Sentences with phrase «happy hour marked»

The International Happy Hour marked the second year that the U.S. Department of Commerce (DOC) used the SEMA Show as the venue to provide its Export Achievement Awards to SEMA members that have made impressive gains in international sales.

The 2013 International Happy Hour marked the second year that the U.S. Department of Commerce used the SEMA Show as the venue to present U.S. Department of Commerce Export Achievement Awards to SEMA members who have made impressive gains in international sales.

Not exact matches

Gourmet cuisine prepared by dedicated 5 - star chef (specializing in Mexican - contemporary cuisine) who can prepare three full meals a day plus snack and happy hour service (* meal preparation is included but not cost of food / beverages, which is charged at actual cost without mark - up)

I am currently at work but I am meeting Mark after work to meet up with some friends for Happy Hour.

2 — B (Review — The Film Experience) Happy End — A -(TIFF Review — The Film Experience) Home Again — B - Hostiles — B The House — C - I, Tonya — B - In the Fade — C Ingrid Goes West — B - It — C + It Comes At Night — B + (Review — The Film Experience) Jane — B Justice League — D + (Review — The Film Experience) Kiki — B + (Review) The Killing of a Sacred Deer — A (TIFF Review — The Film Experience) King Arthur: Legend of the Sword — C (Review — The Film Experience) Kong: Skull Island — C + (Review — The Film Experience) Lady Bird — A (TIFF Review — The Film Experience) Lady Macbeth — B Landline — B Last Flag Flying — C The Last Word — C - The Lego Batman Movie — B - Life — C The Little Hours — C + (Review — The Film Experience) Logan — C - Logan Lucky — B + (Review — The Film Experience) The Lost City of Z — B + (Review — The Film Experience) The Lovers — B + (Review) Loving Vincent — C - The Lure — B Manifesto — C + Marjorie Prime — C + Mark Felt: The Man Who Brought Down the White House — D - Maudie — B -(Review) Menashe — B (Review) The Meyerowitz Stories (New and Selected)-- A - Molly's Game — B - mother!

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

20 - ish «newish» works (10 male / 10 female directed) in the order in which I saw them: Happy Hour (Hamaguchi Ryūsuke, 2015): TV via vimeo (December 2016) Dangal (Nitesh Shiwari, 2016), the most enjoyable action entertainment, on Indian wrestling sisters (January, in release) Angry Inuk (Alethea Arnaquq - Baril, 2016): at Phi Centre; «Canada's Top 10» (January) Crosscurrent (Yang Chao, 2016): on desk - top computer (January): oh to see this on a big screen, to better appreciate Mark Lee Ping - Bing's cinematography!

This year marked the 10th SEMA International Happy Hour.

While Friday afternoons for most New Yorkers means happy hour, it also marks the time when some of city's biggest and best museums throw open their doors and let visitors in for free, including otherwise pricey museums such as the Museum of Modern Art (normally $ 25!)