Group exhibition Archives, 80 years of Bündner Art: An annual exhibition celebrating the 80th anniversary of visarte.graubünden.
Not exact matches
Drawing from a variety of
archives and collections (including that of Richard L. Feigen & Co. and the Estate of Stan VanDerBeek), this
group show is named for the London
exhibition site of the first World's Fair.
Selected solo and
group exhibitions include
Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; and Radical Presence at The Studio Museum in Harlem among many others.
Selected solo and
group exhibitions for 2013 - 2014 include
Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.
Recent
group exhibitions include Soleil Politique, Museion, Italy; RE: Publica, Museu da Republica - Galeria do Lago, Brazil; 8th Berlin Biennale and
Archives / déplier l'histoire, L'Iselp, Belgium (2014).
He has participated in several international
group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver
Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.
Lee has had solo
exhibitions at Artpace (San Antonio, TX), Pitzer College Art Galleries, Pitzer College (Claremont, CA), Commonwealth and Council (Los Angeles, CA), Los Angeles Contemporary
Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and
group exhibitions at Weatherspoon Art Museum at UNCG (NC), Centro Cultural Metropolitano (Quito, Ecuador), SOMArts (San Francisco, CA), LAXART (Los Angeles, CA), Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.
Group Exhibition 2000 Charles Sumner School Museum and Archives, Washington, DC, Group Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 2000 Charles Sumner School Museum and
Archives, Washington, DC,
Group Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1999 Rock Creek Gallery, Washington, DC,
Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1986 Gallery 1199, New York, NY, Joining Forces,
Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo
Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1986 The Muse Community Museum, Brooklyn, NY,
Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq.,
Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1980 Howard University Law School, Washington, DC,
Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Washington Conference of Artists, Chicago, IL,
Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Howard University, Washington, DC Student Show,
Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Smith - Norton Gallery Washington, DC,
Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority
exhibitionexhibition, show.
Recent
group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film
Archive, Berkeley, CA; «Regarding Truth, An
Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A.
Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student
Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class
Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried
Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student
Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students
Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture
Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing
Exhibition,» Leon, Spain.
Presented with the support of the Gerhard Richter
Archive, the
exhibition is the first
exhibition to feature a small but vital
group of works from this series since their inaugural appearance at Galerie Friedrich & Dahlem, Munich in 1966.
Group exhibitions include: Northern Print Biennale, Laing Art Gallery, Tyne & Wear
Archives and Museums, Newcastle upon Tyne, 2009 and John Moores Liverpool
Exhibition 19, Walker Art Gallery, Liverpool, 1995.
Kang has had solo
exhibitions at Pitzer College Art Galleries, Pitzer College (Claremont, CA), ArtPACE (San Antonio, TX), Commonwealth and Council (Los Angeles, CA), Los Angeles Contemporary
Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and
group exhibitions at Weatherspoon Art Museum at UNCG (NC), SOMArts (San Francisco, CA), LAXART (Los Angeles, CA), Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.
Intriguingly, the curators include a small detail towards the end of the show about Houghton's immaterialised ambition of organising a
group exhibition of Spiritualist artists, which very much leaves the metaphorical door open to ensure this work is neither forgotten nor left dormant in
archives.
Group exhibitions include Documenta 11, Kassel, Germany (2002); Sessions, Bild -
Archive, Museum of Contemporary Art, Berlin, Germany (2001); and 39th Venice Biennale, Italy (1980).
Deeman's work was featured in a solo
exhibition at the Berkeley Art Museum and Pacific
Archive, Berkeley, CA, and has also been in many domestic and international
group exhibitions, including Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; SF Cameraworks, San Francisco, CA; and the University of Derby, Derbyshire, UK.
Prominent
group exhibitions include: Accrochage at Punta della Dogana, Pinault Foundation, Venice and Cher (e) s Ami (e) s at Centre Pompidou, Paris (2016); Walter Benjamin: Exilic
Archive, Tel Aviv Museum, Tel Aviv (2015); Take It or Leave It: Institution, Image, Ideology, Hammer Museum, Los Angeles (2014); Ileana Sonnabend: Ambassador for the New, The Museum of Modern Art, New York (2013 - 2014); Surrealism and the Object, Centre Georges Pompidou, Paris (2013 - 2014); This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago (2012); Venice Biennale (1997) and documenta IX, Kassel Germany (1992).
