Sentences with phrase «grand salon a»
Spanning nearly the width of the entire house, the grand salon's golden symmetry showcases those jaw - dropping views under a soft swath of Roman shades — an effect McAlpine compares to an 18th - century palace draped in sheets for the winter.
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Spanning nearly the entire width of the house, the grand salon's golden symmetry showcases jaw - dropping city views under a swath of Roman shades.
Furnished by Fendi Casa, this wowing, two - story penthouse contains more than 15,000 square feet of living space, six bedrooms, 8.5 bathrooms, an indoor / outdoor theater, an outdoor dining area, a family room, a wine room, a billiard room, a grand salon with an indoor pool, a skygarden, 30 - foot ceilings with a waterfall, a cantilever glass pool, grand stairs and two fireplaces.
There is no jarring sense of old and new, for example, in the way the Grand Salon on the first floor has been transformed into an events room overlooking the Thames; and in the building's undercroft, the creation of a new education reception space and archive galleries (in the foundations of the 19th - century Millbank Penitentiary) has completely renergised this segment of the building.
«Devon Dikeou: From the Mixed - up Files of Mrs. Basil E. Frankweiler» Tricia Collins Grand Salon 1/30 -2 / 22/1997 (Review by Rainer Ganahl in zingmagazine) 1997
«Mary L. Proctor: The Door Paintings» Tricia Collins Grand Salon 1/30 -2 / 24/1996 (Reviews by Elsa Arnett in Talahassee Democrat, Laura Barge for Associated Press) n.d.
In 1993 Tricia Collins and Richard Milazzo opened a gallery, the Grand Salon, at 83 Grand St.. In New York City's Soho neighborhood.
The material covers the early 1980s through the 1990s and documents not only the curatorial activities of Collins & Milazzo, but also the Grand Salon and Tricia Collins Contemporary Art, the latter established by Tricia Collins after she and Richard Milazzo parted in the early1990s.
Series I: Exhibition Documentation contains exhibition documentation from the entire history of Patricia Collins» practice, from the curatorial collaboration Collins & Milazzo, through her galleries Tricia Collins Grand Salon and Tricia Collins Contemporary Art.
In 1994 the partnership dissolved and the gallery name became Tricia Collins Grand Salon.
«Michele Basora: Mi Suenos Posesivos» Tricia Collins Grand Salon 11/14-12 / 21/1996 (Reviews by Roberta Smith in NYTimes, Luico Pozzi in El Giornale Dell «Arte, J. Bowyer Bell in Review) 1996, 1997
«Archie Rand: «Midnight Festival»» Tricia Collins Grand Salon 10/19-11 / 11/1995 (Raphael Rubinstein review in Art in America) 1996
«Vik Muniz: Sugar Children» Tricia Collins Grand Salon 11/14-12 / 21/1996 (Reviews by Holland Cotter and Vicki Goldberg for NYTimes, Vince Aletti in Village Voice, Robert Mahoney in Time Out NY, Ezra Shales in Review, Susie Linfield in ARTnews, Edward Leffingwell in Art in America, Taylor Holliday in The Wall Street Journal)
«McWillie Chambers: Paintings» and «Eric Rhein: In the Company of Shadows» Tricia Collins Grand Salon 1/4 -1 / 25/1997 (Reviews by Holland Cotter in NYTimes, Bill Sullivan in Cover) 1997
«Lucas Reiner: Milk, Piss, Blood, Rust and Dirt Paintings» Tricia Collins Grand Salon 3/28 -4 / 27/1996 (Steve Munford and Leonard Bravo for zingmagazine) 1996
'' «Hothouses and the Emotional Life of Trees»: Isabelle Gherardi and Dorothea Rockburne» Tricia Collins Grand Salon 5/4 -6 / 3/1995 (review by Charles Hagen in NYTimes)
'' «Hothouses and the Emotional Life of Trees»: Isabelle Gherardi and Dorothea Rockburne» Tricia Collins Grand Salon 5/4 -6 / 3/1995 (review by Charles Hagen in NYTimes) 1995, n.d.
«Stephanie Bernheim: Pine Plain Paintings» Tricia Collins Grand Salon 2/27 -3 / 22/1997 (Steve Munford review in The Country) 1997
The material covers the early 1980s through the 1990s and documents not only the curatorial activities of Collins & Milazzo, but also the Grand Salon, and Tricia Collins Contemporary Art, the latter two established after she and Richard Milazzo parted in the early 1990s.
