Sentences with phrase «high noon set»

High Noon set in Outer Space as a bunch of hired goons chase Sean Connery through the deserted corridors of a mining station.

Not exact matches

Uncertain who he can trust and ultimately forced to fight a handful of men solo, Gary's plight echoes the climax of «High Noon,» and similarly carves an effective political metaphor out of its one - man - army scenario: Literally bringing a knife to a gun fight during the tense showdown set around the exteriors of an apartment building, Gary becomes a killing machine by virtue of the only option at his disposal.

Update the classic High Noon, say, set it in space, cast uber - charismatic Sean Connery as the lead, and lose all that time wasting moral implication stuff = well, two out of three ain't bad.

The first action set piece, in Greenwich Village, stands as a highlight of all the Marvel films, a witty world - outside - your - window dustup full of team - ups, tech upgrades, and a wizard fighting space aliens at high noon in Washington Square Park.

The story, cobbled together by the director and young film enthusiasts Dario Argento and Bernardo Bertolucci, plays like a collection of the genre's greatest hits: the tense, real - time set pieces of High Noon; the mysterious hero of Shane; the encroaching antlike forces of civilization as explored in The Man Who Shot Liberty Valance.

Often included in the discussion of the best westerns of all - time — along with High Noon, Shane, Unforgiven, Once Upon a Time in the West, The Wild Bunch, The Good The Bad and the Ugly, and The Searchers — it was a joyful experience to finally get to see this one on the big screen in a theatre setting (thanks to Dallas Film Society and Chris Vognar).

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Instead of a high - noon, frontier - town duel, the setting for this showdown was a tight and rain - soaked 1.7 - mile street circuit near Reliant Park in Houston.

It's really high noon for Facebook and the tech industry,» Democratic Sen. Richard Blumenthal, Conn., one of the senators who is set to grill Zuckerberg, said in an interview.