Sentences with phrase «hank willis»

HANK WILLIS THOMAS «One - Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North» (Museum of Modern Art, New York) I love the archive as much as I love fine art.

HANK WILLIS THOMAS, «And I Can't Run,» 2013 (screenprint on retro - reflective vinyl mounted on aluminum).

Featuring works such as «Black Righteous Space: The South African Edition» 2015 (in the video above Marc Bamuthi Joseph performs at the Kadist Art Foundation in interaction with the work) and taking its title from a 1985 James Baldwin Essay, «this solo exhibition amplifies notions of presence and absence, sound and silence, and visibility and invisibility in the work of HANK WILLIS THOMAS.»

HANK WILLIS THOMAS, «Unbranded: A Century of White Women, 1915 - 2015» @ Jack Shainman Gallery New York, N.Y. Hank Willis Thomas «s latest exhibition is a counterpoint to «Unbranded: Reflections in Black by Corporate America, 1968 - 2008,» his 2010 installation at the Brooklyn Museum.

From left, Artists ERIC GOTTESMAN and HANK WILLIS THOMAS, founders of For Freedoms super PAC.

HANK WILLIS THOMAS (b. 1976, Plainfield, NJ; lives and works in Brooklyn, NY) is a conceptual artist working primarily with themes related to perspective identity, commodity, media, and popular culture.

HANK WILLIS THOMAS, a photographer and conceptual artists, says viewing Jacob Lawrence's «The Migration Series» (1940 - 41) when he was a freshman in high school was a pivotal experience that would later directly influence one of his own bodies of work, «Unbranded: Reflections in Black by Corporate America 1968 - 2008.»

HANK WILLIS THOMAS, «Ebony Life,» 2010 (gouache acrylic on canvas).

HANK WILLIS THOMAS, «Are You the Right Kind of Woman For it?

HANK WILLIS THOMAS / / UNBRANDED: A CENTURY OF WHITE WOMEN AND REFLECTIONS IN BLACK Selected by Stephanie Cristello, Forward by Janet Dees

HANK WILLIS THOMAS, «Flying Geese,» 2012 (mounted digital c - prints and stained African mahogany, Edition 3 of 3).

From left, JACK WHITTEN, «Black Monolith IV for Jacob Lawrence,» 2001; HANK WILLIS THOMAS, «Rich Black Specimen # 460,» 2017; SANFORD BIGGERS, «Quilt # 25 (Yemanja),» 2013 Courtesy SCAD Museum of Art, Photo by Dylan Wilson

mica, maryland, institute, college, of, art, commencement, graduation, ceremony, bachelor, bachelors, bachelor's, fine, arts, samuel hoi, valeria fuentes, neil meyerhoff, barbara mikulski, hank willis thomas, briana michelle arrington, gwen davidson, theresa bedoya, laura hatcher, marie claire macadar

Shown, HANK WILLIS THOMAS, «Who Can Say No to a Gorgeous Brunette?

HANK WILLIS THOMAS, «We The People,» 2015 (quilt made out of decommissioned prison uniforms).

HANK WILLIS THOMAS, «Bounce back to normal,» 1933/2015, 2015 (digital chromogenic print).

HANK WILLIS THOMAS, «Smokin» Joe Ain't J'Mama,» 1978/2006 (LightJet print).

Not exact matches

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