Sentences with phrase «history department chair»

Critic and art historian Martica Sawin was Art History Department Chair at Parsons School of Design, 1967 - 1995; founder of Parsons in Paris; contributing editor ARTS, NY Correspondent for Art International, 1950s and «60s.

Professor Luis Agrait, History Department Chair at The University Puerto Rico, stops by to talk about diversity in Puerto Rico and the blending of cultures, as well as the food that's come from that.

Professor Luis Agrait, History Department Chair at The University of Puerto Rico, stops by the show to talk about the diverse backgrounds of the Puerto Rican people.

Not exact matches

My uncle was chair of the history department there.

«This radiocarbon dating method was a transformative advance to archaeology and historical studies, allowing the determination of the age of archeological sites and objects without reliance on a knowledge of local customs and history,» said Viresh Rawal, professor and chair of the Department of Chemistry.

A discussion with Warren Wagner, chair of the botany department at the Smithsonian Institution's National Museum of Natural History in Washington, D.C., an endowed NTBG research chair, and a father, helped Winter realize he wasn't alone in his often - exhausting effort to do several things at once.

«Patients [with a family history of cancer] are very anxious and do a lot of annual tests — ultrasounds, mammograms,» says Mary Polan, a former chair of the Department of Obstetrics and Gynecology at the Stanford University School of Medicine.

«In some sense it is an eerie return to some of the histories of the novel written by Victorians themselves, which tended to single out Austen and Scott as progenitors,» says Nicholas Dames, chair of the department of English and comparative literature at Columbia University in New York.

Local Committee Philipp Mitteröcker — Department of Theoretical Biology, University of Vienna Gerd B. Müller (chair)-- Department of Theoretical Biology, University of Vienna Isabella Sarto - Jackson — Konrad Lorenz Institute for Evolution and Cognition Research, Altenberg Uli Technau — Department of Molecular Evolution and Development, University of Vienna Kristin Tessmar - Raible — Max - Perutz Laboratories, Vienna Biocenter Executive Committee Frietson Galis — Naturalis Biodiversity Center, Leiden, Netherlands Ronald Jenner — Natural History Museum, London, U.K. Gerd B. Müller (chair)-- University of Vienna, Austria Peter Olson — Natural History Museum, London, U.K. Charlie Scutt — Ecole Normale Superieure de Lyon, France Michael Schubert — Observatoire Océanologique de Villefranche - sur - Mer, France Scientific Committee Frietson Galis (co-chair)-- Naturalis Biodiversity Center, Leiden, Netherlands Ronald Jenner — Natural History Museum, London, U.K. Philipp Mitteröcker — University of Vienna, Austria Gerd B. Müller (co-chair)-- University of Vienna, Austria Peter Olson — Natural History Museum, London, U.K. Charlie Scutt — Ecole Normale Superieure de Lyon, France Michael Schubert — Observatoire Océanologique de Villefranche - sur - Mer, France Program Committee Frietson Galis (chair)-- Naturalis Biodiversity Center, Leiden, Netherlands Ronald Jenner — Natural History Museum, London, U.K. Philipp Mitteröcker — University of Vienna, Austria Charlie Scutt — Ecole Normale Superieure de Lyon, France

He is the fifth chair in the Department's 43 - year history.

Dr. Bullock previously worked in Temple ISD serving in several positions during his time there including high school history teacher, department chair, advanced academic coordinator, and later principal of Temple High School.

Before that, she taught social studies for two years at T.T. Knight Middle School, a public school in Louisville, Kentucky, where she also chaired the History Department.

Students with a master's degree, or international equivalent, who are preparing for careers as teachers, department chairs, supervisors, curriculum developers, museum educators, and consultants in the disciplines of history, government / civics, geography, economics, and other social sciences.

Bridget's research interests stem from her time serving as a department chair and teaching history, English, and social sciences in middle and high school.

