What could have been a rarified exercise like the museum it depicts,
Haynes frequent collaborators like Lachman and costume designer Sandy Powell give Wonderstruck an approachable texture.
Not exact matches
A few weeks ago, the Museum of Contemporary Art Chicago hosted
Haynes and his
frequent collaborator, costume designer Sandy Powell, for a special screening of «Velvet Goldmine» for the museum's ongoing «David Bowie Is» exhibit.
The initial word came out while
Haynes was at Cannes to help honor his
frequent collaborator Edward Lachman who had received the Pierre Angénieux ExcelLens in Cinematography Award, a lifetime - achievement award.
Composer Carter Burwell, one of
Haynes» many
frequent collaborators, has received the best and most consistently strong reviews for his score which traverses the silent era of the 1920s to the loud garishness of 1970s New York City.
For cinephiles, Wonderstruck is a chance to see
frequent collaborators Haynes and Moore team up again after the movies I'm Not There, Far From Heaven, and Safe, this time for a visually inventive, time - hopping fable.
The 1927 storyline is shot in black and white, mimicking the silent movies of the era, with a swelling orchestral score by the
frequent Haynes collaborator Carter Burwell.