Not exact matches
Equally, our narrative should include 1993,
with the large - scale pogroms against Banyarwanda across the region (dubbed la
Guerre de Masisi).
Maïwenn brings up the dirty and dark side of Paris
with the help of an excellent team of child actors - Malonn Lévana, the lovely little girl of «Tomboy» (where she plays the sister of the leading character) is someone to keep an eye on - and the best known actors of the French cinema of today: Marina Foïs, Sandrine Kiberlain, Nicolas Duvauchelle, Frédéric Pierrot, Karin Viard, Louis - Do de Lencquesaing, Alice de Lencquesaing (L'heure d'été, Le père de mes enfants), Jérémie Elkaïm (La
guerre est déclarée), Karole Rocher, and others.
Ephemera installed throughout the exhibition by Allison Rudnick, the department's assistant curator, supplied a sense of material culture on the home front: a group of nine chromolithographic postcards from several nations shows zeppelins looming cartoonishly over iconic landmarks, and two examples of printed cotton toiles de
guerre from 1916, combining French patriotic and military motifs
with a classical ornamental vocabulary.
In 2013, Cvejić curated the exhibition Danse -
Guerre at Musée de la danse, Rennes (in collaboration
with C. Costinas) in the frame of which she made videos two videos ``... in a non-wimpy way» (
with Steve Paxton) and «Yvonne Rainer's WAR» (co-authored
with L. Laberenz).
He has been developing the narrative of the Frenglish Empire since 2006,
with exhibitions Last Night, After the Lights Went Out, We Fell, In the Court of the Crimson King and La
Guerre de Machettes Danseuses (The War of the Dancing Machetes) Crocodile Company Part 1 at Taylor De Cordoba in Los Angeles, and The Wolf and Hawk War 1782 - 1790 for Morgan Lehman Gallery (New York) at Pulse, Miami.
The contemporary pieces are augmented
with works by old masters: the important Apocalypse series of woodcuts by Albrecht Dürer (1471 — 1528) and Les Grandes Misères de la
guerre by Jacques Callot (1592 — 1635), which reveal an impressive panorama of social rejection and human abysses in dialogue
with contemporary works across centuries.
Behind this nom de
guerre the artist has written a lot of illegal graffiti and shared a lot of subversive computer work; this is his second exhibition
with us under the name.
The museum's co-partnership
with Duke Chapel and the Divinity School brought us Miserere et
Guerre, an installation of 58 stunning prints by French artist Georges Rouault in the Incubator Gallery.
De
Guerre has more than 25 years of experience in the industry, starting his career
with local developer, Inducon Development Corporation.