Sentences with phrase «graphite pencil at»

Graphite pencil at its best without any smearing or smudging.

Not exact matches

The graphite at its core can't be used for writing until a pencil sharpener chews away its wooden tip.

14, have been lugging around a plastic bucket filled with seemingly random items: clay, bananas, magnetic poetry pieces, paper clips, giant graphite pencils, a laptop or two, construction paper, crayons, and a couple of MaKey MaKey boxes — small invention kits created at MIT, by Eric Rosenbaum, Ed.M.»

Published to accompany his show at Corbett vs. Dempsey, The Pencil of Nature covers drawings Winters created between 2006 and 2014, ranging from small - scale, heavily worked graphite drawings to large ones incorporating charcoal, ink and gouache.

People in front of Maximilian Toth's «White Wash» (2012), graphite, grease pencil, spray paint, oil on canvas, at Fredericks & Freiser gallery / Photo: Hrag Vartanian

THE MANIFEST DESTINY OF BORROWED SCENERY By Andrew Maerkle Installation view of «Sam Durant: Borrowed Scenery» at Blum & Poe, Tokyo, 2015, with 1905, Japan Defeats Russia, Empire (2015) in foreground, graphite and colored pencil on paper, two components, 46View More >

Franz Erhard Walther, Selection of Work Drawings, 1963 - 1972, Pencil, gouache, coffee, oil, typewritten text, ballpoint pen, coloured crayon, glue, graphite and other materials on paper Installation view of «Franz Erhard Walther: The Body Decides» at WIELS, Brussels, 2014.

Gloria Ortiz - Hernández's Plate / Shift # 10 (2006, Graphite pencil, charcoal powder, and pigment on wove paper, 22» x 22») is currently on view at the Morgan Library and Museum in New York City.

Bruce Nauman Untitled (Study for Left or Standing, Standing or Left Standing at The Modern Art Museum of Fort Worth), 1998 graphite and colored pencil on paper 26 1/4 x 39 3/4 inches (66,7 x 101 cm) sheet 29 x 42 3/8 inches (73,7 x 107,6 cm) frame SW 99143

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

An employee at First Street Gallery, a program for adults with developmental disabilities, Rae creates works from colored pencil and graphite that exude a strange power and sense of menace that depict fierce and frightened - looking women that seem to be hiding or escaping in furtive dream - like adventures, emerging out of or disappearing into ornate floral patterns, shrouded in luxuriant foliage, or on the verge of vanishing into abstraction.

Matthew Marks is pleased to announce Nayland Blake #IDrawEveryDay, the next exhibition in his gallery at 526 West 22nd Street, featuring over seventy drawings in graphite and colored pencil.

POPE.L aka William Pope.L, Detail of «Claim (Whitney Version),» 2017, installed at 2017 Whitney Biennial (acrylic paint, graphite pencil, pushpins, wood, framed document, fortified wine and bologna with black - and - white portraits).

Installation view of «Sam Durant: Borrowed Scenery» at Blum & Poe, Tokyo, 2015, with 1905, Japan Defeats Russia, Empire (2015) in foreground, graphite and colored pencil on paper, two components, 46 x 59.7 cm and 24.7 x 31.7 cm in frame, respectively.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr

At NADA, Christian Berst Art Brut will be showing some compelling works in colored - pencil and graphite, which depict distorted bodies hemmed in by cagelike decorative borders.

At only $ 2.39 for a box of 12 colored pencils and $ 1.99 for a box of 12 # 2 graphite pencils, there's no reason at all we couldn't all switch over to these fine writing utensilAt only $ 2.39 for a box of 12 colored pencils and $ 1.99 for a box of 12 # 2 graphite pencils, there's no reason at all we couldn't all switch over to these fine writing utensilat all we couldn't all switch over to these fine writing utensils!

For me there was — and to an extent still is — nothing like a soft lead pencil for flowing the creative juices, for making meaning and at the same time making pretty curves and striking bold strokes and at the same time making my hand feel the paper and the graphite melting on it.