Not exact matches
The dirt in our minds, like someone hurling insults at other religions and
strangers, that bothers
God more
than the frequency of our baths.
Such a way of worshiping
god was so much easier than the strange way God had command
god was so much easier
than the
strange way
God had command
God had commanded.
«In a
strange way the present passage speaks more about
God's faith in Abraham
than Abraham's faith in
God.»
In After
Strange Gods he hinted darkly at the kind of oppression his society might lead to: «What is still more important [
than homogeneity of culture] is unity of religious background; and reasons of race and religion combine to make any large number of freethinking Jews undesirable.»
1 Corinthians 11:14 (Men should not have long hair) 1 Corinthians 14:34 - 35 (Women should remain silent in church) Deuteronomy 13:6 - 16 (Death penalty for Apostasy) Deuteronomy 20:10 - 14 (Attack city, kill all men, keep women, children as spoils of war) Deuteronomy 21:18 - 21 (Death penalty for a rebellious son) Deuteronomy 22:19 - 25 (Kill non - virgin / kill adulterers / rapists) Ecclesiastes 1:18 (Knowledge is bad) Exodus 21:1 - 7 (Rules for buying slaves) Exodus 35:2 (Death for working on the Sabbath) Ezekiel 9:5 - 6 (Murder women / children) Genesis 1:3,4,5,11,12,16 (
God creates light, night and day, plants grow, before creating sun) Genesis 3:16 (Man shall rule over woman) Jeremiah 19:9 (Cannibalism) John 3:18 (He who believes in Jesus is saved, he that doesn't is condemned) John 5:46 - 47 (Jesus references Old Testament) Leviticus 3:1 - 17 (Procedure for animal sacrifice) Leviticus 19:19 (No mixed fabrics in clothing) Leviticus 19:27 (Don't trim hair or beard) Leviticus 19:28 (No tattoos) Leviticus 20:9 (Death for cursing father or mother) Leviticus 20:10 (Death for adultery) Leviticus 20:13 (Death for gay men) Leviticus 21:17 - 23 (Ugly people, lame, dwarfs, not welcome on altar) Leviticus 25:45 (
Strangers can be bought as slaves) Luke 12:33 (Sell your possessions, and give to the poor) Luke 14:26 (You must hate your family and yourself to follow Jesus) Mark 10:11 - 12 (Leaving your spouse for another is adultery) Mark 10:21 - 22 (Sell your possessions and give to the poor) Mark 10:24 - 25 (Next to impossible for rich to get into heaven) Mark 16:15 - 16 (Those who hear the gospel and don't believe go to hell) Matthew 5:17 - 19 (Jesus says he has come to enforce the laws of the Old Testament) Matthew 6:5 - 6 (Pray in secret) Matthew 6:18 (Fast for Lent in secret) Matthew 9:12 (The healthy don't need a doctor, the sick do) Matthew 10:34 - 37 (Jesus comes with sword, turns families against each other, those that love family more
than him are not worthy) Matthew 12:30 (If you're not with Jesus, you're against him) Matthew 15:4 (Death for not honouring your father and mother) Matthew 22:29 (Jesus references Old Testament) Matthew 24:37 (Jesus references Old Testament) Numbers 14:18 (Following generations blamed for the sins of previous ones) Psalms 137:9 (Violence against children) Revelation 6:13 (The stars fell to earth like figs) Revelation 21:8 (Unbelievers, among others, go to hell) 1 Timothy 2:11 - 12 (Women subordinate and must remain silent) 1 Timothy 5:8 (If you don't provide for your family, you are an infidel)
Early Old Testament:
God's presence shows up in burning bushes, rods / staffs, other physical manifestations, and as «
strangers» or «forms» different
than «just men.»
Despite itself Israel is climbing Calvary, side by side with Christians — whose vocation concerns the kingdom of
God more
than the temporal history of the world; and these
strange companions are at times surprised to find each other mounting the same path.
In a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals who are representative either of a class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important
than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a
God who makes
strange demands on his followers.
This is because her life radiates beauty: through her hospitality to friends and
strangers alike, through her joyful laugh, through her care of those in need, through her passion for education, through her love of framing things on film through the lens of a camera, through her ability to be patient with her doofus husband, through her genuine love for
God, through her sacrificial generosity to those with less
than we have, and even through her stubborn refusal to let me get away with any of my trademark snark.
But I do think that it is
strange to seek after the Spirit of
God in the works of authors other
than the one book we know the Spirit wrote... why do that?
The students began as
strangers, but their work in reflecting on Scripture and in sharing what they discovered with each other created something more
than themselves: a friendship between themselves, and beyond themselves, with
God.
The
strange truth is that when men live in dependence on
God, they are enabled to act with more vigor and courage and with less likelihood of despair and disappointment
than when they falsely assume that they are lords of all they survey and act as if they were sovereign over the Creation.
My own sense of the text, based on more
than cursory reading, is that the sin most insistently called abhorrent to
God is the failure of generosity, the neglect of widow and orphan, the oppression of
strangers and the poor, the defrauding of the laborer.
For the novel's real hero, Lancelot, at his worst anyway, they are little more
than a near occasion of sin: «I have been away in
strange and desert places, sometimes quite alone, sometimes in a boat with nobody but
God and the whistling sea,» he tells Arthur after his failure with the Grail.
But, if you think that is
strange, just look at the last verse of the book, and you will come to the conclusion that
God's priorities are really mixed up: «Should not I pity Nineveh, that great city, in which there are more
than a hundred and twenty thousand persons who do not know their right hand from their left, and also much cattle?»
Thank
God for them all, of course, and for that
strange interval, which was most of my life, when I read out of loneliness, and when bad company was much better
than no company You can love a bad book for its haplessness or pomposity or gall, if you have that starveling appetite for things human, which I devoutly hope you never will have.
In left - wing circles it is always felt that there is something slightly disgraceful in being an Englishman and that it is a duty to snigger at every English institution... It is a
strange fact, but it is unquestionably true that almost any English intellectual would feel more ashamed of standing to attention during «
God save the King»
than of stealing from a poor box.
The single celebrity joked that she would rather have
God drop a husband in her lap
than go on dates with
strangers.
- the protagonist meets Tico, a mysterious bird - like creature - Tico leads you to the World of Icarnus, a truly magical place where the Incarnus live - monsters here are huge and they also drop a lot more items
than regular monsters - in some places, you will be able to witness monsters fighting each other - use your drone to watch the fight from up close, but from a safe distance - there's a mysterious village that seems to be abandoned - there are some facilities in there run by Incarnus - there's a store run by a frog - like Incarnus, which stocks some rare items - this village has a
strange structure that looks like an altar - the Incarnus are said to be pretty close to the
gods
The New York artist's «Garbage
Gods,» cybernetic samurai reunited for the first time, will loom large at this Red Bull show, along with oral history stations featuring recollections of the artist by luminaries like fellow artist and filmmaker Charlie Ahearn and director Jim Jarmusch, who gave him a cameo in his cult classic
Stranger Than Paradise.