Not exact matches
«End of an Era», Gagosian Gallery's eighth solo Damien
Hirst show, featured a new selection of
works contributing to the «Natural History», diamond
cabinet, and «Fact» painting series.
In their arrangement of objects the
cabinets link
Hirst's earlier collages (1983 - 1987) to his later
work.
Hirst began
work on the «Medicine
Cabinets» whilst in his second year at Goldsmiths with «Sinner» (1988).
The artist was interviewed on the occasion of
works from
Hirst's latest series going on display at Hong Kong's major solo exhibition, «Entomology
Cabinets and Paintings, Scalpel Blade Paintings and Colour Charts» (21st February - 4th May 2013).
After the private preview, everyone retired to the second floor, where there's Pharmacy 2, the restaurant at the end of a Damien
Hirst - themed Disney World ride: medicine
cabinets everywhere, pill - shaped barstools, glass - paneled pill
works, medical gear in cases, a true»90s - style
Hirst explosion of id.
British artist Damien
Hirst has shocked and surprised the art world with his unusual
works, including glass displays of dead animals and medicine
cabinet sculptures.
Forgotten Promises includes some favorites and some newer
works from Damien
Hirst such as stunning photorealistic oil paintings of butterflies, diamond
cabinets, the much talked about diamond encrusted baby skull, and much more.
Drawing inspiration from the Renaissance
cabinets de curiosites (intimate and private spaces for the collector but also workshops for scientific research),» Freedom Not Genius» is crowded with stuffed animals from various periods; anatomical studies and bronze casts; an 18th - century plaster cast of a horse's leg; drawings of African mammals; and more recent
works by artists such as Banksy, Marcus Harvey, Michael Joo, Sean Landers and Colin Lowe, recreating the imaginary animal world that attracts
Hirst the collector.
White Cube sold 10
works totalling more than $ 15 million, among them Damien
Hirst's Nothing Is a Problem For Me (1992), one of only four large - scale medicine
cabinets made by the artist, for $ 6 million.
The
Hirst works, with titles like Happiness (1993 - 1994), are abstract depictions of mood - enhancing drugs, but they are conceptually weak and visually repellent compared to Spot Paintings and Pill
Cabinets.
White Cube, for example, is showing a Damien
Hirst Medicine
Cabinet, of the old - school MDF and paper packaging variety, which reminds us of when his
work was unassuming and diffidently indebted to minimalism before the money turned everything to gold.
Damien
Hirst's large pill
cabinet work got a bid but sold for just above the low estimate making $ 5.85 m and suggesting there's been little recently to move
Hirst's market out of its trading range.
Cigarettes and smoking have featured repeatedly in
Hirst's
works, as a series of stubs individually isolated and displayed on seventeen rows of narrow shelves in a glass - fronted
cabinet in Dead Ends, Died Out, Examined 1993 (private collection), or heaped in a stinking mass of butts, ash and other smokers» detritus in an eight foot wide white ashtray called Party Time 1995 (Denver Art Museum).
Last year
Hirst briefly set the auction record at Sotheby's - # 9.65 m for Lullaby Spring, a medicine
cabinet - for any
work by a living artist.
Hirst's
work falls into three general categories: vitrine
works often featuring animals in formaldehyde, «spot» paintings, and
cabinet works, sculptures resembling medicine chests with pills and various other objects.
Like
Hirst's vitrines, which evoke both clinical theatres and austere Minimalist form in contrast to their almost spiritual content, Salvation / Damnation's sharp triangular framing conjures the museological setting of insect display
cabinets as much as the planar format of
works by Donald Judd or Frank Stella.
We contextualize a monumental and significant Damien
Hirst «Pill
Cabinet» alongside
works by Barnett Newman, Donald Judd and Gerhard Richter.
Paul Stolper Gallery presents exhibition of six new inkjet and foil block prints by Damien
Hirst «Utopia» will display
works depicting rows of either pills, diamonds or cigarettes arranged in metal
cabinets, together with «Till Death Do Us Part,» a series of ten foil block skulls on brightly coloured silkscreened paper.