The Boston Globe: Celebrating
High Modernism while Exposing its Flaws The Arts Fuse: The Way We Live Now — Blending Modernist Architecture and Contemporary Art, An Interview with James Voorhies Harvard Crimson: Carpenter Center's Exhibition Recalls «The Way We Live Now»
Not exact matches
Nostalgia for the Concourse came to mind
while taking in Christian Maychack's latest exhibit at Jeff Bailey, being that so much of his work, to my eye, playfully sends up or gently skewers
high modernism.
Both used images of ordinary objects, or the objects themselves, in their work,
while retaining the abstraction and painterly gestures of
high Modernism.
While some scholars see
modernism continuing into the twenty first century others see it evolving into late
modernism or
high modernism, [18] which is then superseded by postmodernism.
Both used images of ordinary objects, or the objects themselves, in their work,
while retaining the abstraction and painterly gestures of
high modernism.
One compact definition offered is that
while post-
modernism acts in rejection of
modernism's grand narratives of artistic direction, and to eradicate the boundaries between
high and low forms of art, to disrupt genre and its conventions with collision, collage and fragmentation.
These artists used images of ordinary objects, or the objects themselves, in their work,
while retaining the abstraction and painterly gestures of
high modernism.
Donald is fascinated by the way in which this system of values in the world of decoy making and collecting (still vital today, in spite of the anachronism of duck hunting) echoes so directly that of the art world —
while the art world (in spite of claims that we are beyond
modernism with its distinctions between
high and low culture) would have nothing of such objects.