Sentences with phrase «hand papermaking in»

She has curated exhibitions including Social Paper: Hand Papermaking in the Context of Socially Engaged Art with Jessica Cochran, and Revolution at Point Zero: Feminist Social Practice with Neysa Page - Lieberman.
She curated exhibitions including Social Paper, the first exhibition considering hand papermaking in a socially engaged art context, and Among Tender Roots, the first retrospective featuring Mexican artist, Laura Anderson Barbata's work.
Her exhibition, «Social Paper: Hand Papermaking in the Context of Socially Engaged Art,» co-curated with Jessica Cochran, was funded by the Crafts Research Fund and the Clinton Hill Foundation, among others.

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She is recognized as a key innovator in the field of hand papermaking as art form.
The c3: Papermaking Residency was established in 2014 to engage artists with little or no experience in hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the medPapermaking Residency was established in 2014 to engage artists with little or no experience in hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the medpapermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the medium can do.
Michelle Stuart (b. 1933, Los Angeles, California) is featured in the group exhibition Paper / Print: American Hand Papermaking, 1960s to Today at The International Print Center, New York.
Before taking up encaustic, Laura received training in hand papermaking and printmaking from Women's Studio Workshop.
His work has been featured in Art in Print and Hand Papermaking magazines, and his work has been exhibited in the Corcoran Gallery of Art, Center for Book Arts, Salina Art Center, and elsewhere.
An article written by Pace Prints director Rachel Gladfelter is featured in the Summer 2015 issue of Hand Papermaking.
Her critical essays have been printed in BOMB, Art Papers, Flash Art, Metropolis M, Hand Papermaking, and AfterImage among others.
Melissa Potter is a multi-media artist specializing in hand papermaking and printmaking exhibiting nationally and internationally at venues including White Columns, the Bronx Museum of the Arts, and film festivals including the VideoDumbo Festival and the Reeling International LGBT Film Festival.
Hear artist Richard Tuttle and collaborators Bill Goldston (ULAE), Anne McKeown (the Brodsky Center), and Paul Wong (Dieu Donné) discuss their works on view in Paper / Print: American Hand Papermaking, 1960s to Today, as well as their wider thoughts on paper, print, and their careers in both fields.
In conjunction with Paper / Print: American Hand Papermaking 1960s to Today, Shaye Remba, director of Mixografia, discusses works on view created with Louise Bourgeois, Jacob Hashimoto, and Ed Ruscha with exhibition co-curator Mina Takahashi.
Their book covers were made in traditional hand - craft processes such as marbling, paste - papermaking and painting.
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