Sentences with phrase «hommage duras»

A print commissioned from Kit Miles, this «Cubiste» design from Osborne & Little pays hommage to the avant garde movement led by Picasso and Braque.

The final contribution of the chapter, a translation of an article included in the Mélanges en hommage à Panayotis Soldatos, deals with a very important, but highly specific issue of competition law: the duration of non-compete obligation in full - function joint ventures.

The murals are now there to remind passers - by of the importance of fighting for climate justice, continue to denounce and resist dirty energy projects and to pay hommage to the environment protectors who are risking their lives on a daily basis to defend their land, their resources and their communities.

In «Cool Summer» and «Hommage à M. L.,» from 1962, vertical and horizontal squiggles form loose clusters, separated from one another, and from the surrounding canvas, by the greasy - looking halos (the result of diluting oil with turpentine).

Using acrylic and silkscreen techniques on linen and canvas, this show pays hommage to abstract expressionism, inspired by the discordant beauty of Charlie Parker's jazz composition, Now's the Time.

School of Visual Arts, New York, NY Idée de la Peinture — Hommage á Martin Barré.

A year later he showed, in the context the Hommage à Georges de la Tour in Berlin's GaIerie Diogenes, his first phosphor pictures and fire sculptures.

Hommage á Marcel Duchamp, May - June 1994 (another example exhibited).

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

Kunstmuseum St. Gallen... 18May > Hommage à Philippe Thomas.

Yannick Nézet - Séguin and Philadelphia Orchestra in Anton Bruckner's 8th Symphony and Mahler's 3rd; Philadelphia Assembled at the Philadelphia Museum of Art; Sarah Michelson's September2017; John Akomfrah's The Unfinished Conversation; Ivo van Hove's production of Salome; Suzanne Andrade and Barrie Kosky's production of The Magic Flute; Andrew Watts in Hommage à Klaus Nomi; We Wanted a Revolution: Black Radical Women 1965 — 85 and The Legacy of Lynching: Confronting Racial Terror in America at the Brooklyn Museum; tiny Sara Berman's Closet at the large Met Museum.

Kunsthalle Zurich.pdf... 14May > Hommage à Philippe Thomas et autres œuvres.

Lot 13: CHÉRI SAMBA (Congolese, b. 1956), «Hommage Aux Anciens Createurs,» 1994 (collage, glitter and acrylic on canvas, 81 x 100 cm.

In 1964 Mack, Piene and Uecker arranged the «ZERO Lichtraum (Hommage á Lucio Fontana)» at the 1964 documenta in Kassel.

Arshile Gorky: Hommage.

An early painting in the show, «Hommage à ML,» is a Rorschach - blot bouquet of shimmering blues, coral, and yellow.

Between January and March, Alexander Polzin's work is being exhibited at the Grand Théâtre de Genève, to coincide with his stage designs for Gluck's Iphigénie en Tauride and his collected works, Hommage an Thomas Brasch, are being shown at the Kunstmuseum Ahrenshoop.

Notable among these were «Hommage à Chrysler Corp.,» in which the seductive curves of a car bumper and headlights blend with the ghostly image of a red - lipsticked Venus, and «She,» in which a toaster, vacuum cleaner, refrigerator and breasts float in a consumer dreamspace that Mr. Hamilton regarded with a certain ambivalence.

VII, pp. 22 and 24 - 26 (another cast illustrated, p. 25) Herbert Read, «Le sculpteur», Hommage a «Henri Matisse, numéro special du XXe siècle, Paris, 1970, pp. 122 -123 (another cast illustrated) Albert E. Elsen, The Sculpture of Henri Matisse, New York, 1972, figs. 89 - 91, pp. 71 - 77 and 105 (another cast illustrated, pp. 73 - 75) Lawrence Gowing, Matisse, London, 1979, no. 52, pp. 74 - 77 (another cast illustrated, p. 71) Pierre Schneider, Massimo Carrà and Xavier Derying, Tout L'Oeuvre Peint de Matisse, 1904 - 1928, Paris, 1982, no.

East & West Galleries: 54/84 — Hommage à Guido Molinari Early works on paper by the Canadian Formalist, Guido Molinari, will be on exhibit together with recent work by five of his former students.

