Not exact matches
What
happened next is the subject of Hollywood
film Captive.
After Oliver's
film crew packed up in Huntington, Black became interested in what
happened next and she's spent considerable time in the city ever since.
After witnessing Figaro use a stick to retrieve a pebble, biologists placed a cashew outside his cage, just beyond his reach, and
filmed what
happened next.
Note to Peter Berg: the
next time you make a
film (which hopefully will never
happen) try not to make the victims so sympathetic and your heroes so despicable and you may have an easier time keeping the right tone for a black comedy.
As you watch any of those
films, you think about what they're trying to say, or what they «mean,» or on a much simpler level, what the heck is
happening from one minute to the
next.
We don't really have a sense of what's going to
happen next, but when something does
happen, the
film builds in intensity and tension.
No one likes to have the ending of a
film spoilt, unless your one of those arseholes that sits through a whole movie shouting out what they think is going to
happen next.
It's a
film of genuine beauty, one where you come away as eager to talk about the set design and the choreography as you do the fate of the galaxy or what might
happen next.
Like the wayward lives of its characters, it's never knowing what's going to
happen next that makes for a fixating
film.
The cast was good, I found Idris Elba to be somewhat weak in the
film... hopefully this will not
happen in his
next films, Jason Patric was awesome as Max, and Saldana, Morgan, Evans, Short, and Jaenada were all great.
The
next two Avengers movies have been announced as the end of Phase 4 in the MCU and Joe Russo - who is helming the two
films with his brother Anthony - accepts that fans believe they know what will
happen in the plot from watching the other Marvel movies but he insists there's going to be some shocks for cinema goers.
This is one of those
films that is enjoyable because it's so odd that we don't really know what's going to
happen next, or what any of the crazy characters are going to have coming out of their mouths at any given time.
What can't
happen if the «Infinity Gauntlet» falls into the «right» hands, whether that be in this
film or the
next, is the elimination of struggle in this universe.
Is this move to the
next film [Our Brand Is Crisis (2015)-RSB- similar to what
happened after Snow Angels (2007) when you moved into Pineapple Express (2008)?
They also suggest casting is
happening now because an unconfirmed cameo in the
next Star Wars
film, Rogue One (which takes place between Episode III and Episode IV).
«Full of charm and wit, with a little mystery thrown in for good measure, APPLESAUCE is a rare and very original take on the relationship drama and mystery genres, excelling quite well in both... It's a
film that keeps its viewer wondering what will
happen next, from the very opening of the
film, to the moment the credits roll, and is by far Tukel's best work yet.»
Wondercon
happened in the US across the weekend in Anaheim and director Rian Johnson premiered the trailer for his
next film «Looper» while taking part in the
film's panel.
I have to join the throng loving this
film, even if it is essentially a reboot - you pretty much know what's going to
happen next.
Pettyfer is pretty and easygoing but lacks the sort of charisma that comes with a more focused sense of interior purpose, and the
film basically feels, at its core, like a mash - up of carefully cross-tabbed teen movie trends, which is probably what
happens when you set out in pre-production with the chief intent of manufacturing the
next big «Twilight» - type cinematic franchise.
It's unknown if the delay suggests that reshoots on the
film happening next month in Vancouver will now be longer than the expected two weeks.
None of that matters half as much as telling me how much you loved a
film, or even how much you hated it (but it better not be a movie I like because you don't want to know what
happens next).
There are a few things to watch for that may or may not be an indicator that a
film is headed for the Oscars — and none of them include anything that just
happened or is about to
happen in the
next couple of days.
What
happened next would change the world of filmmaking not only within the new genre Romero reinvented, but with the way
films are produced and distributed.
However while on the press tour for The Mummy, Tom Cruise confirmed, «[Top Gun 2] is definitely
happening [and I'm] gonna start
filming it probably in the
next year.»
After teasing the world with teaser footage at Comic - Con back in 2012, Warner Bros. and Legendary Pictures plans to unleash the
film, which aims to take a more realistic look at what
happens when giant creatures terrorise humanity, on May 16
next year.
And in one of the variously skilled ways that the
film folds recognisable tensions into its forever - evolving highwire act, continual mileage arises from the sparring match between Kevin (Lamorne Morris) and his partner Michelle (Kylie Bunbury), who lets slip that she once slept with a celebrity but won't reveal who.The circle widens out to include not just some notably impolite baddies who seem to be liking the game a bit too much but a hilariously weird
next - door neighbour (Jesse Plemons, pictured above) who doesn't take to the notion that the game might be
happening without him.
As much as I enjoyed both of those
films, I found myself mesmerized the whole time during Sound of My Voice and could not wait to see what
happened next.
Our second big topic involves The House
Next Door's own Kevin B. Lee — who just
happens to join us this week, along with Jones writer - director Preston Miller — and his summary of a
film criticism workshop at NYU which featured Jonathan Rosenbaum and Adrian Martin.
