Sentences with phrase «godzilla made»

Sixty years after Godzilla made his initial screen appearance, we get a full blown Hollywood special effects blockbuster version that will eclipse the $ 100 million mark in its first weekend.

Directed by Jordan Vogt - Roberts (The Kings of Summer) from a screenplay written by Dan Gilroy and Max Borenstein and Derek Connolly with the story by John Gatins, it's not a movie that makes us wait a while for King Kong in the same way that the rebooted Godzilla made us wait for the monster.

Godzilla made a pretty impressive return last weekend, thanks mostly to director Gareth Edwards «s ability to spectacularly realize monster fight chaos.

I almost titled this article «New International Trailer for Godzilla Makes All My Childhood Dreams Come True».

Ford and GODZILLA make a great ensemble in the closing minutes of the film and find their way back to their normal lives.

And yet, at its best, Shin Godzilla makes a tangible, unsettling case for how worried we should still be about giant monsters rampaging through our cities.

Not exact matches

They make huge movies like Godzilla and Dark Knight, but they also have a very large investment in digital.

Tull broke away in 2013 and has expanded in television while making big bets on his own films, including «Pacific Rim» and «Godzilla.»

you can find examples of this pathetic god and its very human traits... its all thru out the bible, and it even makes excuses for why god seems so human — two possible reasons for this — either those who wrote the bible screwed up and forgot to make god seem godlike because its all a lie... a fabrication of man... or god isn't a god but rather a petty, hateful alien with a napoleon complex (not sure they have a napoleon in the alien form... godzilla — lol, but godzilla at least is a true possibility... god and those who believe are living in a fantasy world!!

But an invisible, man - made threat associated with Godzilla and three - eyed fish?

Calling it Godzilla seems a bit silly, since that makes it sound like it's a huge monster that's going to step on your house.

The Godzilla actress makes a big entrance in a dazzling strapless Elie Saab gown and matching navy sandals at the premiere of the sci - fi flick in London.

He got «Godzilla» because he made «Monsters» on an absurdly short time frame, it showed incredible craft (testament to his long years of study) and budget - savvy, and scored huge in Asia ($ 4 million, so an ROI of 8:1).

Gareth Edwards got «Rogue One» because «Godzilla» made $ 600 million.

Basically, he's made a modern American version of classic Seventies and Eighties Kaiju (in knowing nods, megacroc Lizzie even has definite hints of Godzilla's fellow beasts Anguirus and Biollante in the design).

Gareth Edwards» Monsters cost $ 500,000 but made only $ 237,000 domestically; he went on to direct Godzilla and Rogue One.

Now we can count him as part of the growing trend of celebrated indie directors making the successful leap to tentpoles, along with others like Colin Trevorrow (Safety Not Guaranteed (one of my all - time favorites) to Jurassic World) and Gareth Edwards (Monsters, to Godzilla, to Rogue One).

Bad Samaritan is directed by veteran producer / writer (of the scripts for Universal Soldier, Stargate, Independence Day, Godzilla, «The Outpost») and now filmmaker Dean Devlin, making his second feature film after directing Geostorm previously.

The worse thing that could have happened is that we got another Godzilla, another movie about monsters fighting each other, but trying to make it an OSCAR - worthy drama.

Rialto's past releases include Renoir's Grand Illusion, both in 1999 and in a new 4K restoration for its 75th anniversary in 2012; Carol Reed's The Third Man; Fellini's Nights of Cabiria (for the first time in its «director's cut»); Jules Dassin's Rififi; Godard's Breathless, Contempt, Band of Outsiders, Masculine Feminine, Le Petit Soldat, Alphaville, and the U.S. premiere of his Made in U.S.A.; Kurosawa's Ran; Buñuel's The Discreet Charm of the Bourgeoisie; Jacques Becker's Touchez pas au Grisbi; Bresson's Au Hasard Balthazar and Diary of a Country Priest; Resnais» Last Year at Marienbad; the U.S. premiere of the original, uncut Japanese version of Godzilla; the U.S. premiere of the complete, uncut version of Jean - Pierre Melville's Le Cercle Rouge; the U.S. premiere of Melville's Army of Shadows, which became the most critically - acclaimed film of 2006; the U.S. premiere of Claude Sautet's Max et les Ferrailleurs; and Robin Hardy's definitive cut of The Wicker Man.

