Sentences with phrase «groups of corpses»

Groups of corpses lie openly in the street, awaiting burial, and are strewn throughout the rooms of a large home as if the victims of a mass murder or suicide.

We see a group of corpses, with some blood on the floor, a man's neck and face, and the heads of a few men.

Not exact matches

Christians vary from those who picture the resurrection as the reanimation of a corpse to those who understand it in more spiritual terms and might look for a parallel in group hallucinations.

While most South Africans opted for a corpse to chow, a group of us decided to celebrate tradition the compassionate way.

Her group spends its time setting fire to corpses in a range of different circumstances, to work out exactly how the human body burns.

Now, two groups of researchers have further winnowed down the particles» possible masses and characteristics, using data from particle accelerators and the corpses of stars.

She continued doing this even after the rest of the group had left the corpse (Scientific Reports, doi.org/b4gb).

When one of them accidentally kills a hired stripper and a security guard finds the body, unstable Boyd (Christian Slater) kills the guard to keep him from calling the cops, then organizes the group to dispose of the corpses.

Into the corpse - strewn fray swaggers wisecracking sea captain John Finnegan (Treat Williams), who boards the ocean liner with a group of heavily armed mercenaries bent on evacuating and sinking the vessel so its owner (Anthony Heald) can collect the insurance.

The sci - fi element doesn't really kick in until about the midway point, however, and so early on, it plays out more like a «Big Chill» - style reunion movie, with Gary serving as the symbolic corpse that reunites the group of friends.

No Country stars Josh Brolin as Llewelyn Moss, a welder who stumbles upon a group of vehicles filled with and surrounded by the corpses of Mexican narco - traffickers and their dogs while out hunting deer.

Voiceprint and DNA evidence points to Jigsaw, but the film brings on a fresh group of investigators — all with their own guilty secrets, and suspicious of each other — running around the city, tripping over spectacularly mangled corpses and literally putting the pieces together.

A theatrical troupe arrives on an island off the coast of Florida, where Alan (Alan Ormsby, who also co-wrote the film and created its makeup effects), the group's preening and tyrannical director, wastes no time in pulling pranks on his unsuspecting actors and, for added kicks, holds a séance in an attempt to bring to life one of the corpses (Seth Sklarey as Orville) dug up from the local cemetery.

This film contains depictions of racially motivated conflicts and riots (with portrayals of injured characters and a corpse) along with derogatory comments about other racial groups.

In Reiner's superior slice of teen nostalgia, Dreyfuss is the now middle - aged writer, looking back at the dear dead days beyond recall when he and a group of young friends ventured into the local woods where they believed a corpse was buried.

Every year human corpses meant for anatomy classes, burial, or cremation find their way into the hands of a shadowy group of entrepreneurs who profit by buying and selling human remains.

For example, in the first volume of his Godhead Trilogy, written in the 1990s, the 2 - mile long corpse of God is discovered floating in the ocean and the Vatican dispatches a supertanker to tow the corpse to a tomb in the Arctic, meanwhile a group of atheist extremists plan on destroying the body, as it proves they were wrong.

Like the comic and television series, it will focus on a group of strangers fighting to survive in a world where the few remaining humans can prove equally as monstrous as the flesh - craving corpses now roaming the earth.

Joy alters their perception of the world, as evidenced when Arthur is pressured into hitting what a group of people see as a pinata, but is actually the corpse of a rat which they proceed to consume, believing it to be delicious candy.

Pantheon: Rise of the Fallen (Visionary Realms): Open donations, no end date — Old - school fantasy MMO with focus on group content — The return of corpse runs — Back in «full development mode»

Monster Hunter World (PS4 / XB1): What is better than running around with a group of your friends fighting ridiculous monsters in order to turn their corpses into weapons and armor?

Mugen is the brute of the group: his special skills enable him to do such things as taking a number of enemies out with a swing of his sword, he also carries a bottle of Sake, which can be put down on the ground to entice enemies, he can effortlessly carry two enemy corpses around, and even run with them in his arms, he is also able to carry heavier objects, and finally he is the only member of the team that is able to kill samurai outright.

Players take control of nine main characters and several side characters who've been split up into groups of two or three and trapped in a run - down, otherworldly elementary school full of vengeful spirits, deadly mysteries and — of course — corpses.

Just glancing at a group of human - sized incinerators can make one feel uneasy as does the sight of a corpse wrapped tightly in plastic.

To create the «corpses,» each of three artists in a collaborative group created a portion of an image without knowing what his or her fellow artists did.

Select group exhibitions and biennials featuring her work include Making & Unmaking, Camden Arts Centre, London (2016); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of Modern Art, New York (2016); Surrealist: The Conjured Life, Museum of Contemporary Art, Chicago (2015); Picasso & Contemporary Art, Le Grand Palais, Paris (2015); Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Museum für Moderne Kunst, Frankfurt am Main, Germany, traveled to Savannah College of Art and Design Museum of Art, GA, and the National Museum of African Art at the Smithsonian Institution, Washington, DC (2014); The Shadows Took Shape, Studio Museum in Harlem, New York (2013); Exquisite Corpses: Drawing and Disfiguration, The Museum of Modern Art, New York (2013); The Luminous Interval, Guggenheim Bilbao, Spain (2011); The Spectacle of the Everyday, and Black Womanhood, San Diego Museum of Art, CA (2009).

«Lichterloh roh» brings together glass - doored coolers, a glass - topped freezer, frozen pizzas, a papier - mâché corpse and a video in which Bock, dressed as a lab technician, lectures in German to a group of similarly dressed students.

In creating a score for group tweeting, it brings together some of the histories of collaborative textual and artistic practice (for example, Fluxus scores, Surrealist «exquisite corpses» and concrete poetry) with the real - time, widespread uses of Twitter to sort information.