Worst of all is that the movie takes itself with such deathly seriousness that it's impossible to not laugh at the
next ridiculous development in a
film that does nothing but amp up the ridiculousness, until a climax where more completely unlikely, physically impossible and out - and - out ludicrous things
happen.
Plenty more will be seeing the
film next week at CinemaCon, and there's a slew of advanced screenings for fans in some major cities across the country
happening on April 14th.
As you know, this is one of the most talked about remakes
happening next year — along with the Evil Dead remake — and it has certainly been a tough one for fans to get behind because the original Brian DePalma
film is near and dear to many horror fans.
Even though this is not one of the best Star Trek
films in terms of plot or storyline; it is one of the best for humour and character development, and I will certainly be coming back to see what
happens to them in the
next instalment.
The first looks at those
films which will be vying for Oscars
next year have already
happened, at Sundance and Cannes.
Based on the crime spree of murderer Billy Cook, the
film itself reminds the audience: «What you will see in the
next 70 minutes could have
happened to you.»
Tyrese called out The Rock for «going solo» pleading with the actor to not move forward with this spin - off, but the spin - off is now
happening, with Fast & Furious 9 slated to start
filming next year.
Wonder Boys is about characters and interactions; it's about one of our most talented screenwriters, Steve Kloves (The Fabulous Baker Boys, Flesh and Bone), working at the absolute top of his profession; and it's about a cast so very sublime and dead solid perfect that wondering what will
happen next doesn't drive the
film so much as hoping that whatever it is takes its sweet time: We want these people to stay put.
The
film loses some of its imaginative pop as the frenetic pacing of Christmas subsides and Arthur decides to go against the orders of Santa and Steve, who assumes he will be
next in line to take on the mantle of Santa Claus (There's a rich history to the tile, although we have to wonder what
happened to Santa Claus the 18th, whose portrait is missing from the wall), to transport Gwen's gift directly to her home.
Although the descent of Flight 1549 after it struck a flock of geese is depicted several times, including the nightmare from which Sully awakens in the opening scene, the bulk of the
film concerns what
happens next, especially the increasingly hostile investigation by a panel accusing Sully and his first officer, Jeff Skiles (Aaron Eckhart), of endangering their passengers by refusing to try for LaGuardia or Newark.
Given that a major West End musical adaptation of the
film is slated for
next year (making this the fourth Whoopi Goldberg blockbuster to beget a stage musical), and that 2010 also just
happens to be the
film's 20th anniversary, there's a safe bet that a new release will be coming down the pipe in the relatively near future.
In fact, in most cases, the only important thing is what is going to
happen next and the
film makes no assumptions.
Recently we heard that Dan Aykroyd was reworking the script and that Sony was considering a May 2011 start date for the
film, but with casting for the «
next generation» of Ghostbusters still up in the air, it remains unclear if this sequel will
happen anytime soon.
Scott steers the
film in a manner you're never quite sure what's about to
happen next and his talented cast handles the rest.
While I feel that they in no way should shoulder any blame whatsoever for that piece of shit in Colorado doing what he did (he was looking to kill as many as he could, and it could have very well
happened 4 months later in something like Breaking Dawn, the
NEXT big
film that will have a shit ton of people in it), do you think that what they're doing with «Gangster Squad» is an effort on their part to kind of keep the connection between their two
films as loose as possible?
With such a tough act to follow, it perhaps is no surprise that only now has Darabont come out with his
next film, which, as it
happens, is also an adaptation of a Stephen King prison story.
His last two
films, 2013's Exit Elena and this year's Soft in the Head, are both brisk sprints of familial and social dysfunction, but one gets the sense that these types of stories are
happening all over, and with his
next film, Uncertain Terms, already slated to premiere at this year's Los Angeles
Film Festival, it's clear Silver is anxious to tell them.
So the fact that we get to be in a
film with him — we're not even sure what's going to
happen in the
next one — but the fact that he's going to be in it at all [is amazing].»
I have to go from one movie to the
next and be true to what's
happened, but not be slavish to it... The model I'm always trying to build from, my guiding star, is The Godfather Part II where a ton has
happened in - between... but you don't need any information: it's there in the
film.
He doesn't shy away from them either, as what's seen is more than most would want to see, but not to the point where the
film becomes unwatchable — the story occasionally breaks your heart, but it's still so utterly compelling that it doesn't break your desire to see what
happens next.
This week brought us our first peek at
next year's Captain America: Civil War, with some leaked images from the Disney D23 footage popping up online, featuring shots of Cap (Chris Evans), Iron Man (Robert Downey Jr.), Hawkeye (Jeremy Renner), Falcon (Anthony Mackie), The Winter Soldier (Sebastian Stan), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Ant - Man (Paul Rudd), Black Panther (Chadwick Boseman) and Crossbones (Frank Grillo), while Mark Ruffalo has revealed that The Hulk won't be appearing in the Phase Three - launching
film: «I thought that I would be in the
film, but in the end they evidently believe that the reveal of what
happened to the Hulk is something too big, and Marvel wants to use this information later.
For those that don't know, there is an award show that
happens the very
next day after the Oscars recognize the best in
film for the passing year.