Sentences with phrase «global art project»

It's a global art project that anyone can join.
So maintains Selene Wendt, Independent Curator and Founder of the Global Art Project, a professional platform for the communication, development and presentation of international contemporary art across geographical borders, based in Norway.
Selene Wendt is an independent curator and founder of The Global Art Project, based in Oslo, Norway.
«One of the most amazing gifts of doing this Global Art Project is the joy of seeing children unencumbered from expectations that there will be only differences or only similarities with people and places new to them,» says teacher Kristi Rennebohm Franz, who helped create the Global Art Project for the International Education and Resource Network — better known as iEARN.

Not exact matches

The project integrated its different facets last year to create one company that focuses on the areas of art, civic engagement, inclusion, education, global networking, philosophy and gifting.
Little Sun engages in projects with partners such as art institutions, international agencies, NGOs, and the private sector to raise global awareness of energy access and solar power.
This global hub, also known as «Gateway of the Americas», has everything that EB - 5 investor might want besides a growing number of EB - 5 approved projects; largest concentration of foreign banks and multinational corporations, rated Number 2 in Business Friendliness and Number 3 in Foreign Direct Investment Strategy by FDI Intelligence (a division of Financial Times), and is undoubtedly one of fastest growing urban centers of the world in commerce, finance, culture, media, arts, entertainment and international trade.»
Orbert Davis» Chicago Jazz Philharmonic, the Chicago Youth Symphony Orchestras and Northlight Theatre are among 18 Chicago - area arts organizations that will receive funding for global projects from the Chicago - based John D. and Catherine T. MacArthur Foundation.
At 11:30 a.m., NYC Parks Commissioner Mitchell Silver, FAICP, UNIQLO USA CEO Hiroshi Taki, UNIQLO Global Director of Corporate Social Responsibility Jean Shein, NYC Councilwoman Laurie Cumbo, artist Alexandre Arrechea and community members announce a partnership project that will bring more public art to city parks, Fort Greene Park Plaza, corner of Washington Park and Myrtle Avenue, Brooklyn.
The HIV Pathogenesis Programme (HPP), based within the DDMRI, provides state - of - the - art laboratory facilities to enable basic and translational research projects to be undertaken at a site at the heart of the global HIV epidemic.
It reminds me of the beautiful wing murals that are part of Colette Miller's Global Angel Wings Project, which first appeared in LA's art district back in 2012 - except this is sort of like San Francisco's Mission District version.
Grammy - award winning cellist and composer Yo - Yo Ma met with Harvard Graduate School of Education faculty last week to discuss education initiatives under his Silk Road Project — a nonprofit arts and educational organization with a vision of creating global connections by uniting artists and audiences around the world.
She has since led the organization through extensive growth and expansion — reaching more than 250,000 students and 2,000 educators from three offices nationwide since founding — and expanded programs to include global project based learning, arts and media integration, professional development and international exchange and service learning.
It was an artist from Florida with The RAW (Re-imagining the Arts Worldwide) Project, a non-profit that connects global artists to local schools with the goal of beautifying school campuses.
The arts - based event showcases site - specific works by «established and emerging artists, whose projects will amplify and articulate global and local issues of a diverse range,» we're told, and as such the look and feel of the identity takes a suitably neutral and pared - back approach.
DAVID ADJAYE, «Making Place: The Architecture of David Adjaye» @ The Art Institute of Chicago Chicago «Making Place» is the first comprehensive museum survey of global architect David Adjaye «s portfolio of more than 50 built projects, which includes the forthcoming National Museum of African American History and Culture on the National Mall in Washington, D.C.. His approach to design is unique: «Rather than advancing a signature architectural style, Adjaye's structures address local concerns and conditions through both a historical understanding of context and a global understanding of modernism.»
Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecArt Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecart practices through innovative curatorial projects.
«Uncontained,» Whitney Museum of American Art, New York, NY, February 8 — April 29, 2007 «Hammer Contemporary Collection,» Hammer Museum, Los Angeles, CA, January 16 — April 8, 2007 2006 «The Bong Show or This is Not a Pipe,» curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9, 2006 — January 20, 2007 «The Unhomely: Phantom Scenes in Global Society,» curated by Okwui Enwezor, Second International Biennial of Contemporary Art, Seville, Spain, October 26, 2006 — January 15, 2007; cat.