The
Archive of Affect is a
group exhibition with performances that focus on rewriting, challenging, or expanding traditional
archives and histories.
NURTUREart presents The
Archive of Affect, a
group exhibition with performances that focus on rewriting, challenging, or expanding traditional
archives and histories.
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite
Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty
Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st
Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
Recent
exhibitions include the
group exhibition A Shape That Stands Up, John Outterbridge: Rag Man (co-organized with Anne Ellegood), Njideka Akunyili Crosby: The Beautyful Ones, Two Films by Akosua Adoma Owusu, Selections from the Brockman Gallery
Archives, and Charles Gaines: Librettos: Manuel de Falla / Stokely Carmichael (with Ellegood).
The date of this inscription is uncertain, but the sum is consistent with 1957 — 59 prices for similar works by Rauschenberg recorded in the papers of the Leo Castelli Gallery in the
Archives of American Art, Smithsonian Institution, Washington, D.C. Rauschenberg began showing with Castelli as part of a 1957
group show; a solo
exhibition followed in March 1958.
A
group exhibition with works inspired by the
archives of Ugandan chief and author Ham Mukasaukasa (ca. 1870 — 1956).
Bracha Ettinger,
group exhibition, «ESTER KRUMBACHOVÁ Yeti — Wear the Amulet — Tangle Up the
Archive» at Tranzitdisplay, Prague
This
group exhibition explores the notion of tracing as a means to relocate and
archive one's own memory, as unwritten history.
Against this backdrop, the
group exhibition «Digital
Archives» assembles works that deal in a multifaceted way with the networked world and the seemingly limitless possibilities for circulating,
archiving, and processing digital information.
Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film
Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image
Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The
Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western
Exhibitions What's Going On?
Yves Klein
Archives are teaming up with New Galerie for a
group exhibition called Plowing Solids and running at their Paris space from March 25 to April 8.
JD Talasek, a member of the Visual AIDS
Archive Project, has had solo shows at Pinnacle Gallery (Texas), Rivaga Gallery (DC), and the Center for Creative Arts (Delaware) as well as many other
group exhibitions across the country.
Kang has had solo
exhibitions at Commonwealth and Council (Los Angeles, CA); Pitzer College Art Galleries (Claremont, CA); Los Angeles Contemporary
Archive (Los Angeles, CA); Centro Cultural Border (Mexico City); and
group exhibitions at LAXART (Los Angeles, CA); Weatherspoon Art Museum at UNCG (NC); SOMArts (San Francisco, CA); Raymond Gallery at Art Center College of Design (Pasadena, CA), among many others.
On Main (1965 Main St.) and grunt gallery are partnering to present a
group exhibition of artists responding to two works from grunt's
archive by Ahasiw Maskegeon - Iskew «Speaking the Language of Spiders», a net art project from 1997 and «White Shame» a performance from 1992.
Published on the occasion of her 2013
exhibition at Aspen Art Museum, Lorna Simpson: Works on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic
archive and processes of self - fashioning, including a new
group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residence.
Deeman has had a solo
exhibitions at Berkeley Art Museum and Pacific
Archive, Berkeley, CA and domestic and international
group exhibitions at Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; and SF Cameraworks, San Francisco, CA; and University of Derby, Derbyshire, UK.
East coast style meets Midwest sensibility in Broad Shoulders and Brotherly Love, a
group exhibition of print - based works sampling the
archives of two of the most highly respected national non-profit organizations dedicated to innovative techniques and concepts in print media.
Batchelor's billboard installation coincides with a major display of his Monochrome
Archive (1997 - 2015) at Whitechapel Gallery and his inclusion in the
group exhibition Adventures of the Black Square: Abstract Art and Society 1915 - 2015, also at the Whitechapel Gallery.
His work has been included in many
group exhibitions, includingInterrupted Landscapes, Champion Contemporary, Austin (2010); Perspectives 168: Anna Krachey, Jessica Mallios, and Adam Schreiber, Contemporary Arts Museum Houston, (2009); Mystique of the
Archive, Harry Ransom Center, Austin (2008); and The Fifth of July, Okay Mountain Gallery, Austin (2008).
