Sentences with phrase «hold film discussion»

Hold film discussion groups for adults, based on films at the local movie theatres.

Not exact matches

The film never greatly resonates in its discussions of political involvement and participation, but it holds one's attention as it tackles such ideas from varying viewpoints.

Christoph Waltz had been rumored to play the film's villain but Bardem currently holds the offer and is in discussions to tackle the part of Captain Brand, a ghost bent on revenge against Capt. Jack Sparrow, who he holds responsible for the murder of his brother.

It is a field enriched by active discussion group lists like Kinema Club (6) which reach out for numerous motivated students of Japanese cinema worldwide, and, no less importantly, by the fact that there are more academic positions held by Japanese film specialists than ever before.

Film Forward travels the globe and partners with local organizations and embassies to exhibit films and hold meaningful discussions, Q&A's, panels, and master classes that support an engagement between filmmakers and audiences and foster broader cultural dialogues.

Holding a significant fan base throughout the years, he is one of the most talked about film composers, the subject of many discussions and scholarly papers.

A sneak preview of Mamet's newest film, Redbelt, will be held on Thursday, April 17 at 7:30 p.m., followed by an in - person discussion with the director.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

In a discussion held at Rochester's annual 360/365 film festival moderated by local film critic Jack Garner, Taymor said she «always jumped off the cliff instead of just standing on the cliff.»

In a discussion held at Rochester's annual 360/365 Film Festival moderated by local film critic Jack Garner, director Julie Taymor spoke about her films and caeer.

Faculty held a panel discussion to discuss the film.

FotoFocus has provided support to the Cincinnati Film Society project presented at the Cincinnati Art Museum; the Fractured Atlas lens - based project in Havana, Cuba; the screening of the film Punctured by artist, William E. Jones, at the Arles Photography Festival in southern France; the FotoFocus Symposium «Mapplethorpe + 25» held this past fall at the Contemporary Arts Center; and the symposium's follow up discussion at the New Museum in New York.

The Godfather discussion and film screening will be held on Tuesday November 27, 2012 — 6:30 at Marfa Public Library.

PUBLIC PROGRAMS: Enhance your experience of Abstract Expressionism: Looking East from the Far West with lectures, films, performances, and discussions held throughout the duration of the exhibition.