3 Ways to Get a Husband (2010) A Nightmare on Elm Street (1984) A Nightmare on Elm Street 2: Freddy's Revenge (1985) A Nightmare on Elm Street 3: The Dream Warriors (1987) A Nightmare on Elm Street 4: The Dream Master (1988) A Nightmare on Elm Street 5: The Dream Child (1989) A Very Brady Sequel (1996) The Brady Bunch Movie (1995) Baby Boom (1987) Back to School (1986) Barefoot (2014) The Beatles: Made on Merseyside (2017) The Box (2009) Booty Call (1997) Breakable You (2018) Bride and Prejudice (2004) Bull Durham (1988) The Counterfeit Traitor (1962) The Crow (1994) The Crow II: City of Angels (1996) The Crow III: Salvation (2000) The Crow IV: Wicked Prayer (2005) Demolition Man (1993) Dirty Pretty Things (2002) Eight Men Out (1988) Elizabethtown (2005) Emperor (2012) Executive Decision (1996) Foxfire (1996) Gator (1976) Godzilla (1998) The Hangman (2017) Here to be Heard: The Story of the Slits (2017) Hot Boyz (2000) The House I Live In (2012) Immigration Tango (2010) Iron Eagle IV: On the Attack (1995) Kalifornia (1993) Lost in Vagueness (2017) Love is a Gun (1994) Malena (2000) Man of the House (2005) Manhunter (1986) Mansfield Park (1999) The Matrix (1999) The Matrix Reloaded (2003) The Matrix Revolutions (2003) Men in Black II (2002) Men with Brooms (2002) Never Back Down (2008) New Guy (2002) New Rose Hotel (1998) Ninja Masters (2009) No Greater Love (2015) The Pallbearer (1996) Pink Panther 2 (2009) Pret - A-Porter (1994) Priest (2011) Race for your Life, Charlie Brown (1977)

Shot in South Africa, Namibia and New Zealand is this dawn - of - man - epic from he who made «Independence Day» and «Godzilla»: German - born director Roland Emmerich.

From Gareth Edwards delivering «Godzilla,» to The Russo Brothers making very respectable work of «Captain America: the Winter Soldier,» to James Gunn knocking «Guardians of the Galaxy» out of the park, to Ava DuVernay moving to a much larger canvas with «Selma,» and Darren Aronofsky tackling the massive «Noah,» it's been such a phenomenon this year that we dedicated two whole features to it in the first half of the year (When Indie Directors Get Big Budgets and Next - Generation Blockbuster Directors).

The source continues to explain that Marvel has instead turned their attention towards up - and - coming star Elizabeth Olsen, another proven talent who's making the jump from indie fare to mainstream studio flicks next year with Godzilla.

It makes sense, as Warner Bros. and Legendary are building towards a Kong vs. Godzilla movie that will build off of Skull Island and the foundation Gareth Edwards set with Godzilla, and one imagines there will be a mighty big Monarch connection to whatever other creatures are found on Skull Island.

Not a perfect one, clearly, but this is Godzilla as it should have been made.

Godzilla succeeds precisely due to its mix of modern technological wonder, old school devotion to the themes that made the series the genre - defining behemoth it has been, and a measured understanding of what makes a story like this work on the big screen.

It's possible that they made the ape so large to even the odds, so to speak, when King Kong squares off against Godzilla in Godzilla vs. King Kong, which has been set for release on May 29, 2020.

People usually bemoan the lack of a strong human element in big blockbusters like this, but while «Godzilla» aims to remedy that by placing the focus more on them than the giant monsters doing battle, the characters are so bland and thinly written (with the exception of Bryan Cranston's scientist, who has a smaller role than is hinted at in the trailers) that it only makes things worse.