The New Media program at Purchase College, SUNY and Franklin Street Works, a contemporary art space in Stamford, CT, will present a
group exhibition, «Collective Action
Archive,» at Purchase College's The Passage Gallery, beginning September 6.
Different curatorial models including solo and
group exhibitions, film series,
archives and commissions were considered and various contexts such as the museum, galleries or festivals were examined.
Group exhibitions include Walter Benjamin: Exilic
Archive, Tel Aviv Museum of Art, Israel (2016); do it, various international venues (2013 - ongoing); Liverpool Biennial, United Kingdom (2014); the 2014 Whitney Biennial, Whitney Museum of American Art, New York; The Encyclopedic Palace, 55th Venice Biennale, Italy (2013); and Empire State: New York Art Now, Palazzo delle Esposizioni, Rome, Italy (2013).
Her work has been shown in numerous
group and solo
exhibitions in the United States and Europe, including Dortmunder Kunstverein, Dortmund, Germany; Bortolami, New York; Night Gallery, Los Angeles; Overduin & Co, Los Angeles; Maccarone, New York; Anthology Film
Archives, New York; Greater New York at MoMA PS1, New York; and White Columns, New York.
Part of the Whitechapel Gallery's programme of
exhibitions curated from
archives, the display features rarely seen prints, photographs, woodcarvings and clothing, and revisits the
group's major
exhibition at the Gallery in 1929.
Grullón's works have been shown in numerous
group exhibitions including at The 8th Floor, Franklin Furnace
Archives, The Bronx Museum of the Arts, BRIC, School of Visual Arts, El Museo del Barrio, Jamaica Flux 10, Performa 11, Old Stone House, and Art in Odd Places.
Seven working hypotheses through which we can read, reinterpret and tell Italian art also through the analysis of some of the possible
exhibition formats: from the solo
exhibition to the site - specific installation, through to the thematic
group show and chronological
group show, the
group exhibition on specific movement and the medium - based
group exhibition and on to the
archive exhibition.
Selected
Exhibitions: ・ 2013 «Batach 2009»
Group Exhibition (University of Jaffna, Jaffna, Sri Lanka) ・ 2013 «Artifacts from Jaffna»
Group Exhibition conducted by Asia Art
Archive (Colombo, Sri Lanka) ・ 2014 «Drawing
Exhibition»
Group Exhibition (University of Jaffna, Sri Lanka) ・ 2015 «Seven Conversation»
Group Exhibition (Saskia Fernando Gallery, Colombo, Sri Lanka) ・ 2015 «Truth to Truth»
Group Exhibition (JDA Perera Gallery, Colombo, Sri Lanka) «My Birth», 2015, Drawing on paper, ink [reference image] «Richness», 2015, Nail Drawing on tracing paper [reference image] «Artifacts from Jaffna», 2013, Nail Drawing on paper, carbon paper
Selected
group exhibitions include: New
Archive at LACA, Los Angeles Contemporary
Archive, Los Angeles, CA (2014); To the Moon via the Beach, conceived by Philippe Parreno and Liam Gillick, and curated by Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Parreno and Beatrix Ruf, the Amphitheatre, Arles, France (2012).
Archives and testimonies are also presented in the
exhibition and retrace the genealogy of the
group, before and after the death of Teiji Furuhashi in 1995.
Her work has been presented in many solo and
group exhibitions such as For An Experience of Wholeness (2013) at the Digital Media Gallery, Lycoming College in Williamsport; Contemporary Photographic Practice and the
Archive (2013) at the Harry Ransom Center at the University of Texas at Austin; X Y Z — The Geometric Impulse in Abstract Art (2012) at the Torrance Art Museum; and Perspectives 168 (2010) at the Contemporary Arts Museum Houston.
Known for the strength of its images and for the extreme variety of its output, the work of Superstudio has always evaded clear, identifiable labels; this
exhibition brings together and presents over 200 pieces, ranging from installations to objects, from graphic works to photographs, and through to publications covering the entire career and development of the
group, materials largely drawn from its own
archives, some never previously displayed and many of which will progressively enter MAXXI's architecture collection.
