Sentences with phrase «hopper drawings»

Literary themes: Includes photographs and photocopies of photographs of Hopper drawings and paintings with literary references, and notes on these literary influences Hopper signatures: Photographs and photocopies of photographs of Edward Hopper signatures on paintings and drawings

Correspondence relating to publications concerns permissions needed to reproduce Hopper work and other documentation necessary for the following publications: Edward Hopper, by Robert Hobbs, published by Harry N. Abrams (1986 - 87); and Hopper Drawings: 44 Works from the Permanent Collection of the Whitney Museum of American Art, Dover Publications (1987 - 89).

This landmark exhibition mines the Whitney's deep holdings of Edward Hopper drawings, exploring the medium within the context of the artist's work and creative process.

It has celebrated Breuer before, in walls that move to form a central square for Edward Hopper drawings, but also somehow bear the weight of Jay DeFeo and her two - ton Rose.

Hopper Drawing explores Edward Hopper's creative process by placing iconic paintings in the context of extensive sketches and preparatory drawings.

Celebrate the Whitney's summer exhibitions, Hopper Drawing and Robert Irwin: Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), with friends, artists, and fellow members!

As if to underscore the point, the Dallas Museum of Art's presentation of the traveling exhibition Hopper Drawing: A Painter's Process includes both actual and reproduced Hopper paintings for comparison with the numerous studies and preparatory sketches behind them.

The exhibitions Hopper Drawing and Robert Irwin: Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977) serve as anchoring touchpoints.

Walking through the Smithson show before visiting Hopper Drawing, I gravitated mostly toward the photographs of Amarillo Ramp and a geometric «aerial map» made entirely of pieces of mirrors for one of his Dallas - Fort Worth Regional Airport proposals.

An expert on Edward Hopper, he organized the 2013 exhibition Hopper Drawing and edited and co-authored its award - winning catalogue.

«Hopper Drawing» is the first major exhibition to focus on the artist's drawings and working process.

Sarah has been a curatorial assistant at the Whitney since 2013, but joined the Whitney family in 2012 when she interned for Carter Foster while he was curating Hopper Drawing.

As for the DMA, it's in the middle of its first major Islamic art exhibition and in recent memory has hosted a surprising Edward Hopper drawing survey, an equally revelatory Jean Paul Gaultier retrospective, and The Mourners: Medieval Masterworks from the Court of Burgundy.

No Chance for Nighthawks Pilgrammage — Attendees to the Whitney Museum's latest exhibition of works by Edward Hopper may be encouraged to visit the site of Nighthawks, the American artist's most famous painting, but «Hopper Drawing» curator Carl Foster is quick to burst any potential bubbles, musing that the diner in the image is most likely an amalgamation of multiple mid-century New York locales, citing Hopper's proclivity for synthesizing.

Episode 197, December 18, 2013 At The Dallas Museum of Art — Hopper Drawing: A Painter's Process Curator, Carter E. Foster Interview

Hopper Drawing.

I always wanted to go to the museum and after I recently learned that Hopper Drawing — the first major museum exhibition to focus on the drawings and creative process of Edward Hopper — was on display, I couldn't pass up the opportunity to check it out.

In this episode, we visit The Dallas Museum of Art and speak with Carter E. Foster about the exhibition, Hopper Drawing: A Painter's Process.

An image of the Whitney Museum recreation of Edward Hopper's Nighthawks in the prow of the Flatiron Building, part of the Hopper Drawing exhibit.

Hopper Drawing is organized by Carter E. Foster, Steven and Ann Ames Curator of Drawing.

Hopper Drawing is based on the research on more than 2,500 works on paper by Hopper in the Whitney collection.

Hopper drew incessantly his entire life and, so the show argues, it is drawing that links all his artistic work.

«Hopper Drawing» opened at the Whitney Museum of American Art on May 23 and remains on view through October 6, 2013.

Hopper Drawing continues at the Whitney Museum of American Art (945 Madison Avenue, Upper East Side, Manhattan) through October 6.

Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882 — 1967).

In celebration of Hopper Drawing, a life - size window installation of Edward Hopper's Nighthawks (1942) is on view inside the landmark Flatiron prow, one of the original architectural inspirations for this iconic painting.

Installation view of Hopper Drawing (Whitney Museum of American Art, New York, May 23 — October 6, 2013).

«Hopper Drawing,» an exhibition at the Whitney Museum of American Art, May 23 — October 6, 2013; the Dallas Museum of Art, November 17, 2013 — February 16, 2014; and the Walker Art Center, Minneapolis, March 15 — June 22, 2014.

«Hopper Drawing, a new exhibition at the Whitney in New York, not only connects the real to the imagined in the artist's work but also connects paintings to one another.»

«Hopper Drawing... is a revelation about the artist's incredible draughtsmanship.

Not exact matches

(The climax of the proceedings comes at the end of each Sunday service when one tag is drawn from a hopper of visitor name tags and a new car is given to that visitor.)

Days of Heaven, which brought Malick the best director award at Cannes in 1979 and is arguably his finest film, is being reissued in a new print that does justice to Néstor Almendros's magnificent cinematography drawing on the paintings of Winslow Homer, Andrew Wyeth, Edward Hopper and (in one scene of a religious ceremony in wheat fields) Jean - François Millet.

In this vamping update of Dennis Hopper's The Last Movie, filmmaker Alex Ross Perry plays a disillusioned director adrift in the swirling chaos of the Philippines, preparing to make a film as the Mayan apocalypse draws near.

Given than Hopper has moved on, and the time and place that he represented is also on its way out the door, what is one to draw from this gritty piece of work?

Twin painters of isolation and suspension, Wenders and Hopper — since long about The American Friend — have been on a mission to redraw the psychic divorce of one American from another in minor chords and long, drawn - out tremolos.

How Edward Hopper Storyboarded Nighthawks: Drawings at the Whitney reveal the step - by - step process the artist used to create his iconic painting of a New York diner at night Robin Cembalest

This essay by Mark Strand was originally written for The New York Review of Books as a review of the exhibition of Edward Hopper's drawings at the Whitney Museum of American Art in 2013.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

On view are drawings from the museum's own collection as well as works from the private collection of Josephine Hopper, the artist's widow, who donated some 2,500 works to the Whitney Museum.

But in the show, Estes comes across as less of a photorealist than a realist, period, in the mold of Edward Hopper, George Bellows, and Charles Sheeler; he just happens to use photographs more than drawings.

The first gallery — directly in front of you as you come off the elevator — presents an overview of Hopper's drawing practice.

Families will create their own drawings and see how Hopper experimented with composition, color, and light.

This multimedia guide will point out connections between the drawings and paintings, allowing you to see Hopper's working process up close.

What we can see in Hopper's drawing is the essence of his creative process.

Just seeing untitled (one day it all comes true) makes it all worth while, and besides, you can also see Drawing Hopper: A Painter's Process.

This is a delightful collection of mostly drawings and a few paintings by Edward Hopper.

NARRATOR: Hopper made this drawing — and others in this gallery — as a young student at the New York School of Art.

NARRATOR: The exhibition is organized thematically around [Edward] Hopper's most important paintings, which are shown alongside related drawings.

Inspired by Edward Hopper's artwork and Polan's artistic process, families drew the people all around them, including family members and strangers.

Its collection holds about 15,000 pieces including paintings, sculptures, drawings and photographs by nearly 2,000 artists, including Alexander Calder, Willem de Kooning, Edward Hopper (the museum holds his entire estate), Jasper Johns, Louise Nevelson, Georgia O'Keeffe and Claes Oldenburg.