Sentences with phrase «home in the world recently»

Not exact matches

The city was recently ranked the second - least - affordable major market in the world by Demographia, a U.S. research firm, with median home prices 10.6 times the median pre-tax household income.

For example, Google acquired the Android operating system developer in 2005, which provided entry to the growing world of mobile computing, and also recently acquired Nest Labs, which develops automated in - home devices such as thermostats and smoke alarms that can be controlled using smart devices.

Rachel Held Evans recently wrote: «Every night, as I nurse my little boy for the last time before bed, I pray for the mamas nursing their babies in refugee camps and rafts around the world, desperate for a safe place to call home.»

It speaks to the satisfactions I've found recently through intentional encounters with the unscreened world: in helping my neighbor load up his baby pigs; putting my phone in a tray as I come through the front door so that I remember to give my kids my whole self; observing the way the Benedictine monks on the hill near my home bow in greeting one another and the way their eyes pierce me — greeting me, the stranger, as a guest, as Christ.

As the new benefits were created with today's global traveler in mind, American Express also recently debuted a new, travel - focused creative advertising platform that invites viewers to explore the world with a mix of new print, out - of - home and digital ads.

Chelsea are world beaters then, as they struggled against Championship opposition recently in the FA Cup, edging past Portsmouth despite a flattering 4 - 1 score, while last week saw them torn to shreds at home by Sunderland.

At elite level, the performances of our female cyclists continue to provide inspiration for women across the country — British women took home five medals from the Rio Olympics and twelve from the Paralympics, while Lizzie Deignan and Rachel Atherton have both recently won world titles in their respective disciplines.

Until recently, says ecologist Peter Walsh of Princeton University in New Jersey, experts have believed that ape populations in Gabon and Congo, home to 80 % of the world's gorillas and most common chimps, were stable because these countries retain much of their original forest cover.

I am excited that Tim has recently become active in the home decor world on Instagram and in blogland and I highly encourage you to give him a follow here!

Meanwhile, from back home, J.B.'s lovely tenant, medical - student Brenda (Lake Bell, most recently of In a World, and one of my new favorite screen presences), starts to regularly call her landlord on Skype (initially because of a broken washing machine, but later just to chat), and even though J.B. only dates models, a spark ignites between them.

Co-written by Jeremy Saulnier go - to actor Macon Blair, who recently turned heads with his feature - length debut I Don't Feel at Home in This World Anymore, the film follows a disgraced cop who's released from prison, only to enter a world of trouble when a dying mob boss decides to confess his sins before he keels World Anymore, the film follows a disgraced cop who's released from prison, only to enter a world of trouble when a dying mob boss decides to confess his sins before he keels world of trouble when a dying mob boss decides to confess his sins before he keels over.

The Screenwriting Award: World Cinema Dramatic was presented to: Eskil Vogt for Blind from Norway, Netherlands (Director & Screenwriter: Eskil Vogt)-- Having recently lost her sight, Ingrid retreats to the safety of her home — a place she can feel in control, alone with her husband and her thoughts.

The film is the latest to be released day - and - date in UK cinemas and on VOD by Curzon Film World, whose streaming service Curzon Home Cinema was recently relaunched with a new, easier - to - use layout.

Brian Michael Bendis and artist Andrea Sorrentino recently revisited the devastated world in their «Old Man Logan» miniseries for the current «Secret Wars» event, which began with the title character leaving his home reality (now part of the Doom - created Battleworld) and concluded with the older Wolverine suddenly finding himself on the streets of the All - New, All - Different Marvel Universe.

It has been something of a thing recently in some corners of the dog training world to suggest that keeping an easily over-stimulated and / or reactive dog in his own home environment for a bit, with enrichment toys is a better idea than taking said dog out into the world to be walked.

This recently restored home is comfortably furnished in an old world way.

Ambergris Caye, recently named Mexico & Central America's Leading Destination at the prestigious World Travel Awards in 2016 for the second year in a row is home to some of the world's happiest people who are ready to welcome you as new residents of La Isla Bonita (Spanish for the Beauitful Island - the island's local nicknWorld Travel Awards in 2016 for the second year in a row is home to some of the world's happiest people who are ready to welcome you as new residents of La Isla Bonita (Spanish for the Beauitful Island - the island's local nicknworld's happiest people who are ready to welcome you as new residents of La Isla Bonita (Spanish for the Beauitful Island - the island's local nickname).

