We are also
taking her up on her tip to visit Ozone on the 118th
floor of the Ritz - Carlton Hong Kong where we are currently
holed up watching Typhoon Mujigae roll
in from our room on
floor 113.
Leverage fully - dynamic physics - based destruction to improvise on the fly: blow
holes in a wall or
floor to set an ambush or escape,
take out a staircase to stop your pursuers, or drive vehicles through blown out walls.; Evolving & Emergent Gameplay - Carve your path through an ever changing landscape as you improvise your combat tactics - mixing gameplay styles, vehicles, weapons and explosives to defeat the EDF.; Epic Sci - Fi Setting - Explore the huge, unforgiving Martian landscape, from the desolate mining outpost of Parker to the gleaming EDF capital city of Eos; then tear through the fully destructible open - world environments swarming with EDF forces, Red Faction resistance fighters, and the downtrodden settlers caught
in the cross-fire.; Multiplayer Combat - There is no place to hide when you put your guerrilla warfare skills to the test
in a variety of highly destructive multiplayer combat modes.
Take Richard Wilson relocating Matt's Gallery's main window as a sculpture («She Came
in Through the Bathroom Window», 1989), Urs Fischer reducing Gavin Brown's Enterprise to a
hole in the ground («You», 2007) or Bethan Huws raising the Whitechapel Gallery's
floor («Capelgwyn», 2011).