Dorothea Rockburne, «
Golden Section Painting: Triangle, Rectangle, Square» (1974).
The Golden Section paintings were a step toward these current paintings.
Not exact matches
After his last truly Futurist works — a series of
paintings on war themes — Severini
painted in a Synthetic Cubist mode, and by 1920 he was applying theories of classical balance based on the
Golden Section to figurative subjects from the traditional commedia dell» arte.
The
Golden Section was employed by the architect Le Corbusier and explained by Herbert Read in The Meaning of Art (republished in paperback in 1947), [23] but Frost's knowledge of it and similar formulae originated from the treatment of compositions by William Coldstream (Professor of
Painting at Camberwell) and his followers.
These two artists bring fresh meditations on the poignancy of geometric resonance, von Wiegand with a 1955 collage based on the
Golden Section and Inoue with a small
painting from 2010, a densely layered glowing blue grid of deceptive simplicity.
The color chord of the
painting is warm oranges, and deep, cool blues; the upper
section of the
painting is lifted up with bright, sun drenched flame reds,
golden ochres, coppery umbers denoting energy and warmth, the lower part of the picture is lower key color with blues pooling in the picture like a stream flowing across rocks.
, Mo Space Manila; Equator Art Projects Singapore, 2014; Jerwood 20 Years, The Jerwood Gallery, Hastings, 2014;
Golden Sections, thewindshow@CPT, London, 2014; Head to Head, Rogue Project Space, Manchester, 2013; Small is Beautiful XXI Who's Afraid of Red Yellow & Blue, Flowers, London, 2013; Theory & Practice of the Small
Painting, Equator Art Projects, Singapore 2013; Colour as Material, Finnish Academy of fine Arts, Helsinki, 2013; RA Summer Exhibition, Royal Academy of Arts, London, 2012; Back and Forth, B55 Contemporary Art Gallery, Budapest, 2012; Drawing 2011, Drawing Room, London, 2011.