Not exact matches
The city was
recently ranked the second - least - affordable major market
in the
world by Demographia, a U.S. research firm, with median
home prices 10.6 times the median pre-tax household income.
For example, Google acquired the Android operating system developer
in 2005, which provided entry to the growing
world of mobile computing, and also
recently acquired Nest Labs, which develops automated
in -
home devices such as thermostats and smoke alarms that can be controlled using smart devices.
Rachel Held Evans
recently wrote: «Every night, as I nurse my little boy for the last time before bed, I pray for the mamas nursing their babies
in refugee camps and rafts around the
world, desperate for a safe place to call
home.»
It speaks to the satisfactions I've found
recently through intentional encounters with the unscreened
world:
in helping my neighbor load up his baby pigs; putting my phone
in a tray as I come through the front door so that I remember to give my kids my whole self; observing the way the Benedictine monks on the hill near my
home bow
in greeting one another and the way their eyes pierce me — greeting me, the stranger, as a guest, as Christ.
As the new benefits were created with today's global traveler
in mind, American Express also
recently debuted a new, travel - focused creative advertising platform that invites viewers to explore the
world with a mix of new print, out - of -
home and digital ads.
Chelsea are
world beaters then, as they struggled against Championship opposition
recently in the FA Cup, edging past Portsmouth despite a flattering 4 - 1 score, while last week saw them torn to shreds at
home by Sunderland.
At elite level, the performances of our female cyclists continue to provide inspiration for women across the country — British women took
home five medals from the Rio Olympics and twelve from the Paralympics, while Lizzie Deignan and Rachel Atherton have both
recently won
world titles
in their respective disciplines.
Until
recently, says ecologist Peter Walsh of Princeton University
in New Jersey, experts have believed that ape populations
in Gabon and Congo,
home to 80 % of the
world's gorillas and most common chimps, were stable because these countries retain much of their original forest cover.
I am excited that Tim has
recently become active
in the
home decor
world on Instagram and
in blogland and I highly encourage you to give him a follow here!
Meanwhile, from back
home, J.B.'s lovely tenant, medical - student Brenda (Lake Bell, most
recently of
In a
World, and one of my new favorite screen presences), starts to regularly call her landlord on Skype (initially because of a broken washing machine, but later just to chat), and even though J.B. only dates models, a spark ignites between them.
Co-written by Jeremy Saulnier go - to actor Macon Blair, who
recently turned heads with his feature - length debut I Don't Feel at
Home in This
World Anymore, the film follows a disgraced cop who's released from prison, only to enter a world of trouble when a dying mob boss decides to confess his sins before he keels
World Anymore, the film follows a disgraced cop who's released from prison, only to enter a
world of trouble when a dying mob boss decides to confess his sins before he keels
world of trouble when a dying mob boss decides to confess his sins before he keels over.
The Screenwriting Award:
World Cinema Dramatic was presented to: Eskil Vogt for Blind from Norway, Netherlands (Director & Screenwriter: Eskil Vogt)-- Having
recently lost her sight, Ingrid retreats to the safety of her
home — a place she can feel
in control, alone with her husband and her thoughts.
The film is the latest to be released day - and - date
in UK cinemas and on VOD by Curzon Film
World, whose streaming service Curzon
Home Cinema was
recently relaunched with a new, easier - to - use layout.
Brian Michael Bendis and artist Andrea Sorrentino
recently revisited the devastated
world in their «Old Man Logan» miniseries for the current «Secret Wars» event, which began with the title character leaving his
home reality (now part of the Doom - created Battleworld) and concluded with the older Wolverine suddenly finding himself on the streets of the All - New, All - Different Marvel Universe.
It has been something of a thing
recently in some corners of the dog training
world to suggest that keeping an easily over-stimulated and / or reactive dog
in his own
home environment for a bit, with enrichment toys is a better idea than taking said dog out into the
world to be walked.
This
recently restored
home is comfortably furnished
in an old
world way.
Ambergris Caye,
recently named Mexico & Central America's Leading Destination at the prestigious
World Travel Awards in 2016 for the second year in a row is home to some of the world's happiest people who are ready to welcome you as new residents of La Isla Bonita (Spanish for the Beauitful Island - the island's local nickn
World Travel Awards
in 2016 for the second year
in a row is
home to some of the
world's happiest people who are ready to welcome you as new residents of La Isla Bonita (Spanish for the Beauitful Island - the island's local nickn
world's happiest people who are ready to welcome you as new residents of La Isla Bonita (Spanish for the Beauitful Island - the island's local nickname).
