Sentences with phrase «head curator modern»

The exhibition is initiated by Witte de With and Karel Schampers, (then) Head Curator Modern Art, Museum Boijmans Van Beuningen, Rotterdam.

Not exact matches

Eva Hesse, Expanded Expansion (98:00) Michelle Barger, Deputy Head of Conservation, San Francisco Museum of Modern Art Carol Stringari, Chief Conservator, Guggenheim Museum Elisabeth Sussman, Curator, and Sondra Gilman Curator of Photography, Whitney Museum of American Art Moderator: Jill Sterrett, Director of Collections and Conservation, San Francisco Museum of Modern Art

In addition to Heather Pesanti, the museum's Senior Curator, the Prize's inaugural advisory committee for the 2018 Prize includes Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

Stephanie Barron is Senior Curator and Modern Art Department Head at the Los Angeles County Museum of Art.

It includes contributions by the artist and new essays by Magnus af Petersen, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern.

The jury was headed by Kitty Scott, the AGO's Carol & Morton Rapp Curator of Modern and Contemporary Art, and included artist Stan Douglas and art scholar Russell Ferguson.

I Don't Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu - Gordon, Assistant Curator, Tate Modern.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and programs.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

Modern & Contemporary Drawings Isabelle Dervaux, Acquavella Curator and Department Head Rachel Federman, Assistant Curator Music Manuscripts & Printed Music Frances Barulich, Mary Flagler Cary Curator and Department Head Photography Joel Smith, Richard L. Menschel Curator and Department Head Printed Books & Bindings John Bidwell, Astor Curator and Department Head Sheelagh Bevan, Andrew W. Mellon Assistant Curator John T. McQuillen, Assistant Curator

Prior to his tenure at Hood, Taylor spent his career at the Philadelphia Museum of Art from 1997 until 2011, most recently as the Muriel and Philip Berman Curator of Modern Art and Head of the Department of Modern and Contemporary Art.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

Jenny Holzer in conversation with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art, Washington.

Brice Marden, artist, in conversation with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art, Washington.

As part of the Diamonstein - Spielvogel Lecture Series at the National Gallery of Art, artist Brice Marden joined Harry Cooper, the Gallery's curator and head of the department of modern and contemporary art, to discuss the evolution of his career and the influence of his contemporaries on his work.

Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its economic implications.

Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its socio - economic implications.

Speakers include Chris Stephens, Head of Displays and Lead Curator, Modern British Art, Tate Britain; Edith Devaney, Curator and Head of the Summer Exhibition, Royal Academy.

For the 2011 Venice Biennale, the Selection Committee consisted of: Rachel Campbell - Johnson, Art Critic, The Times; Christoph Grunenberg, Director Tate Liverpool; Nav Haq, Curator, Arnolfini, Bristol; Keith Hartley, Senior Curator, Scottish National Gallery of Modern Art, Edinburgh; Hugh Mulholland, Director, The Third Space Gallery, Belfast; Karen McKinnon, Curator, Glynn Vivian Art Gallery, Swansea; Richard Riley, Head of Exhibitions, Visual Arts, British Council; Ralph Rugoff, Director, Hayward Gallery, London; Godfrey Worsdale, Director, BALTIC, Gateshead; Chair: Andrea Rose, Director of Visual Arts, British Council.

Of the prestigious pool of nearly 70 leading thinkers who nominated artists for the survey, there were nine sitting museum directors (among them the heads of the Pompidou, Tate Modern, Palais de Tokyo, and Haus der Kunst); the philosopher - critics Boris Gorys and Theirry de Duve; the director of Frankfurt's influential Städelschule art school; the art critic Dave Hickey, Frieze editor Jennifer Higgie, and Texte zur Kunst editor Isabelle Graw; and the curators of that year's dOCUMENTA, Gwangju Biennial, and following year's Venice Biennale.

The jury includes Roxana Marcoci, senior curator of photography at the Museum of Modern Art in New York; Elvira Dyangani Ose, freelance curator and lector of visual cultures at Goldsmiths, University of London; Florian Ebner, head of photography at Museum Folkwang, Essen, Germany; Duncan Forbes, co-curator and director at Fotomuseum Winterthur in Winterthur, Switzerland; and Clare Grafik, head of exhibitions at Photographers» Gallery in London.

It is curated at Tate Britain by Chris Stephens, Curator (Modern British Art) & Head of Displays, Tate Britain, assisted by Helen Little, PICASSO AND MODERN BRITISH ART, TATE BRITAIN FEB 15 — Modern British Art) & Head of Displays, Tate Britain, assisted by Helen Little, PICASSO AND MODERN BRITISH ART, TATE BRITAIN FEB 15 — MODERN BRITISH ART, TATE BRITAIN FEB 15 — JUL 15

Liverpool Biennial 2018 is curated by Kitty Scott (Carol and Morton Rapp Curator, Modern and Contemporary Art at the Art Gallery of Ontario) and Sally Tallant (Director, Liverpool Biennial) with the Liverpool Biennial team: Francesca Bertolotti - Bailey (Head of Production and International Projects), Sinéad McCarthy (Curator), Polly Brannan (Education Curator), and Joasia Krysa (Head of Research).

