Significant to the conception of the series, was the challenging of Hirst's understanding of the difference between painting and sculpture by
his Goldsmiths tutors.
Not exact matches
As a
tutor at
Goldsmiths College from 1974 - 88 and 1994 - 2000, he had a significant influence on two generations of young British artists.
Sohelia Sokhanvari also retains her Iranian identity, though having studied at
Goldsmiths (where Michael Craig - Martin, also in the exhibition,
tutored the YBA?s) and living in London and Alinka Echeverria who?s work, although produced in London, deals with subjects from Cuba and Mexico, highlighting the diversity of contemporary London life.
Brian Griffiths (artist and
tutor, Royal Academy Schools) Since graduating from
Goldsmiths College in the late 1990s, Brian Griffiths has been making sculpture and installations of overblown theatricality and pathos.
Dr Simon Harvey is Associate Professor at the Art Academy, University of Trondheim (NTNU), and visiting
tutor in the Department of Visual Cultures,
Goldsmiths College, University of London.
He is also an associated researcher of «Performance Matters» (www.thisisperformancematters.co.uk) and a Visiting
Tutor in Visual Cultures at
Goldsmiths, University of London, where he leads the «Modernities» seminar and laboratory series, both part of the BA History of Art.
She has contributed to several publications including Sarah Lucas: SITUATION ABSOLUTE BEACH MAN RUBBLE (2013) and The London Open (2015) and has been a visiting
tutor at
Goldsmiths University.
She currently serves on the board of the Institute of Contemporary Arts, and has
tutored at
Goldsmiths, Oxford and Kingston universities.
Michael has taught as a Professor of Art at
Goldsmiths College since 2009 and has extensive experience as a
tutor and lecturer at a range of art colleges including Ruskin School of Drawing and Fine Art, Chelsea College of Art & Design and the Slade School of Fine Art.
Craig - Martin, Michael (b. 1941) Painter and installation artist, senior
tutor at
Goldsmiths College in London where he exerted a significant influence over members of the Young British Artists group (like Damien Hirst, Tracey Emin, Mat Collishaw and Gary Hume) during the 1980s and 90s.
He is international
tutor on the de Appel Curatorial Program since 2005, Amsterdam and he has held numerous research and lecturing positions at
Goldsmiths, University of London; Middlesex University; The Graduate School of Creative Arts and Media, Dublin and the University of the West of England, Bristol.