Jackson alludes to the famous Lewis
Hine photographs of workers way atop the almost - completed Empire State Building — little do they know the space will soon be occupied by a giant gorilla.
Appropriated from the Library of Congress» photographic archive, the images depict adolescent textile workers — primarily young women with physically misshapen backs — that
Hine photographed to illustrate the damaging effects of textile manufacturing on the spine.
Not exact matches
A small sampling of the wide range of content that may be found here includes artwork such as Goya's Disasters of War; panoramic cityscapes of New York City's Fifth Avenue; George Caitlinâ $ ™ s North American Indian Portfolio; William Blake's hand - printed masterpiece of 1793, America a Prophecy; as well as 16th - century maps and drawings depicting the landing of European explorers in the Western Hemisphere; engravings of battle scenes of the American Revolution;
photographs recording the westward progress of the American transcontinental railroad; sheet music covers and restaurant menus from the 1890s; and
photographs of Depression - era New York City by Lewis
Hine and Berenice Abbott.
Lewis W.
Hine's
photographs of children working in mines, mills, and factories led Congress to try to regulate child labor, but the Supreme Court declared early laws unconstitutional.
Central to the exhibition is a series of early 20th century
photographs by Lewis
Hine that have been repurposed by the artist.
Swann Auction Galleries» 2018 auction season begins with
photographs and photobooks from luminaries like Robert Frank, Lee Friedlander, Lewis W.
Hine and others.
The duo's Art Institute selections include documentary and landscape
photographs by Ansel Adams and Lewis
Hine, and self - portraits by László Moholy - Nagy and his Bauhaus student Florence Henri.
Central to the exhibition was a series of early 20th century
photographs by Lewis
Hine that Oppenheim repurposed.
Hine traveled around the country
photographing the working conditions of children in all types of industries.
The collaborative exhibition, «Threads,» looks at the history of child labor in the region, as told through the
photographs of Lewis
Hine.
Oppenheim reproduces
Hine's clinical but oddly sensual
photographs at human scale, each life - sized image bisected vertically along the subject's spine.
Hine became well known for his
photographs documenting young factory workers in the beginning of the last century.
Based on early 20th century images found in the Library of Congress archive — a long - favored resource by Oppenheim — the
photographs depict the backs of textile workers taken by documentary photographer and sociologist Lewis
Hine.
Through her own processes of translation, Oppenheim performs the relationship of the body to mechanical production absent in
Hine's
photographs.
In the lead up to her exhibition, Oppenheim visited the Brooklyn Rail HQ to meet Managing Editor, Charles Schultz, and discuss her new work incorporating Lewis
Hine's
photographs, the joy she gets out of research, and the importance of supporting your peers.
Over half the work is photography: Diane Arbus, Lewis
Hine, Andre Kertesz, as well as an extensive selection of nineteenth - century cartes - de-visite and cabinet
photographs.
2014: Richard Avedon: People - the art of black / white portrait photography 2014: Guy Grey - Smith: Art As Life - WA landscape painter 2014: William Kentridge - The Refusal of Time 2013: Van Gogh, Dali and Beyond: The World Reimagined - 20 century art 2013: Made to Remember - Indigenous Art 2013: Picturing New York:
Photographs from MOMA - Alfred Stieglitz, plus Cartier - Bresson, Helen Levitt, Walker Evans, Lewis
Hine, Cindy Sherman.
The exhibition highlights familiar favorites from the collection, including classic documentary
photographs by Walker Evans, Lewis
Hine and Weegee, as well as major series commissioned by the museum from Lee Friedlander and Robert Glenn Ketchum.