Traveled to The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY (catalogue) 2000 Double Fantasy, Matthew Marks Gallery, New York Gallery Paule Anglim, San Francisco 1999 Gorge, (performance), Matthew Marks Gallery, New York 1998 Feeder 2 and Corollary, Matthew Marks Gallery, New York 1997 The Black / White Album, Matthew Marks Gallery, New York April Hare, Gallery Paule Anglim, San Francisco 1996 Hare Attitudes, Contemporary Arts Museum, Houston (catalogue) 1995 Video, Matthew Marks Gallery, New York 1993 Stoney End, Matthew Marks Gallery, New York 1989 The Schreber Suite, MATRIX Gallery, University of California, Berkeley Art Museum 1987 Inscription, XS Gallery, Western Nevada Community College, Carson City, NV Selected
Group Exhibitions: 2018 Way Bay, Berkeley Art Museum and Pacific Film
Archive Tag: Proposals on Queer Play and the Ways Forward, curated by Nayland Blake, Institute of Contemporary Art Philadelphia 2017 Living Apart Together, Hammer Museum, Los Angeles Trigger: Gender as a Tool and a Weapon, New Museum, New York (catalogue) «I hear it everywhere I go», Franklin Street Works, Stamford, CT Let Me Be an Object that Screams, Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago 2016 Black Pulp!
The Print Swap includes work across all genres, and we sorted through the
archive to put together this online
group show, inspired by the historic 1975
exhibition New Topographics: Photographs of a Man - Altered Landscape at George Eastman House in Rochester, New York.
2001 Words and Landscape, Art Affairs, Amsterdam, NL Conception: Conceptual Documents 1968 - 1972, Norwich School of Art and Design, Norwich, UK; The Library, Henry Moore Institute, Leeds, UK; Chisenhale Gallery, London, UK; Baskin Gallery, University of British Columbia, Vancouver, CA Rolling Stones Adorned With Starlight, Galerie Hubert Winter, Vienna, AT Words + Landscape, Art Affairs, Amsterdam, NL The Starving Artists» Cookbook Video Series, Anthology Film
Archives, New York, US; Galerie Rachel, Haferkamp, Cologne, DE «Für Hanne», Galerie Ascan Crone, Hamburg, DE Yossi Breger, Douglas Gordon, Jonathan Monk, Lawrence Weiner, Dvir Gallery, Tel Aviv, IL Dead, The Roundhouse, London, UK Vette Vazen, Brutto Gusto, Rotterdam, NL AM The Record Man: Artists» Audio Projects, Art Metropole, Toronto, CA From the Marzona Collection, Kunstverein Ludwigsburg, DE Presentation of the Works, Frankfurt, DE Imago Mundi, CAPC - Musée d'Art Contemporain, Bordeaux, FR
Group Exhibition, Cab Gallery, London, UK Collaborations with Parkett, Museum of Modern Art, New York, US DIN ART 4: 540 Künstlers und 1 Formular Sammlung Klaus Hömberg, 1985 bis 1997, Museum für Telekommunication, Frankfurt, DE; Museum für Kommunikation, Hamburg, DE; Museum für Kommunikation, Berlin, DE The First Ten Years: Selected Works form the Collection, Irish Museum of Modern Art, Dublin, IR Nothing, Northern Gallery for Contemporary Art, Sunderland, UK; CAC, Vilnius, LT; Rooseum, Malmö, SW Sammlung Ingo Glass, Herbergen - Museum des Münchner Stadmuseums, DE Counting Coup / Undo, The Theatre for the New City, New York, US Wall > Sculpture, Margarete Roeder Gallery, New York, US Wert Wechsel, Zum Wert des Kunstwerks, Museum für Angewandte Kunst, Cologne, DE So Oke, Benefit Auction for Infoscreen, Futuregarden Kunstverein, Vienna, AT Archilab 2001, 3rd Intern» l Architect, Conf, Ville d'Orléans, FR Drawings, Regen Projects, Los Angeles, California, US Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseum Winterthur, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Munster, DE Markers: Outdoor Banner Event of Artists and Poets, part of 49th Venice Biennale, org.