; December 1, 2009; Schambelan, Elizabeth; 700 + words With their stark, rectilinear compositions and their palette of unmodulated blacks and retina - searing fluorescents, the nine large paintings in «Peter Halley: Early Work, 1982 to 1987» still pack a visual wallop, their Day - Glo acrylics as deathless as Clorox bottles.

Not exact matches

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

The Glo - Pods body of work, meticulously created through a proprietary fabrication process of blow - molding and layering acrylic, mark Colon as part of the next generation of Southern Californian artists using light as an exploratory medium.

The Glo - Pods body of work — meticulously created through a proprietary fabrication process of blow - molding and layering acrylic — mark Colón as part of the next generation of southern California artists using light as exploratory media.

Their self - reflexive but coded titles refer to materials used and basic production details: «S. P.» in S. P. / R # 113 (all works 2013) is shorthand for «suspended»; «R» stands for red, the color of the acrylic, enamel, or Day - Glo paint applied to each plate; «# 1,» the chronological order in which the work of the series was made in a year; and «13,» the year in which the work was completed.

Began with chalks before gravitating to acrylics, marker ink and Day - Glo paint.

The American street artist Keith Haring is famous for his instantly recognizable style of urban graffiti art - executed in marker ink, acrylic and Day - Glo paint - with its thick black lines and distinctive cartoon - like figures and forms.

Acrylic Day - Glo, pearlescent and metallic acrylic, and Roll - a-Tex on Acrylic Day - Glo, pearlescent and metallic acrylic, and Roll - a-Tex on acrylic, and Roll - a-Tex on canvas.

Peter Halley born New York, NY 1953 Colortron Acrylic, Day - Glo fluorescent pigment, metallic acrylic, and Roll - a-Tex paint additive on canvas, 1999 78 × 83 1/2 inches University of Nebraska — Lincoln, Robert E. Schweser and Fern Beardsley Schweser Acquisition Fund, through the University of Nebraska Foundation, U - 53Acrylic, Day - Glo fluorescent pigment, metallic acrylic, and Roll - a-Tex paint additive on canvas, 1999 78 × 83 1/2 inches University of Nebraska — Lincoln, Robert E. Schweser and Fern Beardsley Schweser Acquisition Fund, through the University of Nebraska Foundation, U - 53acrylic, and Roll - a-Tex paint additive on canvas, 1999 78 × 83 1/2 inches University of Nebraska — Lincoln, Robert E. Schweser and Fern Beardsley Schweser Acquisition Fund, through the University of Nebraska Foundation, U - 5357.2003