Sentences with phrase «global art forum»

The nation, located on its own small jetty off the Arabian Peninsula, is a new destination on the art - world grand tour: current exhibitions include an 80 - foot - high Richard Serra and a Louise Bourgeois retrospective (her bronze spider is crawling across the Doha Convention Center), and in March it hosts a Global Art Forum that attracts artists, curators, and patrons from museum groups worldwide.

Art Dubai's Global Art Forum, involving leading arts professionals from the region is devoted to the promotion and dissemination of all arts and cultural works from the Middle East and North Africa, including Islamic art as well as secular works.

Left: Asia Art Archive's Hammad Nasar and art historian Salwa Mikdadi Right: Writer and historian Marina Warner with Global Art Forum codirector Omar Berrada.

On Wednesday, the Global Art Forum — taking on histories, timelines, and pivotal dates — got off to a rocky start.

What makes the earlier analogy confusing to me now, and possibly obsolete, is the fact that this year, the uncontested highlight of Art Dubai, which ran through the third week of March, was actually a conversation about Documenta, which brought Catherine David, Okwui Enwezor, and Adam Szymczyk — artistic directors of Documenta 10 (1997), Documenta 11 (2002), and Documenta 14 (forthcoming in 2017), respectively — to the stage of the Global Art Forum, the fair's annual talks program.

Art Dubai was pleased to welcome The National as the Official Media Partner of the Global Art Forum in 2009.

Returning for a third successful year at Art Dubai, The Global Art Forum played host to a series of lectures and discussions featuring leading contemporary art thinkers.

Global Art Forum 3 included more than 20 hours of discussion on issues critical to the Middle East and international art landscapes, including 59 speakers.

During the Art Dubai film program organised in conjunction with the fair, Heba Y. Amin's video work As Birds Flying will be shown at the Global Art Forum tent on Fort Island on March 19, 2016.

The Primacy of Audience» Global Art Forum, Dubai (2011); «The Wrong of Contemporary Art: Aesthetics and Political Indeterminacy» (with Andrea Phillips) in Reading Rancière (2011); «Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education» in Redhook Journal (2011); «Screw (Down) The Debt: Neoliberalism and the Politics of Austerity» in Mute (2010); «You Are Here» for Manifesta 8 (2010).

He is Commissioner of the Global Art Forum in Dubai, Editor - at - large of Tank magazine, Contributing Editor at Bidoun magazine, Director of the Format program at the AA School, London, and a member of Fondazione Prada's Thought Council, in Milan.

The Global Art Forum is an annual, transdisciplinary summit, based in Dubai, which combines original thinking and contemporary themes in an intimate, live environment.

The Doha days of the Global Art Forum took place during the Qatar Brazil 2014 Year of Culture at Katara Art Center.

WELCOME AND INTRODUCTION By Global Art Forum Commissioner Shumon Basar with Chief Operating Officer and Futurist - in - Chief of the Dubai Future Foundation Noah Raford, and Curator of Digital Culture & Design Collection at the MAK, Vienna, Marlies Wirth, as Co-Directors.

Previously, he curated public programs at the Centre Pompidou, hosted shows on French national radio, convened the Tangier International Book Salon, and co-directed Dubai's Global Art Forum.

Speakers include: Gilane Tawadros is Chief Executive of DACS and was Founding Director of InIVA; Deena Chalabi is Head of Strategy at Mathaf: Arab Museum of Modern Art; Shumon Basar is a writer, editor and Chair of the Global Art Forum at Art Dubai; Jack Persekian is a curator and producer living in Jerusalem; Emily Jacir is an artist living and working between New York, Ramallah and Beirut; Zineb Sedira is an artist living and working between Algiers, Paris and London; Wael Shawky is an artist living and working in Alexandria and founder of MASS Alexandria; Nav Haq is Exhibitions Curator at Arnolfini, Bristol.

It is said that Dubai is the most global of the global cities, and thus the perfect setting for a new three - day discussion platform: DIFC Global Art Forum.

WELCOME AND INTRODUCTION By Global Art Forum Commissioner Shumon Basar and Co-Directors Noah Raford and Marlies Wirth

The Global Art Forum 2018 focused on the power, paranoia and potentials of automation.

Shumon Basar was Director of Global Art Forum 6, Commissioner of Global Art Forum 7 and 8 and Director - at - Large of Global Art Forum 9.

The tenth edition of the Global Art Forum, titled The Future Was, explored the ways in which artists, writers, technologists, historians, musicians and thinkers have imagined, and are shaping, the future.

Art Dubai's Global Art Forum was presented by the Dubai Culture and Arts Authority (Dubai Culture) and supported by Dubai Design District (d3).

In customary fashion, the Global Art Forum convened the most compelling minds from across and above planet Earth to tell untold histories and share speculative stories.

The Global Art Forum 2016 launched in January with events at Dubai Design District (d3) and in London in partnership with the Institute of Contemporary Arts (ICA).

Global Art Forum in 2015 takes on the theme of technologies, and their impact on the world of art, culture and beyond.