2009 Harvard University Visiting Assistant Professor of Visual and Environmental Studies Harvard University's Office of Fine Arts» Artist in Residence Creative Time Travel Grant for Global Residency Project
Presented by Mehta Bell Projects and the Global Eye Programme, START Projects will hone in on contemporary art practices in Vietnam and Korea through its Global Eye Program established by Parallel Contemporary Aart practices in Vietnam and Korea through its Global Eye Program established by Parallel Contemporary ArtArt.
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA
We're delighted that AWAD Member Joanna Bryant is taking part in this guest - curated section of Art Projects that is intended to encourage and foster relationships on a global scale.
Alicia David Contemporary Art represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across EuroArt represents our artists on a global scale, exhibiting work at art fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Euroart fairs in the UK and the US and curating solo and group exhibitions, projects and collaborations across Europe.
Having developed a dynamic relationship with curators and collectors, gallery exhibitions are complemented with artistic projects and collaborations with visionary design studios, arts and culture festivals, pioneering charities, national institutions and global retail brands.
This unique project was conceived by Action for Brazil's Children Trust supporter and Sports Media Consultant Betise Head, ABC Trust Founder Jimena Paratcha, and Alice Whitney of Creative Nation, with the help of Lee Sharrock, an arts PR, curator, writer and Director of Global Creative PR at Saatchi & Saatchi Worldwide.
Celebrated for its global focus, this year the fair continues to support international emerging art by including a special focus on Vietnam through its Vietnam Eye project.
Additional project supporters include AICA - Armenia; ALWAN for the Arts; Arts in the One World; Blind Dates Friends & Global Advisory Council; Dorothy and Joseph Reilly Fund; Hrant Dink Memorial Workshop; Mirak Family Foundation; Mondriaan Foundation; and UTA Turkish Studies.
Sims, the Curator at the Museum of Arts and Design in New York, hand - picked the piece for the museum's ambitious exhibition, the Global Africa Project, which surveys the global influences on African art and vice versa, African art's influence on the Global Africa Project, which surveys the global influences on African art and vice versa, African art's influence on the global influences on African art and vice versa, African art's influence on the globe.
2010 Hide / Seek: Difference and Desire in American Portraiture, Smithsonian National Portrait Gallery, Washington, DC Off the Wall, Whitney Museum, New York, NY The Global Africa Project, Museum of Arts and Design, New York, NY Traveling 2010 — 2013 to Reginald Lewis Museum, Baltimore, ME; High Museum, Atlanta, GA; Seattle Art Museum, Seattle, WA; Tacoma Art Museum, Tacoma, WA; Bellevue Art Museum, Bellevue, WA Ghana: Who Knows Tomorrow, Dei Centre for the Study of Contemporary African Art, Accra, Ghana
Based in the UK and New York, the British - Ghanaian architect has a global footprint, working on projects that usually have an arts and culture focus.
She participated in the Artist Project at the Metropolitan Museum of Art and earlier this month, recognized for «collaging the immigrant experience,» Akunyili Crosby was named among the 100 Leading Global Thinkers of 2015 by Foreign Policy Magazine.
Contemporary gallery Gazelli Art House supports a wide range of international artists, presenting a broad and dynamic programme to a diverse audience through global public projects and exhibition spaces in London and Baku.
The global project culminated in a major survey of the works at the National Gallery of Art in 1991.
As we continue to grow our presence in Asia, we are particularly pleased to have found such a fitting project with which to extend our global art partnership programme to the region.
Group exhibitions include Prospect.4, the US Biennial in New Orleans (2017 - 2018); In Context: Africans in America, at the Goodman Gallery and the Johannesburg Art Gallery, Johannesburg, South Africa (2016); Represent: 200 Years of African American Art, at The Philadelphia Museum of Art (2015); The Geometric Unconscious: A Century of Abstraction, at the Sheldon Museum of Art, University of Nebraska (2012); ARS 11, Kiasma Museum of Contemporary Art, Helsinki (2011); The Global Africa Project, Museum of Arts and Design, New York (2010); and Wallworks, Yerba Buena Center for the Arts, San Francisco (2009).
The exhibition reveals how contemporary art is contributing to the global project of rethinking our relationship to other living things.
«Zoe's project resonates with me as a powerful way to support women's rights and global solidarity, and I am proud to be involved in bringing this extraordinary work of art to life.»
