Not exact matches
Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors,
David Burrows, Chris McKay; music, Mark Mothersbaugh;
production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic;
head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.
This in - depth piece is composed primarily
of behind - the - scenes footage and talking -
head interviews with many participants: * Robert Zemeckis (Director) * Frank Marshall (Producer) * Steven Spielberg (Executive Producer) * Steve Starkey (Associate Producer) * Don Hahn (Associate Producer) * Peter Seaman (Screenwriter) * Dean Cundey (Director
of Photography) * Arthur Schmidt (Editor) * Richard Williams (Director
of Animation) * Dale Baer (Chief Executive and Supervising Animator) * Simon Wells (Supervising Animator) * Andreas Deja (Supervising Animator) * Phil Nibbelink (Supervising Animator) * Dave Spafford (Animator) * Nik Ranieri (Animator) * Ken Ralston (Visual Effects Supervisor) * Michael Lantieri (Special Effects Supervisor) *
David Alan Barclay (Chief Puppeteer) * Jon Alexander (Optical Camera Operator, ILM) * Ed Jones (Optical Photography Supervisor) * Alan Silvestri (Composer) * Bob Hoskins (Eddie Valiant) * Charles Fleischer (Voice
of Roger Rabbit) * Lou Hirsch (Voice
of Baby Herman) You can imagine, therefore, how thorough this documentary is about touching every aspect
of the
production.
The son
of Darryl F Zanuck, co-founder and one - time
production head of 20th Century - Fox, Richard Zanuck successfully escaped his father's shadow by becoming a chief executive at Fox himself, and later producing with
David Brown some
of Hollywood's most profitable films, including the massive hit, Jaws (1975), which at the time was the highest grossing film ever.
Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan;
production designer, Owen Paterson; supervising art director, Greg Berry; art directors,
David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers,
David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual effects supervisor, Dan Deleeuw;
head of visual development, Ryan Meinerding; visual effects and animation, Industrial Light & Magic, Method Studios; visual effects, Trixter Film, Rise Visual Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos,
David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
Interviewees include Grosso, Friedkin, Jurgensen, Scheider, Hackman, sound recordist Chris Newman, DP Owen Roizman, assistant director Terry Donnelly, D'Antoni, former
heads of production for Fox Richard Zanuck and
David Brown, Tony Lo Bianco, and editor Gerald B. Greenberg.
Eidos Montréal
head David Anfossi told GamesIndustry.biz that from his experience these type
of games cost «$ 75 - 100 million,» and that the estimate was»
production only» as promotion for a key title will take up another $ 35 million dollars.
He first talks to client services director Ben Jennings about the company's move beyond transcription into the broader world
of document
production, and then it is over
head of new business
David Jones to discuss the company's latest products, including the Smart Notes system which integrates speech recognition with file notes and document management.