The Global Art Forum in Dubai will feature the launch of a two - year partnership with 89plus.

Alongside the gallery halls, Art Dubai's extensive not - for - profit programme includes a dynamic roster of commissioned projects, film and radio programmes; artists» and curators» residencies; educational initiatives for children through to professionals, including the year - round art school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art Forum.

Not exact matches

Category: Asia, English, global citizenship education, Millennium Development Goals, North America, Universal Education · Tags: Arts, Cecile Guidote - Alvarez, communications, Creative Writing, Design, global citizenship, Global Education Magazine, Humanities, Korea, media, music, performance, Seoul Institute of the Arts, Theatre, UNESCO Dream Center, World Educationglobal citizenship education, Millennium Development Goals, North America, Universal Education · Tags: Arts, Cecile Guidote - Alvarez, communications, Creative Writing, Design, global citizenship, Global Education Magazine, Humanities, Korea, media, music, performance, Seoul Institute of the Arts, Theatre, UNESCO Dream Center, World Educationglobal citizenship, Global Education Magazine, Humanities, Korea, media, music, performance, Seoul Institute of the Arts, Theatre, UNESCO Dream Center, World EducationGlobal Education Magazine, Humanities, Korea, media, music, performance, Seoul Institute of the Arts, Theatre, UNESCO Dream Center, World Education Forum

After the World Education Forum 2015 (WEF 2015) celebrated in May 19 - 22, 2015, in Incheon (Republic of Korea), Ms. Cecile Guidote - Alvarez, UNESCO DREAM Center Director from the Philippines, invited Global Education Magazine Director, Javier Collado Ruano, to learn more about the Korea's top art school that aims to be world - class academy in next half century.

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

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Library's dance group in Johannesburg) and the Art Assassins, the South London Gallery's young people forum in an attempt to unpick the global conundrum: «We know each other but we don't know much about each other».

In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquArt Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquart: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquart collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&rglobal contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquart projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&rGlobal Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquArt Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquArt Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art&raquart news - focused app, «Planet Art&raquArt».

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

She is a Fulbright Fellow, World Economic Forum «Global Shaper» and an Andy Warhol Foundation for the Visual Arts Curatorial Fellow.

This debate, organised by Intelligence Squared, a global forum for live debate that is dedicated to producing knowledge through contest, explored the growth of Eastern economies and its effect on the globalised art market.

«a / drift: Scenes from a Penetrable Culture,» curated by Josh Decter, Bard Center for Curatorial Studies, Annandale - on - Hudson, NY, October 26, 1996 — January 5, 1997 «On Paper II,» Schmidt Contemporary Art, St Louis, MO, January 23 — February 20, 1996 «Tangles,» Otis College of Art and Design, Los Angeles, CA, November 2 — December 21, 1996 «Community of Creativity: A Century of MacDowell Colony Artists,» Currier Gallery of Art, Manchester, NH, 1996; traveled to the New York School of Design, New York, NY; Wichita Art Museum, Wichita, KS «The Inner Eye: Art Beyond the Visible,» Manchester City Art Galleries, Manchester, UK, 1996; traveled to the Museum and Art Gallery, Brighton, UK; Glynn Vivan Art Gallery, Swansea, UK; Dulwich Picture Gallery, London, UK; catalogue «Hotter Than July,» Margo Leavin Gallery, Los Angeles, CA, 1996 «a / drift,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996; catalogue «Inclusion / Exclusion: Art in the Age of Post-Colonialism and Global Migration,» Steirischer Herbst 96, Graz, Austria, 1996; catalogue «Art at the End of the 20th Century: Selections from the Whitney Museum of American Art,» National Gallery, Alexandros Soutzos Museum, Athens, Greece, 1996; traveled to Museu d'Art Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany; catalogue «Burning Issues: Contemporary African - American Art,» Museum of Art, Fort Lauderdale, FL; brochure «Thinking Print: Books to Billboards 1980 - 1995,» Museum of Modern Art, New York, NY, 1996; catalogue «10th Biennale of Sydney: Jurassic Technologies Revenant,» Art Gallery of New South Wales, Sydney, Australia, 1996; catalogue «The Mediated Object: Selections from the Eli Broad Collection,» Fogg Art Museum, Cambridge, MA, 1996; traveled to Forum for Contemporary Art, St Louis, MO «An American Story,» Whitney Museum of American Art, New York, NY, 1996 «Festival Exit,» Maison des Arts de la Culture, Paris - Creteil, France, 1996 «Screen,» Friedrich Petzel Gallery, New York, NY; video catalogue «Prospect «96,» Frankfurt Kunstverein, Frankfurt, Germany, 1996; catalogue

Critical Forum Global Exhibitions: Contemporary Art and the African Diaspora 19 February 2010, 10.00 — 17.00 Location: Auditorium, Admission # 35, # 20 (Concessions) Limited places, booking recommended In partnership with Liverpool University Press, University of the Arts Research Centre for Transnational Art, Identity and Nation (TrAIN) and the University of Liverpool.