There are times where it becomes a giddy giant monster frolic in the vein of the Toho Godzilla epics made over the past six - plus decades; at others it feels like an idiotic offshoot of that ghastly Roland Emmerich remake released in 1998.

What makes this all the more surprising is that it's counter to everything we associate with a classic Godzilla movie.

Boring as hell, seemingly edited with a machete and chewing gum, weighted by a screenplay that makes Titanic's read like Edward Albee, Godzilla is the worst cinematic experience I've had in years.

Godzilla does not appear in full until something like halfway through, at which point the film cruelly snatches him away and makes you focus on dull humans again.

They want to make a new trilogy leading to King Kong vs Godzilla.

In fact, just about everyone gets more screen time than Godzilla, who takes nearly an hour to make his first, full - fledged appearance before going MIA again until the final climactic battle.

«Godzilla, Mothra and King Ghidorah» was made to basically reboot the series since it only pays attention to the original 1954 film and the (terrible) 1998 remake.

I guess I think it makes me look sophisticated, rather than simply saying he has no idea what he's talking about... He liked Godzilla... I hope you all realise and remember this each time he disagrees with me.

Edwards lets his actors have fun here as they are fully aware they are making a Godzilla movie.

Although he's only glimpsed in the teaser, the super-size Scott certainly makes a splash, emerging from the water in what's undeniably an homage of Godzilla.

This Godzilla with his T - Rex atrophied arms and his weird shuffling as the crow flies gait, resembles an old age pensioner making a beeline for the toilet using a zimmer frame.

If nothing else, Jolie has delivered a breathtakingly beautiful film visually, with some shots, delivered with consummate perfection by acclaimed cinematographer Roger Deakins (Prisoners, Skyfall), making the film feel truly transcendent, especially when coupled with the transfixing score by Alexandre Desplat (Godzilla, The Grand Budapest Hotel).

This is familiar territory for writer - director Roland Emmerich, who has made a couple of notable films featuring destruction of major cities with Godzilla and Independence Day.

Threat of nuclear war is not as prevalent today as the 1950s, thereby making Edwards» Godzilla a more diversionary spectacle rather than a contemporary social metaphor.

«Godzilla» makes a critical mistake when it shifts POV.

Pardon me for rolling out yet again the old Orson Welles kid - with - a-train-set comparison for what it's like to make your first studio movie, but that's what Godzilla feels like: Edwards takes to his playroom's fancy new upgrade with glee, and like many creative kids with snazzy toys, he's more interested in smashing things up than he is in carefully constructing.

Both conceptually and dramatically, Godzilla preserves a human dimension, though it may prove better at placing viewers alongside its civilian cast than making them care for the characters that aren't as tall as skyscrapers.

After shooting the low - budget Monster (whose visual effects he funded himself), director Gareth Edwards got his shot at the big time by being given the huge budget to shoot the latest attempt by Warner Bros. to make a decent American version of Godzilla, 16 years after Roland Emmerich's pretty awful effort.

The first official trailer for next year's Kong: Skull Island, which will set up the King Kong and Godzilla united movie universe of giant monsters, was revealed today at the ongoing San Diego Comic - Con (SDCC) and has now made its way online along with a teaser poster.

What makes this first Godzilla movie interesting is how serious it is.

I must say that this was one of the worst movies I've ever watched, «Evil Dead» was better than this mound of shit... Gareth Edwards should be banned from directing hence forth, and now I hear he's directing the new Star Wars spin - off... I'm not one to talk down to others but let's be honest, you have to be retarded to like this movie... It made absolutely no sense, the script (the most important piece to any movie) was terrible, the plot was stupid, the acting was horrible and it seemed that the actors who were chosen were acting for a different movie all together... Where was the sense of urgency, I mean there were 300 foot tall behemoths walking through buildings and all you could show us was who was going ride with the little boy on the school bus... Maybe if all the main characters died and they just let Godzilla do his thing from there on out an eyebrow could've been raised but unfortunately, there isn't one good thing to say about this movie... I'm shocked the WB handed over one their biggest names to Legendary Pictures... Let's not forget what they've done with Superman Returns... This is shameful...