Sentences with phrase «handheld camera shots»

Handheld camera shots in the first half of the film create an edgy, uncertain feel, as the Foxfire group become dangerous and giddy with its own potential.

Even the over-the-shoulder handheld camera shots are like second - hand Dardennes brothers, applied here to give the audience the immediacy of going on a ride - along with a policeman facing an increasingly desperate set of options.

The gore, including bleeding wounds, gruesome attacks and blood - splattered walls in a triage unit, is made worse by the handheld camera shots that produce their own kind of nausea.

But minutes into it, I lost all trust of Mann bringing us the next hacker heap of destruction and handheld camera shots.

Not exact matches

Shot on location with handheld cameras, La Promesse used a stripped - down, realistic visual style to illuminate the harsh conditions of immigrants forced to work illegally, within an intensely personal story of a teenager who is forced to choose between morality and family ties when one of his father's exploited immigrant employees dies.

Shot largely handheld, the camera practically vibrates with excitement during the bloodier scenes.

Nicely shot, the series varies from nerve - racking handheld camera work to careful, steady long - held compositions, depending on the setting.

Watching Lou Bloom get the perfect shot on his handheld camera using knowledge of what works almost serves as a meta - ish take on directing, since we are watching first time director Dan Gilroy use much of what Bloom is harping on here.

Being shot on video and with a handheld camera gives «The Jim Gaffigan Show» a decidedly different look than many sitcoms.

It switches between handheld point - of - view shots from the perspective of the characters and an omniscient camera that seems to have a mind of its own, weightlessly sweeping through rooms and drifting up into corners with a spectral presence.

There's a lot of variety to his grit and wooziness; handheld cameras and squiggling, bacterial film grain are part of his aesthetic, but so are diffusion filters and Brian De Palma-esque split diopter shots.

Shooting the entire film through a handheld camera, audiences are privy to the city's destruction from primarily Hud's perspective.

The show takes cues from the big screen as well: Its absurdist deadpan and quasi-documentary feel (the episodes are shot on handheld camera without a studio audience or laugh track) recall Christopher Guest's improvisational gems.

Mr. Nolan's long time cinematographer and collaborator Wally Pfister was off directing his own film (Transcendence), so the very talented Hoyt Van Hoytema joined the team and contributed sterling camera work, including the first ever handheld IMAX shots.

I confess relief in reporting that Garden State is not shot on digital video, or with a handheld camera, as much as the dreary surroundings might beg for such indie - movie cred - bearers.

THE BLU - RAY DISC Cinematographer Benedict Neuenfels shot The Counterfeiters in Super16, and the lighter (compared to 35 mm) cameras allowed for a handheld shooting style that apes documentary - style filmmaking from shakycam operation to fast zooms — an occasionally distracting tactic.

Rappaport films everything with a whipping, zooming handheld camera, in close - ups with no sense of staging, so disoriented and interchangeable that the whole thing might as well have been shot in one location.

That, plus the arresting landscape shots, handheld camera angles, and Ronan's performance, is enough to keep your attention.

It doesn't help that Cutler relies on a stable of formal clichés, including a falling - in - love montage, a boozy party shot in handheld, a blast of white light when an unconscious character drifts toward death and a scene in which the camera circles Mia anxiously as she overhears bad news.

A drama of this nature demands the finest quality film but what comes across is hazy, resembling a digital print or one shot largely with a handheld camera intent on extreme close - ups.

Shot with a minimum of fuss on handheld cameras, Lindholm lenses everything with a quiet, natural approach that suggests a fly - on - the - wall documentary rather than a piece of fiction.

It is framed by emotion and shot by unsteady, ever - mobile handheld camera with frequent tiny zooms.

Director Derek Cianfrance, who extensively used improvisations to create a spontaneity, intercuts his anatomy of the end of a marriage with flashbacks to the excitement and anticipation and hope of the beginning of the relationship, and shoots it all with a handheld camera that, which is more distracting that immediate and «real.»

This is no staid period piece; shot like an action film, with handheld cameras and 360 - degree sets, it's visceral, bloody and moves at a breathtaking pace.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

Set on a farm in the British countryside, Francis Lee's feature debut looked at first like yet another grim and gritty British drama, shot on location in Yorkshire with handheld camera.

Baumbach made his family drama feel more intimate by having Yeoman use a 16 mm handheld camera for nearly every shot.

Though introduced as footage Raven captured with a handheld camera during production, most of it is either standard set B - roll or higher quality film of Raven shooting away.

Perry also abandoned his usual preference of shooting with a handheld camera, the style used for nearly every shot of «Listen Up Philip.»

The whole film is shot with handheld cameras, giving it a «documentary» feel at times, but most of the actual shots are ultra-stylized and comic - booky.

The techniques of Monroe and editor Paul Crowder invoke time - lapse photography, speed - change effects, handheld camera work, and the Jerry Bruckheimer principle that only a rare shot last longer than five seconds.

Melville's masterpieces include Le Doulos, featuring a ruthless police informer, played to perfection by Jean - Paul Belmondo, or Bob le flambeur, one of the first French films to rely on handheld camera - work and moody location shooting, and Le Cercle Rouge with a star - studded cast that includes Alain Delon as an English ex-con, Yves Montand and Gian - Maria Volonté.

Virtually every scene is shot during that «magic hour» before sunset using constantly moving, handheld cameras, making everything golden and entrancing.

It's electrifying to watch the camera gracefully swoop under and over and around Theron and her enemies in every new bit of hand - to - hand combat; Leitch is not a director who relies on quick cuts, or shaky handheld shots, to obscure the tougher parts of his set - pieces.

What I can equate the gameplay to best is pretty much an interactive war movie shot on a handheld, HD camera.

There is a two player touchscreen match mode, a VR Match where you tilt the handheld console to move the camera and enjoy matches from the player's point of view, as well as a game where you tilt a boat while aiming and shooting at targets.

During the 1970s, Polke slowed his art production in favor of travel to Afghanistan, Brazil, France, Pakistan, and the U.S., where he shot photographs (using a handheld 35 mm Leica camera)[7] and film footage that he would incorporate in his subsequent works during the 1980s.

Instead, this range is perfect for shooting slow moving objects (think people or pets) with a handheld camera.

The AI - stabilized camera can click some exuberant Portrait Mode shots and blur - free, handheld shots in low - light using Night Mode.

The RE camera, a handheld point - and - shoot device, features a 146 - degree wide angle lens with a 16MP camera sensor.