Tom Bennett, Founder of ResearchEd and Chair of the Department for Education Behaviour Group John Blake, History Consultant & Leading Practitioner at Harris Federation Christine Counsell, Director of Education, Inspiration Trust Anthony Denny, Parent & Governor, Jane Austen College Rachel De Souza, CEO, Inspiration Trust Toby French, Lead Practitioner, Torquay Academy Claire Heald, Executive Principal, Jane Austen College Karl Hoods, Chairman of Governors, Harris Academy Beckenham Hywel Jones, Head Teacher, West London Free School Michaela Khatib, Executive Head, Cobham Free School Mark Lehain, Principal, Bedford Free School Stuart Lock, Head Teacher, Cottenham Village College Helena Mills, CEO, Burnt Mills Academy Trust Munira Mirza, Former Deputy Mayor of Education and Culture for London Dan Moynihan, CEO, Harris Federation Libby Nicholas, CEO, Reach 4 Academy Trust Sara Noel, Parent and Governor, Cottenham Village College Martyn Oliver, CEO, Outwood Grange Academies Trust James O'Shaughnessy, Founder of Floreat Education Academies Trust Bruno Reddy, Maths Social Entrepreneur & former Head of Maths at King Solomon Academy Martin Robinson, Educationalist & author of Trivium21c Mark Rose, Governor, Great Yarmouth Primary Academy Jo Saxton, CEO, Turner Schools Multi-Academy Trust Tony Sewell, Founder of Generating Genius Jonathan Simons, Head of Education at Policy Exchange & Chairman of Governors, Greenwich Free School Luke Sparkes, Principal, Trinity Academy Alex Wade, Parent and Chairman of Governors, Fulham Boys School Claire Ward, Parent, Cobham Free School Rachel Wolf, Founder of The New Schools Network & Former Special Adviser to the Prime Minister for Education

Leader: Fitzhugh Brundage, William B. Umstead Distinguished Professor; Department Chair, History, University of North Carolina, Chapel Hill NHC Fellow 1995 — 96 Teacher Leader: Kevin Levin, Civil War historian and former history teacher Confederate monuments are the most common form of monumental public art in the former states of the ConfeHistory, University of North Carolina, Chapel Hill NHC Fellow 1995 — 96 Teacher Leader: Kevin Levin, Civil War historian and former history teacher Confederate monuments are the most common form of monumental public art in the former states of the Confehistory teacher Confederate monuments are the most common form of monumental public art in the former states of the Confederacy.

Krista Fantin Ferraro is a History teacher and department chair at Thayer Academy in Boston.

This exhibition is organized by Howard Singerman, Phyllis and Joseph Caroff Chair, Department of Art and Art History, Hunter College with Sarah Watson, Acting Director and Curator, Hunter College Art Galleries and Annie Wischmeyer, Assistant Curator, and will be accompanied by an illustrated catalogue featuring an essay by Howard Singerman.

Salah Hassan is Chair of the Department of History of Art and professor of African Diaspora art history and visual culture of Africana Studies at Cornell UnivHistory of Art and professor of African Diaspora art history and visual culture of Africana Studies at Cornell Univhistory and visual culture of Africana Studies at Cornell University.

President Bill Clinton leads a group of distinguished commentators, including Tony Kushner, award - winning playwright and author of the screenplay for the Academy Award - winning Lincoln; Harold Holzer, one of the nation's leading authorities on Abraham Lincoln; Edna Greene Medford, Chair of the History department at Howard University; the prolific novelist Jerome Charyn, author of I am Abraham; and historian Earl Lewis, President of the Andrew W. Mellon Foundation.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

David Driskell pioneered the field of African American art history as curator ofTwo Centuries of Black American Art for LACMA in 1976, when he was Professor and Chair of the Fisk University art department and director of Fisk's Carl Van Vechten Gallery.

In 1994, he became Chair of the Fine Art Department at the University of York, lecturing on method, theory and art history.

A fully illustrated catalogue accompanies Donald Moffett: The Extravagant Vein, featuring essays by exhibition curator Valerie Cassel Oliver; Bill Arning, Director, Contemporary Arts Museum Houston; Douglas Crimp, Fanny Knapp Allen Professor of Art History at the University of Rochester; and Russell Ferguson, Chair of the Department of Art at the University of California, Los Angeles, as well as color reproductions, the artist's biography, and a bibliography.

November 19 Julia Robinson, associate professor of art history, New York University Alex Potts, Max Loehr Collegiate Professor, University of Michigan Robert Hobbs, Rhoda Thalhimer Endowed Chair, Virginia Commonwealth University, and visiting professor, Yale University Emily Taub Webb, professor of art history, Savannah College of Art and Design Jane McFadden, department chair of humanities and sciences, ArtCenter College of DChair, Virginia Commonwealth University, and visiting professor, Yale University Emily Taub Webb, professor of art history, Savannah College of Art and Design Jane McFadden, department chair of humanities and sciences, ArtCenter College of Dchair of humanities and sciences, ArtCenter College of Design

David Getsy, Goldabelle McComb Finn Distinguished Professor of Art History and chair, department of art history, theory, and criticism, School of the Art Institute of CHistory and chair, department of art history, theory, and criticism, School of the Art Institute of Chistory, theory, and criticism, School of the Art Institute of Chicago.