Big Travel Nut
recently posted... How to feel at
home anywhere
in the
world
Being the most devote Buddhist country
in the
world, having only
recently opened to tourism, and being
home to ancient civilizations where cultures and religions met; Myanmar felt like being
in another
world.
In Mafia II, you play the role of Vito Scaletta, an ex-con recently returned home from a tour of duty in World War I
In Mafia II, you play the role of Vito Scaletta, an ex-con
recently returned
home from a tour of duty
in World War I
in World War II.
Monster Hunter has until
recently been a fairly niche series
in the West, but the latest entry, Monster Hunter
World, looks set to change that with its leap to current - gen
home consoles and PC.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
In 2005, the artist opened lesser new york
in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art
world that she saw reflected
in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more
recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion
in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas
in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving
in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation
in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in one's
home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater
in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production
in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greate
in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested
in its lesser relationship to the greate
in its lesser relationship to the greater.
The artist, who became a significant art
world presence over a short career — his work has appeared
in institutional collections, and the Underground Museum
recently established a unique curatorial partnership with L.A.'s Museum of Contemporary Art — died Saturday at
home in Ojai, according to Sarah Stifler, a MOCA representative.
The Belgian artist Luc Tuymans who was
recently found guilty of copyright infringement, after losing a legal battle
in his
home country over the alleged plagiarism concerning a portrait the artist created
in 2011 has spoken to Artlyst about the case, its politics, and its wider implications to the art
world and the fate of -LSB-...]
Building yet another modern tiny
home with Japanese flavours is 50 - year - old Vancouverite Isabella Mori, who got her new 186 square - foot tiny
home built late last year as a way to bypass rising rents and Vancouver's shockingly expensive real estate market,
recently ranked second-most unaffordable
in the
world, after Hong Kong.
Armenian environmental activists fighting plans to build a copper mine
in an endangered forest got a boost
recently when former System of a Down frontman Serj Tankian, surely the
world's most famous Armenian - American rock star, sent a message of support for their campaign and promised to donate a song to the cause.One of few significant wooded areas remaining
in a country already heavily deforested, the Teghut Forest
in northern Armenia is
home to many native species, including the Syrian brown bear, the endangered Caucasian gray bear, and the short - toed eagle.
More
recently, and closer to
home, there is the influence the Catholic Church had on the province of Quebec (and continues to have
in some regions); clergy not only exercised a top - heavy influence on their followers by keeping them
in relative ignorance, but also by isolating them from the rest of the
world, which contributed to the increasing economic inferiority which came to mark the province and remained severe until the recent past.
In the family law world we have the recently reported case involving litigation between Leanne and David Principato where a Superior Court Justice bemoaned the fact that at an early stage of the litigation the two sides had incurred legal expenses in excess of $ 92,000 in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.&raqu
In the family law
world we have the
recently reported case involving litigation between Leanne and David Principato where a Superior Court Justice bemoaned the fact that at an early stage of the litigation the two sides had incurred legal expenses
in excess of $ 92,000 in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.&raqu
in excess of $ 92,000
in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.&raqu
in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial
home amounting to less than $ 100,000.»
Ten New Models Now Available, Including Two More
in the Custom Integration «CI» Line; All Feature Audyssey Dynamic EQ and Audyssey Dynamic Volume, HDMI 1.3 a Capability and More Denon Electronics, one of the
world's premier manufacturers of high - quality
home entertainment components,
recently announced that the company's ten new advanced audio / video receivers are...
Sholto Douglas -
Home, Chief Marketing Officer of Hays, the
world's leading recruiting experts
in qualified, professional and skilled people, together with Tim Pernetti, Chief Business Officer of New York City FC,
recently signed player, Frank Lampard and Claudio Reyna, Sporting Director of New York City FC.
One hand, the city has embraced technology with the
recently completed Maricopa Solar Power Plant - it is one of the most advanced of its kind
in the
world - and on the other, the city loves its sport and is
home to the spring training camps of the Sand Diego Padres and Seattle Mariners.
Since then, the number of practitioners around the
world has burgeoned and there are now an estimated 40,000 lawyers trained
in and employing the methodology, Webb told the Courier by phone
recently from his retirement
home in Minneapolis.
Business impact: Five transactions
in 1999 Site debut: Early 1999 Site updated: Weekly Designer - developer:
World Wide Web Center Best feature: Descriptions and photos of
recently sold and for - sale
homes
RISMEDIA, July 2, 2010 — Disney
recently unveiled Golden Oak, a one - of - a-kind luxury residential resort community offering the unprecedented opportunity to purchase a
home at Walt Disney
World Resort
in Florida.