Sentences with phrase «greengrass shaky cam»

Far too much shaky cam and fading in and out.

The one - bunker setting ultimately proves only a little more novel a trick than Cloverfield's shaky cam, and its pressure to deliver the goods lets it down.

It's an interesting choice to say the least, and while I'm usually not the biggest fan of the «shaky cam», it is a novel way to shoot a «get laid road trip» flick.

There are great performances here and one major character arc that makes it somewhat compelling but for all its violence and handheld camerawork (can the shaky cam die already?)

The director could be considered an anti- «shaky cam» filmmaker.

It also follows Paul Greengrass» typical directing style; action, tension and unfortunately, too much shaky cam.

The usage of shaky cam was in no way intolerable.

Having the movie told from the perspective of the TV crew means we have far less shaky cam than usual.

Those who complained about shaky cam in The Hunger Games will find the camera more steady, and those who chafed at the obvious budgetary limits will find that Francis Lawrence had more money to work with.

The 3D also required Michael Bay to tone down the use of the «shaky cam.»

10 Shaky Cam.

Shaky cam and jolting cuts dominate the fights that feature CGI doubles for Thanos» Black Order or army of Outriders.

Something that is definitely improved upon is the use of shaky cam which was something that got to be a little annoying the first time around.

How is shaky cam / shit edit action scenes / bad acting / overacting good cinema??

Gone is the annoying shaky cam and put into its place is a genuine sense of technical accomplishment.

This was Padilha's big opportunity to compensate for the much - derided PG - 13 rating, but between the annoying shaky cam and his tendency to cut away from the action too early, many of the set pieces are scattershot at best.

It Looks Good (No Shaky Cam!)

Gone is the first movie's over-reliance on frantic shaky cam cinematography, which added a level of frenetic electricity but often at the cost of things like spatial geography or character placement.

Shot with heavy reliance on shaky cam and a cinema verite style, the aesthetic is designed to produce an easy, conversational atmosphere from which events can degrade.

These scenes are expertly staged, jettisoning the shaky cam and fast cutting tactics that have defined action movies in recent years.

Most of the time he resorts to handheld, shaky cam whenever Bond springs into fisticuffs.

Marshall knows how to work with a star studded casts, and his handle on action cinema is impressive, opting for choreography over shaky cam theatrics or CGI heavy fight sequences (as many first time action directors tend to do).

It did not at all rely on shaky cam and cheap jump scares to set a frantic mood to scare the audience.

First time feature director Bradley Parker still gives it that shaky cam sensation by using a handheld shooting style and covering the action simply by following the actors rather than cutting to standard wide, medium and close - up shots.

I counted only one overt use of the dreaded handheld, a.k.a. «Shaky Cam», but it was appropriate for the scene.

For every moment of large scale action and scope, director Justin Lin fumbles a slice of sub-Greengrass shaky cam fisticuffs.

He sacrificed none of it for his first foray into found - footage horror, eschewing shaky cam chaos for patient, graceful pans and eerie moments of quiet reflection.

Catching Fire has made a conscious decision to be more upfront with its violence; gone are the shaky cams and motion blurs of its predecessor.

The Russos also struggle a bit with some of the action sequences, over-relying on disorienting quick cuts and Paul Greengrass shaky cam that obscures the power of movement.

Based on this early footage, Gilroy has traded in the frantic shaky cam and kinetic editing that director Paul Greengrass favored in Bourne Supremacy and Bourne Ultimatum, in favor of the steadier, but still exhilarating approach of Doug Liman in Bourne Identity.

Refreshingly absent of shaky cam, Fuqua masterfully sets up each battle and never loses track of the territory in which it takes place.

The Bay came out of nowhere with a trailer that featured a shaky cam found - footage style of filmmaking about an infection that spreads over a small town.

And someone needs to stop the combined use of shaky cam with handheld camerawork.

Shot in Bourne - series shaky cam, which shouldn't be a surprise, as cinematographer Oliver Wood (Surrogates, Talladega Nights) had been the director of photography for that trilogy, Safe House delivers plenty of grit, grain, and ultra-close shots of the main actors looking tense.

I also applaud the absence of the dreaded shaky cam.

Most of the slow - mo effects and shaky cam stuff (used to great effect to match the frenetic pace in the fridge gunfight scene) were gone by the time the martial arts happened.

Someone triggers something during the dimly lit, night visioned, shaky cam cliché - addled proceedings because soon voices in his head start whispering.

This flip flopping of styles goes throughout the entire film, with steady cam, extreme slow - mo, shaky cam, and old school music interludes all getting an inclusion.

Taking a break from deep forest ruins and a shaky cam of an upcoming fighter, ARMS has seen fit to reveal the addition of a new attribute.

On the one hand, most people seem to agree that he did an admirable job of translating Suzanne Collins» popular dystopian sci - fi thriller into cinematic form; on the other hand, some of Ross» stylistic choices with Hunger Games (specifically, the disorienting shaky cam / editing approach) left many viewers feeling disgruntled.

Plot-wise Monsters is more like a sequel to Cloverfield, but without the shaky cam photography.

Credited (unfairly or not) as the great purveyor of «shaky cam,» Greengrass and director of photography Barry Ackroyd's extraordinary mobile camera along with editor Christopher Rouse's brilliant assembly of images places the viewer squarely alongside Bourne.

But the trick with Greengrass is that he actually stages his scenes before he shoots, so the shaky cam achieves its intended affect: simulated chaos without actual chaos.

You know I thought this was gonna be another shaky cam found footage movie and had zero interest in seeing another one of those.

As directed by Guillermo Del Toro (Mimic and The Devil's Backbone) the action jumps back and forth between liquid, lickety - split kung fu to the industry standard quick - cut shaky cam, and it's all lifted from other movies (Dawn of the Dead, mostly).

The shaky cam is gone, but the camera still moves around slightly, like it's a home video, therefore giving you the best of each.

Creep follows Aaron as he gets to know his subject over the course of a single day, and while the usual nitpicks against found footage are on display — I advise against eating while watching because the shaky cam could have an adverse effect — the device is incredibly effective.

For starters, since the main characters have superpowers (namely, telekinesis), they can put the camera pretty much anywhere they want, allowing for a more dynamic range of shots beyond the trademark shaky cam.

He didn't mess around with all that shaky cam bollox, instead he let us see heroes beating the crap out of each other in glorious detail.

My only reservations are that the shaky cam when driving the car seemed obnoxious, and the handling appeared to be quite twitchy, especially for something which such obvious mass.