Nan has taught courses in drawing, painting and art history at Bridgewater College since 1996, and has been chair of the art department since 1997.

The New York Daily News quoted Katarina Posch, chair of Pratt's History of Art and Design department, in a January 5 obituary on the legacy of celebrated designer and former Pratt faculty member Eva Ziesel.

Three new chairs have been appointed in Pratt Institute's School of Liberal Arts and Sciences: John Decker, Chair of the Department of the History of Art and Design; Arlene R. Keizer, Chair of Humanities and Media Studies; and Beth Loffreda, Inaugural Chair of the Writing Department.

Three new chairs have been appointed in Pratt Institute's School of Liberal Arts and Sciences: John Decker, Chair of the Department of the History of Art and Design; Arlene R. Keizer, Chair of Humanities and...

Dorothea Dietrich, a modernist art historian, academic, author, curator, and administrator, has been named Chair of the History of Art and Design Department.

Professor of Art and Department Chair, Art And Art History, Sonoma State University, Rohnert Park, California

2004 - 2005 Professor of Art and Department Chair, Art And Art History, Sonoma State University, Rohnert Park, California

He is Phyllis and Josef Caroff Professor of Fine Art and chair of the Department of Art and Art History at Hunter College of the City University of New York.

Also taking place this night was a discussion with the artist moderated by Dr. Mia L. Bagneris, assistant professor of art history at Tulane University, Newcomb Art Department, and featured remarks from Monica Ramirez - Montagut, Newcomb Art Museum director, and Elizabeth Boone, professor and chair of art history at Tulane University, Newcomb Art Department.

Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston

Contributors include exhibition curator Naima J. Keith; Anne Ellegood, Senior Curator, Hammer Museum; Malik Gaines, artist and Professor of Combined Media, Hunter College; Courtney J. Martin, Assistant Professor, Department of History of Art and Architecture, Brown University; Bennett Simpson, Curator, Museum of Contemporary Art, Los Angeles; Howard Singerman, Phyllis and Joseph Carloff Chair of Art and Art History, Hunter College; and Ellen Tani, doctoral candidate in the Department of Art History, Stanford University.

For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographic practices.

The couple has also vowed to give five million dollars for the Chazen Museum building, and will contribute three million dollars to endow distinguished chairs in the school's art and art history departments.

The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art is written by Anne Bromberg, The Cecil and Ida Green Curator of Ancient and Asian Art at the Dallas Museum of Art, with contributions by Catherine B. Asher, professor of art history at the University of Minnesota; Frederick M. Asher, chair of the department of art history at the University of Minnesota; Robert Warren Clark, coordinator of the Tibetan Language Program at Stanford University; and Nancy Tingley, an independent curator of Southeast Asian art.

Thomas F. DeFrantz, professor and chair of Duke's African and African American Studies Department, and SLIPPAGE presented an exhilarating performance of a dance duet in response to Kara Walker's Harper's Pictorial History of the Civil War (Annotated) prints.

John C. Welchman is Professor of art history, Visual Arts department at the University of California, San Diego and Chair of the Mike Kelley Foundation for the Arts.

Alfred Hardiman: «Earl Haig» Monument (1928 - 37) Stephen Heathorn (Professor and Graduate Chair, Department of History, McMaster University, Ontario)

Previously, Mr. Weiss served as the 14th president of Haverford College, the 16th president of Lafayette College, and the James B. Knapp Dean of the Zanvyl Krieger School of Arts and Sciences at Johns Hopkins University, where he also served as professor and chair of the history of art department.

A RISD grad, Berding is an associate professor of Studio Art and chair of the Department of Art and Art History at Michigan State University in East Lansing.

Organization with an operating budget of $ 6 — $ 15 million: Nancy Kathryn Burns, assistant curator of prints, drawings, and photographs at the Worcester Art Museum, and Kristina Wilson, associate professor of art history and chair of the department of visual and performing arts at Clark University, both for «Cyanotypes: Photography's Blue Period» at the Worcester Art Museum

Christine Mehring is chair and professor in the department of art history at the University of Chicago.

McDonough, chair of the art history department at Binghamton University, asks whether the objects Gates makes «exist between anthropology and the avant - garde,» the meaning of «complicated equity,» the ways in which the viewer or audience experiences his work, and «How does the outside world shape a set of definitions for you and how do you negotiate them?»

Howard Singerman is Caroff Chair of the Department of Art and Art History at Hunter College.