«Vik Muniz: Sugar Children» Tricia Collins Grand Salon 11/14-12 / 21/1996 (Reviews by Holland Cotter and Vicki Goldberg for NYTimes, Vince Aletti in Village Voice, Robert Mahoney in Time Out NY, Ezra Shales in Review, Susie Linfield in ARTnews, Edward Leffingwell in Art in America, Taylor Holliday in The Wall Street Journal) 1996 - 1999
«Mary L. Proctor: The Door Paintings» Tricia Collins Grand Salon 1/30 -2 / 24/1996 (Reviews by Elsa Arnett in Talahassee Democrat, Laura Barge for Associated Press)
«Sal Scarpitta: Sling Shot Racing Car Frame, Ice Man Sled, Face Trap Bronzes and Mad Runner Drawings» Tricia Collins Grand Salon 9/5-10 / 12/1996 (Review by Ann Wilson Lloyd in Art in America, Roberta Smith in NYTimes) 1996, 1997
«Nancy Frey Jarecki: Dead Christmas Trees» Tricia Collins Grand Salon 1/30 -2 / 22/1997 (Review in Manhattan File) n.d.
[20][21] In addition to displaying a large collection of American contemporary craft, several hundred paintings from the museum's permanent collection — hung salon style: one - atop - another and side - by - side — are featured in special installations in the Grand Salon.
Smithsonian officials renamed the gallery's Grand Salon in Rubenstein's honor.
Grand Salon
1994 Galerie Bruno Bischofberger, Zurich, Switzerland Mono - reliefs, Grand Salon, New York (booklet) The Broad Art Foundation, Santa Monica, CA A Series of Rotating Installations: Peter Halley, Andrea Rosen Gallery, New York
1994 «Statement,» in Peter Halley: Mono - Reliefs, exhibition catalogue (New York: Grand Salon, 1994).
1994 Owen Drolet, «Peter Halley / Grand Salon,» Flash Art (Oct 1994): 95.
This oceanfront property is ideal for a corporate retreat or a palatial vacation rental home, built into the rocks overlooking the famous Los Arcos, this contemporary Moroccan - styled villa has a 22 - foot vaulted ceiling in the grand salon, a modern, fully equipped gym, circular dining room.
Grand Salon + Salon: 140 sq m, 100 pax for Banquet, 160 for Receptions, 120 in theatre, 75 in classroom, 60 boardroom, 50 in U shape, 60 in Hollow square.
Grand Salon: 105 sq m, 90 pax for Banquet, 120 for Receptions, 100 in theatre, 60 in classroom, 40 in boardroom, 30 in U shape, 40 in Hollow square.
The hotel has two grand ballrooms, a grand salon, twenty separate meeting rooms, and the center courtyard surrounded by lovely elegant gardens.
Executive lounge, heated indoor pool, gym, steam room and Grand Salon belie the hotel's cosy, boutique feel.
There are a number of indoor venues including three meeting rooms with outdoor terraces and the majestic Grand Salon Ballroom.
The 2,800 - square - foot Grand Salon Ballroom features four 14 - foot - long chandeliers of crystal amber and can accommodate 300 guests for a reception or theater - style, or up to 180 for dinner.
Chateau Grand Salon seats up to 50 guests, is available for your an elegant ceremony only if Chateau du Sureau is exclusively reserved by your party.
Above the Grand Salon on the 3rd level a magnificent master suite, complete with sitting area with a queen sofa and a huge private full bath with separate soaking tub and glass wall shower.
On the 2nd level the Grand Salon has comfortable luxury furnishings and opens onto a balcony with spectacular ocean views.
The Grand Salon Ballroom and large outdoor function space can accommodate a range of events and functions, and business delegates will fit right in with a well - equipped boardroom, conference centre, and Wi - Fi throughout.
Your guests can gather in the Grand Salon with a direct view of our famous Manuel Antonio National Park.
Featuring several intimate conversation areas, the Grand Salon can comfortably accommodate seating for 88 people.
The Grand Salon on the main level opens onto two outdoor living rooms that surround a hotel - sized Infinity pool with beach entry.
The Grand Salon has 20 ft. ceilings with expansive walls of windows overlooking the pool.
A grand salon, five separate meeting rooms, and a fully equipped business center are also located on the premises.
The Grand Salon ballroom sets an exquisite stage for gatherings of up to 250 persons.
Sofitel Mumbai BKC's favoured wedding venue, the 270 sqm Grand Salon ballroom hosts banquets of up to 200 guests.
The architects have designed the property in hierarchy form, giving access from the elegant square courtyard depending on personal privacy status to the guest waiting room, guest toilet, the formal dining room, the grand salon, a large study, a morning room, kitchens and an elegant guest suite.
Understanding Literary Agents and Query Letters (Grand Salon 1 +2 combined).
Ten Romance Writing Tips to Keep Readers Turning Pages (Grand Salon 3).