Mahlangu is the most renowned artist of South Africa's Ndebele people, and she has developed the art of mural painting from a tradition of designs painted on the exterior of rural homes to projects created in a global, contemporary art context.
Girls» Club presents Change Agents, an exhibition of works by female artists in South Florida, whose careers and creative projects advance the global conversation about contemporary art, demonstrate dynamic ways in which artists can be self - sustaining, while nurturing the career advancement of others.
START has its roots in the Prudential Global Eye Programme, established in 2008 by David and Serenella Ciclitira in collaboration with the Saatchi Gallery as a means of promoting emerging art in Asia — previous projects include spotlights on Korea (2009 — 12), Indonesia (2011) and Hong Kong (2013).
[ii] The Arts Bank is the first of Gates» projects with regular open hours and hopes to draw the community in, even though the exhibition and residency program will continue to be global.
The first of a three - part series devoted to cross-cultural identity, «Global Vision: New Art from the 90's» inaugurated Athens's new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»90s.
But we can say that with the help of art fairs Zona Maco (in its 14th year) and Material Art Fair (in its fourth), the capital city has attracted a global audience for its flourishing cohort of museums, galleries, project spaces, collectors, and of course, artisart fairs Zona Maco (in its 14th year) and Material Art Fair (in its fourth), the capital city has attracted a global audience for its flourishing cohort of museums, galleries, project spaces, collectors, and of course, artisArt Fair (in its fourth), the capital city has attracted a global audience for its flourishing cohort of museums, galleries, project spaces, collectors, and of course, artists.
«There's been an increase in socially motivated art projects from artists all over the world within the last decade, it's certainly a global movement,» said Matteo Lucchetti, co-director of the Visible Project.
The Fine Art Society joins roster of galleries at London's Global Art Fair, Art 15 with newly represented artists Barnaby Hosking, Michael Petry and Jacky Tsai, whilst renowned Australian artist Janet Lawrence presents an Art 15 Special Project.
Recent exhibitions include: As We Were Saying: Art and Identity in the Age of «Post,» curated by Claire Barliant, The Elizabeth Foundation, New York (2014); Michael Wang: Global Tone, Foxy Production (2013); Liquid Autist, curated by Daniel Keller, Kraupa - Tuskany Zeidler, Berlin (2013); Spaces for Drawing, The Hite Collection, Gangman - gu, Seoul (2013); Differentiation Series, Primetime Gallery, Brooklyn, NY (solo); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (two - person); and Carbon Copies, Foxy Production (solo project)(all 2012).
Alongside the gallery halls, Art Dubai's extensive not - for - profit programme includes a dynamic roster of commissioned projects, film and radio programmes; artists» and curators» residencies; educational initiatives for children through to professionals, including the year - round art school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art ForArt Dubai's extensive not - for - profit programme includes a dynamic roster of commissioned projects, film and radio programmes; artists» and curators» residencies; educational initiatives for children through to professionals, including the year - round art school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art Forart school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art ForArt Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art ForArt Prize; and the critically - acclaimed Global Art ForArt Forum.
In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aArt will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public aart projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public artart.
2013 — Keywords, Iniva London 2012 — Cotton Global Threads, Whitworth Art Gallery 2012 — Migrations Tate Britain London 2011/12 — Thin Black Line (s, Tate Britain 2011 — Hunter Gatherers, Project Space Leeds 2011 — Northern Art Prize — Jelly Pavilions, Leeds Art Gallery 2009 — Myth + History, The Bristol Gallery 2007 — Uncomfortable Truths, Victoria & Albert Museum London 2006 — Migratory Aesthetics, Leeds University Yorkshire 2004/5 — Distance No Object, Bowes Museum Barnard Castle 2002 — Fabrications, C.U.B.E. Manchester 2002 — Games People Play, Castlefield Gallery Manchester 2001 — Nothing But Facts, Lavatoio Contumaciale Rome.
In the past year alone, Akunyili Crosby — whose first name is pronounced «nnn - jee - deh - car» — has participated in several group shows (including the Whitney's current portraiture survey, «Human Interest») and five solo efforts (at L.A.'s Hammer Museum, Mark Bradford's Art + Practice, the Norton Museum of Art, the Whitney's billboard project and London's Victoria Miro Gallery, where she'll make her solo European debut in October), while earning a spot on Foreign Policy's 2015 list of the Leading Global Thinkers.
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