The exhibits include Cornell's late -»50s collage Hommage to the Romantic Ballet (Fanny Cerrito, 1817 — 1907)-- a sculpted cherub presiding

THE IMAGE OF SENSE, Blain Southern, London, UK The Sea - An hommage to Jan Hoet, Cinema Capitole, VZW De Zee Oostende, BE The Sea, Museum Brandts, Odense C, DK MAN IN MIRROR, Vanhaerents Art Collection, Brussels, BE Pure Water.

And all the critical rants to the contrary, this Biennial is not without its ephemeral gestures to private emotions, including Kiki Smith's shower of glass tear drops strewn before two transparent feet and lovingly titled Mother (1992 - 3); Jack Pierson's Diamond Life (1990), a sensitive hommage, with desk cigarette butts and Joni Mitchell albums, to the slower moments of an emotional life in the 70s; Lari Pittman's intricately patterned paintings; Lorna Simpson's wonderful wall of trumpet mouthpieces that form part of her installation Hypothetical?

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

1987 Message Units, 516-277-4338, New York, US About Sculpture, Anthony d'Offay Gallery, London, UK Perverted by Language, Hillwood Art Gallery, Long Island University, Brookville, New York, US Saga 87 (premiere foire), Eric Linard Editions, Grand Palais, Paris, FR Ohne Die Rose... Grusse an Beuys von 199 Kunstlern, Stadtisches Museum Haus, Monchengladbach, and Koekkoek, Kleve, DE XXX Anniversary Exhibition, Leo Castelli Gallery, DE Group Exhibition, Rudiger Schottle Gallery, Munich, DE Hyperspaces, Art City, New York, US Group Exhibition, Marian Goodman Gallery, New York, US Snow, Weiner, Nannucci, Art Metropole, Toronto, CA; Alberta College Art Gallery, Calgary, CA; MacDonald Stewart Art Center, Guelph, Ontario, CA; Anna Leonowens Gallery, NSCAD, Halifax, CA; Forrest City Gallery, London, Ontario, CA; Emily Carr College of Art, Vancouver, B.C., CA Marc Hostettler und die Editions Media, Graphik - Sammlung ETH, Zurich, CH Stichting Fort Asperen, Asperen, NL Group Exhibition, Galerie Francoise Lambert, Milan, IT Group Exhibition, Castello di Rivoli, Museo d'Arte Contemporanea, Turin, IT Jack Goldstein, John Lamka, Lawrence Weiner, Piezo Electric, New York, US Folkwang Video, Videogalerie Gerry Schum, Essen, DE Incrocio - Un Racconto, La Saleriana, Erice, Sicily, IT Aspects of Conceptualism in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, BE

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

Seeing several of these paintings [his series paintings «Hommage to the square», Josef Albers painted in 1963 - 64] next to each other makes it obvious that each painting is an instrumentation on its own.

Paris, Galerie Nikki Diana Marquardt, Dan Flavin: Hommage à Leo Castelli, 1957 - 1987, May - June 1987 (another example exhibited) Musée d'Art Contemporain de Lyon, Collection Panza: Dan Flavin, June - September 1989 (another example exhibited) Cologne, Galerie Tanit, Dan Flavin: eine Auswahl neuerer Arbeiten, November 1989 - January 1990 (another example exhibited) Musée d'Art Moderne de la Ville de Paris, Un Choix d'art minimal dans la collection Panza, July - November 1990, pp. 48 - 49, illustrated in colour (another example exhibited) New York, Solomon R. Guggenheim Museum, Dan Flavin, September 1995 - January 1996 (another example exhibited) Osaka, Gallery Yamagucki, Untitled (to Don Judd, colorist), October - November 1996 (another example exhibited) North Adams, Museum of Contemporary Art, Test Site, May 1999 - April 2000 (another example exhibited) London, Serpentine Gallery, Dan Flavin, August - September 2001, pp. 16 - 17, illustrated in colour (another example exhibited) New York, Home Alone 2 Gallery, Jimmy Desana and Dan Flavin, September — October 2013 St Ives, Tate St Ives, Artist Rooms: Dan Flavin, 23 May - 27 September 2015 (another example exhibited)

«Hommage Jean - Henri Fabre», Muséum d'histoire naturelle, Paris.

The repetition of circular shapes in Louise Bourgeois «s «Hommage Duras» (1995) is almost musical, the different rounds like notes of a harmonious score.