At the same time, as Chris Stephens (Head of Displays, and Lead Curator of Modern British Art, Tate) has acknowledged, his art «challenged and dispensed with the values at the heart of the American painting», reflecting a new spirit of engagement with popular culture and the mass media.

The exhibition is curated by Harry Cooper, senior curator and head, department of modern art, National Gallery of Art, Washington.

While head of the Department of Modern and Contemporary art and the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 1993.

As Head of Exhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living arModern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living armodern and contemporary art and has published texts on numerous living artists.

In this video, recorded in October 2009 in the artist's Manhattan studio, Marden discusses his technique, sources of inspiration, and works in progress with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art.

Moderated by Harry Cooper, curator and head, department of modern art, National Gallery of Art

Cézanne Portraits is accompanied by a fully illustrated catalog with essays by John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, New York; Mary Morton, curator and head of the department of French paintings at the National Gallery of Art; and Xavier Rey, director of the Musées de Marseille.

Judith Brodie, curator and head, department of modern prints and drawings, National Gallery of Art.

Harry Cooper (Curator and Head of Modern Art, National Gallery of Art, Washington, D.C.) will serve as respondent.

Formerly head of the Department of Modern and Contemporary art as well as the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 1993.

A. Quincy Jones: Building for Better Living is organized by guest curator Jennifer Dunlop Fletcher, Head of Department / Associate Curator of Architecture + Design at the San Francisco Museum of Modecurator Jennifer Dunlop Fletcher, Head of Department / Associate Curator of Architecture + Design at the San Francisco Museum of ModeCurator of Architecture + Design at the San Francisco Museum of Modern Art.

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

Narrator: Harry Cooper is curator and head of modern art at the National Gallery of Art, Washington, D.C.

Featuring panelists: Dan Byers, The Richard Armstrong Curator of Modern and Contemporary Art and Co-Curator, 2013 Carnegie International, Carnegie Museum; Michelle Grabner, Professor, School of the Art Institute of Chicago and Co-Curator, the 2014 Whitney Biennial; Franklin Sirmans, The Terri and Michael Smooke Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art and Artistic Director, Prospect.3 New Orleans 2014.

The judging panel consisted of five photographic professionals; Fariba Farshad, director and co-founder of Candlestar and Photo London, Emma Lewis, assistant curator at Tate Modern, Tristan Lund, art dealer and consultant, Johanna Neurath, design director at Thames & Hudson and Fiona Shields, head of photography at Guardian News & Media.

Panel Discussion: The Legacy of the 1913 Armory Show: Charles Haven Duncan (Collection Specialist, Archives of American Art) Franklin Evans (Artist, New York) Andrea Geyer (Artist, New York) Marilyn Satin Kushner (Curator and Head, Department of Prints, Photographs, and Architectural Collections, New - York Historical Society; Co-curator of The Armory Show at 100) Mary Murray (Curator of Modern and Contemporary Art, Munson Williams Proctor Arts Institute)

Rower will be in conversation with Harry Cooper, curator and head of the Department of Modern Art at the National Gallery of Art in Washington, D.C..

Harry Cooper, curator and head, department of modern and contemporary art, National Gallery of Art.

Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art, in conversation with Susan Rothenberg, artist.

Robert Gober, artist, in conversation with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art.

(Later, when pitching Delacroix's Still Life of Dahlias, Zinnias and Plums on a Table, Leah Lehmbeck, curator of European painting and sculpture, showed a photo of the artist's head on a «Mount Rushmore of Modern Art.»)

The exhibition is curated by Achim Borchardt - Hume, head of exhibitions, and Iria Candela, curator, international art, with Fiontan Moran, assistant curator, and organised by Tate Modern in collaboration with the Stedelijk Museum, Amsterdam, and the Art and Exhibition Hall of the Federal Republic of Germany, Bonn.

The Met has observed that process closely, especially since its head of modern and contemporary art, Sheena Wagstaff, spent more than a decade as chief curator at Tate Mmodern and contemporary art, Sheena Wagstaff, spent more than a decade as chief curator at Tate ModernModern.

She was previously a curator at Wysing Arts Centre, Head of exhibitions at Nottingham Contemporary, and a curator at Tate Modern, where sheå specialized in performance and time - based media.

In this retrospective, Frances Morris, head of international collections at Tate Modern and curator of the exhibition, presents the work of the Japanese artist Yayoi Kusama, an essential figure in contemporary, post-war art.