Sentences with phrase «hopper drawing exhibition»

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This essay by Mark Strand was originally written for The New York Review of Books as a review of the exhibition of Edward Hopper's drawings at the Whitney Museum of American Art in 2013.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Celebrate the Whitney's summer exhibitions, Hopper Drawing and Robert Irwin: Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), with friends, artists, and fellow members!

As if to underscore the point, the Dallas Museum of Art's presentation of the traveling exhibition Hopper Drawing: A Painter's Process includes both actual and reproduced Hopper paintings for comparison with the numerous studies and preparatory sketches behind them.

The exhibitions Hopper Drawing and Robert Irwin: Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977) serve as anchoring touchpoints.

NARRATOR: The exhibition is organized thematically around [Edward] Hopper's most important paintings, which are shown alongside related drawings.

This landmark exhibition mines the Whitney's deep holdings of Edward Hopper drawings, exploring the medium within the context of the artist's work and creative process.

An expert on Edward Hopper, he organized the 2013 exhibition Hopper Drawing and edited and co-authored its award - winning catalogue.

«Hopper Drawing» is the first major exhibition to focus on the artist's drawings and working process.

This exhibition will highlight one of strengths of the Johnson Museum's collections: paintings, drawings, and watercolors from the first part of the twentieth century by artists such as John Marin, William Zorach, Edward Hopper, and Arthur Dove as well as new acquisitions by Jane Peterson, George Luks, Cecilia Beaux, Maurice Prendergast, and many others.

In exhibitions such as Edward Hopper & Company, The Heart is a Lonely Hunter, Open Secrets, Not Exactly Photographs, and Nothing and Everything, Fraenkel Gallery has brought together work across media, interweaving photography, painting, drawing, and sculpture.

As for the DMA, it's in the middle of its first major Islamic art exhibition and in recent memory has hosted a surprising Edward Hopper drawing survey, an equally revelatory Jean Paul Gaultier retrospective, and The Mourners: Medieval Masterworks from the Court of Burgundy.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

No Chance for Nighthawks Pilgrammage — Attendees to the Whitney Museum's latest exhibition of works by Edward Hopper may be encouraged to visit the site of Nighthawks, the American artist's most famous painting, but «Hopper Drawing» curator Carl Foster is quick to burst any potential bubbles, musing that the diner in the image is most likely an amalgamation of multiple mid-century New York locales, citing Hopper's proclivity for synthesizing.

Middlebury College Museum of Art opens Edward Hopper in Vermont an exhibition of watercolors and drawings of Vermont subjects by the American painter, on view May 23 — August 11, 2013.

This exhibition features watercolors, pastels and drawings by some of the most important American artists of the 20th Century, including Georgia O'Keefe, Edward Hopper and Stuart Davis.

With ten rare paintings and drawings by Hopper, and work by eight photographers spanning the years 1936 to 1974, this ambitious exhibition will explore Hopper's enormous influence on the medium of photography.

-- the first major museum exhibition to focus on the drawings and creative process of Edward Hopper — was on display, I couldn't pass up the opportunity to check it out.

I always wanted to go to the museum and after I recently learned that Hopper Drawing — the first major museum exhibition to focus on the drawings and creative process of Edward Hopper — was on display, I couldn't pass up the opportunity to check it out.

In this episode, we visit The Dallas Museum of Art and speak with Carter E. Foster about the exhibition, Hopper Drawing: A Painter's Process.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, BarExhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barexhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

The Dallas Museum of Art will premiere an exhibition exploring how modern and contemporary artists — from Childe Hassam and Edward Hopper to Willem De Kooning, Gerhard Richter and Catherine Opie — have drawn upon coastal landscapes as a source of inspiration, metaphor and mystery in their work.

Dawn Clements» work has been included in numerous exhibitions such as: Paper (Saatchi Gallery, London); Ghost of Architecture (Henry Art Gallery, Seattle); Ballpoint Pen Drawing Since 1950 (Aldrich Contemporary, CT); Making Room: The Space Between Two and Three Dimensions (MassMoCA); Edward Hopper and Contemporary Art (Kunsthalle Wien, Vienna, Austria); Art Now; Dawn Clements, Middlebury College Museum of Art, Middlebury, VT The Whitney Biennial 2010 (Whitney Museum, NYC); and The Venice Biennale.

The first major museum exhibition focusing on Hopper's drawings and creative process, the show features many of the famed artist's paintings adjacent to the rarely seen drawings that preceded them.

Dawn Clements» work has been included in numerous exhibitions such as: «Paper» (Saatchi Gallery, London); «Ghost of Architecture» (Henry Art Gallery, Seattle); «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT); «Making Room: The Space Between Two and Three Dimensions» (MassMoCA); «Edward Hopper and Contemporary Art» (Kunsthalle Wien, Vienna, Austria); «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center); «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China); the Whitney Biennial 2010 (Whitney Museum, NYC); and the Venice Biennale.

The exhibition will survey Hopper's significant and underappreciated achievements as a draftsman, and will pair many of his greatest oil paintings, including Early Sunday Morning (1930), New York Movie (1939), Office at Night (1940) and Nighthawks (1942), with their preparatory drawings and related works.

This exhibition, organized by the Whitney Museum of American Art, showcases drawings bequeathed to the museum by the artist's widow Josephine Hopper, many of which have never before been exhibited or researched.

Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882 — 1967).

«Hopper Drawing,» an exhibition at the Whitney Museum of American Art, May 23 — October 6, 2013; the Dallas Museum of Art, November 17, 2013 — February 16, 2014; and the Walker Art Center, Minneapolis, March 15 — June 22, 2014.

«Hopper Drawing, a new exhibition at the Whitney in New York, not only connects the real to the imagined in the artist's work but also connects paintings to one another.»

«Directing attention to the drawings and sketches of Edward Hopper, an artist known for his indispensable impact on oil painting, this [exhibition] catalogue is flush with keen and surprising insight.»