All artists contribute colour plates of a special selection of works as an hommage to the band.

December: Hommage à Schmela, Galerie Schmela, Düsseldorf, a series of seven day - long solo exhibitions is staged.

3 October - 15 November: Hommage à Lidice, Galerie Rene Block, Berlin.

Hommage à Marcel Duchamp.

Un hommage au déjeuner sur l'herbe et au jardin de Monet à Giverny.

2006 Colour Aside, Luhring Augustine, New York, NY Dedica 1986 - 2006, Vent» anni della galleria Alfonso Artiaco, PAN / Palazzo della Arti, Naples Idees de la peinture: Hommage a Marin Barre, Galerie Nathalie Obadia, Paris Gods in Exile: Salvador Dalí, Albert Oehlen, et al, Kunsthaus Graz, Germany Make Your Own Life: Artist In and Out of Cologne, Institute of Contemporary Art, Philadelphia The Power Plant, Toronto, Henry Art Gallery, University of Washington, Seattle, Museum of Contemporary Art, Miami Surprise, Surprise, Institute of Contemporary Arts, London Works on Paper, Patrick Painter Inc, Santa Monica, CA, USA Gods in Exile: Salvador Dalí, Albert Oehlen, et al., Kunsthaus Graz, Germany Vous êtes ici (You are here) FRAC, France Grid < > Matrix, Mildred Lane Kemper Art Museum, St Louis Faster!

Lehmann Maupin, New York, NY Hommage an Rudolf Schwarzkogler.

Additional runaway lots included two color screenprints featuring the squares for which Albers is known: Hommage au Carré, 1965, and Attic, 1965 ($ 7,280 and $ 6,000, a record for the work, respectively).

The title was produced on the occasion of Heinz Mack's 85th birthday and is in accompaniment a three part - exhibition: «Mack: Review and Outlook A Special Selection - Hommage to his 85th birthday» (2016).

Spliced together to create multiple iterations of the maps, the images on the walls serve as an hommage to the artist and form a literal backdrop or framing device onto which other art works will be hung.

Thirty years after the exhibition Hommage à Ferrari, the Fondation Cartier will once again focus its attention on the world of cars with the exhibition Autophoto dedicated to photography's relationship to the automobile.

In 1911, Klee discovered Picasso's Cubist compositions, which he referenced in Hommage à Picasso (1914), and less overtly in Paysage près de E. (en Bavière)(1921) and Senecio (1922)-- paintings that quote the fractured perspective and prismatic forms of the Spanish master.

As at Christie's, work by Brazilian artists was highly sought after, with strong prices including Sergio Camargo's painted wood construction, Hommage à Fontana (Relief no. 129), 1967, selling for $ 1.5 million, far above the $ 600,000 / 800,000 estimate.

Textile design brand Vlisco has recently introduced Hommage à l'Art, a new fabric collection that puts its iconic African - style designs in the spotlight and celebrates its rich heritage.

In a statement sent to ARTnews, Cassils, who identifies as a gender - nonconforming trans masculine visual artist, wrote, «While Benglis's original Advertisement acted as a commentary on sexist gender - based limitations in the art world, Cassils's Hommage uses the same strategies to intervene in the gendered policing of trans and nonconforming bodies in the world at large.

The piece, titled Advertisement: Hommage to Benglis, shows the artist wearing only a jockstrap and bright - red lipstick, with short brown hair and one nipple pierced.

When his wife, the artist Joan Mitchell, died in 1992, Riopelle dedicated to her his Hommage à Rosa Luxemburg, a work composed of three big canvases.

«Spéciale n ° 54 Hommage à Hopper» (2007) features a house with a nearby road sign for the Hopper Center — although no such institution exists, except in this painting, which functions, as does most of Mr. Monory's work, like a movie screen where fantastical drama and action are routinely played out.

She cites Mary Abbott ($ 28,125 in 2008 for Untitled); Perle Fine ($ 51,000 in 2006 for Hommage à Mondrian [1967 — 69]-RRB-; and Judith Godwin ($ 31,200 in 2006 for Target [1979]-RRB-.

Arman (French, 1928 - 2005) Hommage à Yves Klein, 1992 Pigment, gold leaf and acrylic on violin in plexiglass, in three parts Dimensions: 26 × 12 1/2 × 8 7/10 in (66 × 31.8 × 22.2 cm)...