Sentences with phrase «hard edged color»

In 1969 I began a continuing series of stain paintings combining stained surfaces, with hard edged colored bands, painted in different sizes across the bottom (some of which had abstract writing in them) and later, colored bands of different lengths and widths on the edges.

Not exact matches

It took the place of honor in my Easter basket amid the colored hard - boiled eggs, tall chocolate bunny, jelly beans and the pair of lace - edged socks to wear with my new Easter dress.

Liquid samples can push the color indicator off the paper or outward toward the edges of the readout, making the results inaccurate or harder to read.

It's a surprising color for jewelry and will complement the hard edge of the outfit, while also increasing the feminine feel of the ensemble; everyone loves a little bling, after all.

I love how tough it looks, I purchased it in antique silver and I find this color softens the hard edge design quite a bit making for a great everyday statement ring.

There's a constant supply of jaggies and hard edges, constant slow down and just a really bland selection of colors.

As we can see from the images, the Galaxy S4 case features gorgeous color scheme and dual - layer construction that consists of a hard outer shell and a soft, rubbery interior with reinforced corners plus raised edges in order to protect your Samsung Galaxy S4 from bumps and scratches.

Textures are washed out, edges are very hard, and the color palette used makes the entirety of the game look sterile.

- A hard edge is a crisp line clearly defining the difference between to tonal and color values.

James Little, 60, also has an affinity for color, design, and structure in his hard - edge abstract paintings that are strongly influenced by jazz.

I finished my series of fifteen hard edge border paintings (colored borders around the void) in August 1966.

In 1964, he made a series of hard - edge border paintings using gray, orange, salmon and other soft and felt color relationships.

Throughout 1968 I made paintings with rollers, stains, hard edge borders and lines across intense colored fields.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

Calling up diverse references, from still life vanitas to hard - edge abstraction, color theory diagrams, and optical illusions, Eaton's work deeply engages with vision on physiological, technological, and philosophical terms.

The «Protractor» series of the late 1960s saw him paint hard - edged rainbows of color on asymmetrically combined, broadly curved canvases, forever leaving behind the rectangular frame.

Before I began my fifteen series paintings, 9» x 6», large open fields with 4» borders I made a group of nine or ten large hard edge paintings in mostly primary colors and some smaller ones a few of which were in black and white.

And yet the intensity and variety of his striking color combinations, the curious vocabulary of his edges (feathered, brushed, smeared, dissolving or hard), and the relative depth and saturation of his colored forms take on qualities of personality.

In the viewing room, Charles Hinman's Sugilite (2013) is a shaped hard - edge minimal painting which as we move is perceived differently: new colors, new facets, new forms, new shadows, as the work is constantly reinvented.

Douglas Melini Working with the contrast between minimal palette and intensive patterning (a dialogue that allows the paintings to be simultaneously quiet and yet deeply activated), Douglas Melini makes hard - edge abstract paintings that investigate color and space.

I should also note that he was the first of the New York School to make a mural - size painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications of the hard - edge geometry of Reinhardt, or the fields of suffused and unbroken color in Rothko and Newman.

In G.S.F.C. 2.0 (Geometrical Sci - Fi Cyborg), hard - edged geometries filled with solid colors converge with organic lines to create vaguely figurative forms.

Using bright color, hard edges and shaped fiberglass supports his paintings were reminiscent of Stella's shaped canvasses.

Connections between European structural - constructive painting and American tendencies — Minimal Art, Color Field Painting, Hard Edge, Op Art — can plainly be seen in the Collection in works by Adolf Fleischmann, Hartmut Böhm, Andreas Brandt, Ulrich Erben, Gottfried Honegger, Karl Gerstner, Hermann Glöckner, Manfred Mohr and Anton Stankowski.

Painting was in her blood, but she diverged from her mother's penchant for hard - edge abstraction, and instead gravitated in the 1950s toward a more informal, intuitive process centered on color relationships and fluid gestures, which she has been developing and refining ever since.

Partly a reaction against Abstract Expressionism, best known in the thickly layered paintings of American artists Willem de Kooning and Jackson Pollock, Hard - Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.

I returned to New York City in June 1965 and made a series of simple and clear hard edge paintings that used symbolic color to represent the elements: yellow for sun, light and heat; sky - green for the void, daylight, and the answer; black for the night, the unknown and the question; and tan for flesh, being and the earth.

Color Field painting is related to Post-painterly abstraction, Suprematism, Abstract Expressionism, Hard - edge painting and Lyrical Abstraction.

They created a new kind of painting that was hard - edge, geometric, brightly colored or monochromatic, packing an immediate punch.

By 1967 Ronnie Landfield, (born in 1947), had been painting Minimal, hard edge, border paintings with solid colored centers for several years.

Associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s that included illusory and optical constructs exploring space and creating a tension between the two - dimensional and three - dimensional worlds.

Her process is evident in the finely calibrated geometries of her hard - edged paintings from the early 1970s, through the striped and later color blocked works of the»80s and»90s.

Will Lustenader's new geometric hard edge abstract body of work addresses spatial issues as well as the exploration of color and textural relationships.

Ellsworth Kelly is an American artist associated with hard - edge and color - field painting, and his works were significant precursors to Minimalism.

Jason Woodside is an American muralist and painter famous for his large - scale hard - edge pieces with vibrant patterns and striking colors.

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

Well, you create a picture that is about as tough and difficult, and against the taste, as you possibly can, like a mustard - colored, hard - edged abstraction.

From the rigorous flatness of hard edge painting to the celestial expanse of color field work, color can enhance or defy the flatness of the canvas, and activate the work in an exciting variety of ways.

Initially, Sanín created works using a gestural abstract style, like contemporaries Elaine de Kooning, Lee Krasner, and Joan Mitchell, but found her true voice in the geometry of hard - edge, symmetrical compositions filled with flat planes of color.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum exhibition in New York in almost 20 years, focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lot.

Hard edge painting and its artists relied on color, shape and line to make impersonal artworks of entirely abstract art.

Sadie Benning and Julia Rommel connect with the hard - edge color - field abstraction of the 1960's, pushing outward against the edges of the canvas through their innovative use of materials.

To me, systemic art can be very much akin to hard - edge art and a computer algorithm itself is very hard - edge; it's hard written code, but when code performs different functions it can generate a huge range of color combinations and emblems and symbols.

But dealer George Adams was moved by the crisp lines and jarring angles of the artist's brief foray into Hard Edge, a style associated with Color Field painting and Op Art.

I'm partial to the Seventies geometries with tinted color, a nice hard / soft combination in which the edge is mollified by the gentler palette.

Both Anuszkiewicz (who studied with Josef Albers) and Wurmfeld, whose exhibition I reviewed on April 14th, make optically dazzling, hard - edge paintings that owe something to the scientific, research - driven engagement with color that goes back to Georges Seurat, the study of optics and the rise of color theories.

Rooted in the language of architecture, Voisine's paintings, prints and drawings convey a sense of shifting spatial interactions through the use of symmetry, color, surface, and precise, hard - edged forms.