Big Travel Nut recently posted... How to feel at home anywhere in the world

Being the most devote Buddhist country in the world, having only recently opened to tourism, and being home to ancient civilizations where cultures and religions met; Myanmar felt like being in another world.

In Mafia II, you play the role of Vito Scaletta, an ex-con recently returned home from a tour of duty in World War IIn Mafia II, you play the role of Vito Scaletta, an ex-con recently returned home from a tour of duty in World War Iin World War II.

Monster Hunter has until recently been a fairly niche series in the West, but the latest entry, Monster Hunter World, looks set to change that with its leap to current - gen home consoles and PC.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greateIn 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its lesser relationship to the greater.

The artist, who became a significant art world presence over a short career — his work has appeared in institutional collections, and the Underground Museum recently established a unique curatorial partnership with L.A.'s Museum of Contemporary Art — died Saturday at home in Ojai, according to Sarah Stifler, a MOCA representative.

The Belgian artist Luc Tuymans who was recently found guilty of copyright infringement, after losing a legal battle in his home country over the alleged plagiarism concerning a portrait the artist created in 2011 has spoken to Artlyst about the case, its politics, and its wider implications to the art world and the fate of -LSB-...]

Building yet another modern tiny home with Japanese flavours is 50 - year - old Vancouverite Isabella Mori, who got her new 186 square - foot tiny home built late last year as a way to bypass rising rents and Vancouver's shockingly expensive real estate market, recently ranked second-most unaffordable in the world, after Hong Kong.

Armenian environmental activists fighting plans to build a copper mine in an endangered forest got a boost recently when former System of a Down frontman Serj Tankian, surely the world's most famous Armenian - American rock star, sent a message of support for their campaign and promised to donate a song to the cause.One of few significant wooded areas remaining in a country already heavily deforested, the Teghut Forest in northern Armenia is home to many native species, including the Syrian brown bear, the endangered Caucasian gray bear, and the short - toed eagle.

More recently, and closer to home, there is the influence the Catholic Church had on the province of Quebec (and continues to have in some regions); clergy not only exercised a top - heavy influence on their followers by keeping them in relative ignorance, but also by isolating them from the rest of the world, which contributed to the increasing economic inferiority which came to mark the province and remained severe until the recent past.

In the family law world we have the recently reported case involving litigation between Leanne and David Principato where a Superior Court Justice bemoaned the fact that at an early stage of the litigation the two sides had incurred legal expenses in excess of $ 92,000 in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.&raquIn the family law world we have the recently reported case involving litigation between Leanne and David Principato where a Superior Court Justice bemoaned the fact that at an early stage of the litigation the two sides had incurred legal expenses in excess of $ 92,000 in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.&raquin excess of $ 92,000 in spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.&raquin spite of the fact that the two sides are of «very limited means,» have «limited incomes,» and their only «significant asset is the proceeds from the sale of the matrimonial home amounting to less than $ 100,000.»

Ten New Models Now Available, Including Two More in the Custom Integration «CI» Line; All Feature Audyssey Dynamic EQ and Audyssey Dynamic Volume, HDMI 1.3 a Capability and More Denon Electronics, one of the world's premier manufacturers of high - quality home entertainment components, recently announced that the company's ten new advanced audio / video receivers are...

Sholto Douglas - Home, Chief Marketing Officer of Hays, the world's leading recruiting experts in qualified, professional and skilled people, together with Tim Pernetti, Chief Business Officer of New York City FC, recently signed player, Frank Lampard and Claudio Reyna, Sporting Director of New York City FC.

One hand, the city has embraced technology with the recently completed Maricopa Solar Power Plant - it is one of the most advanced of its kind in the world - and on the other, the city loves its sport and is home to the spring training camps of the Sand Diego Padres and Seattle Mariners.

Since then, the number of practitioners around the world has burgeoned and there are now an estimated 40,000 lawyers trained in and employing the methodology, Webb told the Courier by phone recently from his retirement home in Minneapolis.

Business impact: Five transactions in 1999 Site debut: Early 1999 Site updated: Weekly Designer - developer: World Wide Web Center Best feature: Descriptions and photos of recently sold and for - sale homes

RISMEDIA, July 2, 2010 — Disney recently unveiled Golden Oak, a one - of - a-kind luxury residential resort community offering the unprecedented opportunity to purchase a home at Walt Disney World Resort in Florida.