Gears has flirted with
the horror genre since the beginning, with its penchant for horrific visuals and a cast of bad guys that are more monsters than aliens.
Not exact matches
«Cabin» successfully redefines the
horror genre... something I haven't seen
since «Scream».
I've been enjoying a lot of the Trailblazing Women programming myself but
since we're in the middle of Schocktober, I thought I'd set aside some time to highlight some of my favorite
horror films and thrillers directed by women who have left their macabre mark on a
genre that many mistakenly assume is not very female friendly.
Finally, there is «Raw» (March 7, 8), a
horror film that has been on the radar on many
genre fans ever
since a controversial screening at the Toronto Film Festival where the grisly imagery on display supposedly caused some viewers to faint.
By its very existence it begs the question of whether this (or the upcoming Kevin Costner vehicle Dragonfly) would even have been considered if not for the success of the supposedly non-influential The Blair Witch Project: a mainstream
horror film that flies in the face of conventional
genre wisdom (at least
since The Exorcist) in refraining from gore as steadfastly as it refuses to show its bogeyman.
by Walter Chaw The only
genre that boasts more direct - to - video fare than
horror is porn, and
since we haven't quite reached the point of quiet desperation needed to begin reviewing porn, find here a smelted cheddar of four dtv
horror features (actually, The Boogeyman got a theatrical release in 1980, though I can't understand why): the eighth film in Clive Barker's venerable
horror octology, Hellraiser: Hellworld; The Boogeyman and its second sequel, the legitimately straight - to - video Return of the Boogeyman; and Kevin VanHook's The Fallen Ones.
While he still works frequently in the
genre, Young succesfully shook off his typecasting as «the
horror guy» a few years ago (perhaps his Golden Globe nomination for 2001's The Shipping News signalling the final shackle coming off); and this is probably his strongest «serious» score
since then.
Ever
since then, I have seen most movies in the
horror genre at least twice and surrounded my home with a plethora of slasher memorabilia, movies, and comics.
The buzz after Ari Aster's world premiere was that Sundance had produced its first
horror great
since «The Witch,» but midnight buzz is often a bit, shall we say,
genre - biased, and films often sink when they play in the daylight.
With all due respect to the fans of The Sixth Sense, with which others may draw comparisons due to its ending, I'm going to go against the grain and proclaim The Others as the best
horror film I have seen
since — well, I can't remember
since when — unless you consider Silence of the Lambs within the
horror genre.
Since then, I owned and played games from a wide variety of
genres but I always fell back upon the survival
horror and creepy titles.
Since, of course, The Lords of Salem is essentially a
horror movie, it will ultimately go the way of
genre and privilege the supernatural over the rational, but before that happens, much like the films that it so lovingly apes — Stanley Kubrick's The Shining, Roman Polanski's Rosemary's Baby and The Tenant, William Friedkin's The Exorcist — it will flex and stretch its ambiguities to uncanny breaking point.
That's the most tantalizing hook the
horror genre has offered
since «The Blair Witch Project» opened the «found footage» floodgates more than a dozen years ago.
As the Steven Spielberg - produced, Joe Dante - directed movie nears its 30th anniversary, its star Zach Galligan has returned to the big screen and the
horror genre, and he sits down with ETonline for an extended, exclusive interview about all things Gremlins, from working with the stunning Phoebe Cates and those unpredictable animatronic creatures to the controversy surrounding the film's MPAA rating and the unexpected celebrities who have
since outed themselves as fans!
Since the
horror genre is pretty much always ignored when awards season rolls around, this year, we figured our
horror guru and The Golden Briefcase co-host Tim Buel should take the time to honor some of the best
horror films of 2012.
Since then, though, the
horror genre has changed.
Perhaps it was that last film that drew her to this new project,
since The Invitation has elements of
horror in it, though «creeper» might be a better designation for its odd take on the
genre (its imdb page lists it as a «thriller»).
There is a long and creative
horror tradition in Japanese cinema but Nobuhiko Obayashi's 1977 House is like nothing seen in the
genre before or
since.
Since «Hobo with a Shotgun,» Jason Eisener has focused on the
horror genre, making segments for the anthology films «The ABCs of Death» and «V / H / S 2.»
My complaint with the
horror genre in the years
since Scream has been about how little it has changed.
While I generally ignore all action, adventure,
horror, thriller, and
genre films these days, and I don't think I've gone to the theatre solely to drool at a hot guy on screen
since high school, Jake Gyllenhaal is one of my weaknesses.
Outside of «The Cabin in the Woods» (which is tough to even peg into this
genre), it has been nearly 20 years
since a
horror film made my top ten list.
Since the birth of the the film industry, puppetry has continuously loaned its magic of entertaining people to the screen, particularly in the
horror genre.
The Spierig Bothers made a name for themselves in the 2000s with their imaginative sci - fi / monster
horror mashups Undead and Daybreakers, but have
since transitioned into making less memorable
genre fare like Predestination and the Saw revival Jigsaw.
The form and function of cinematic zombies have shifted throughout the years, but the presence of the zombie movie within the
horror genre has remained a steady force
since the early»30s.
Sightseers hit the radar of many
horror fans
since its announcement because after his huge hit, Kill List, Ben Wheatley really made a name for himself in the
horror genre.
The mainstream film that 20th Century Fox expected would have long
since faded in memory, but Bird's lack of
genre and Hollywood experience contributed to one quirky
horror - comedy filled with memorable lines like, «He was licking me!»
Remaking
horror films is a dubious business, especially
since thatparticular
genre relies so much on a particular time and mood.
Since then, Flanagan has been hard at work, and he now has not one, not two, but three films slated to come out this year: his passion project Before I Wake, the sequel to the 2014
genre hit Ouija, and Hush, a slick, low - budget
horror film he made in secret.
Such is the enduring notoriety and classic
horror status of The Exorcist (1973) that anything that has come
since in the
genre arguably has had a mountain of expectation to climb.
The original 1968 film has become iconic in the
Horror genre and completely redefined the way we understand «zombies» in the traditional sense; this was the first time zombies by name had been featured as the undead, flesh - eating, slow - moving ghouls we have come to know in countless films and television shows
since.
Junior, Eraser, Jingle All the Way, and Batman & Robin have been the worst string of failures
since Arnold's early days, and in his attempt at a comeback he decided to do a
genre he had never done before with End of Days, action -
horror.
Of course,
horror has
since the beginning of time been looked down upon by film buffs, and «torture porn» is just another way to slam the
genre for being the bastard stepchild of the entertainment industry.
John McNaughton comes back out to play It's been nearly 30 years
since director John McNaughton announced himself to the world with Henry: Portrait of a Serial Killer, which gifted us Michael Rooker, and far too long
since he returned to the
horror genre.
Jackson is most at home when venturing into the creepy and suspenseful, no surprise
since he built his career from the
horror genre.
I've never been a big fan of the
horror genre but
since I like Jennifer Weiner's work, I thought I would give this one a try.
Since his first published short story won the Rod Serling Memorial Award in the 1982 Twilight Zone Magazine Short Fiction contest, Dan Simmons has won some of the top awards in science fiction,
horror, fantasy, and thriller
genres, as well as honors for his mainstream fiction.
Ever
since the advent of my obsession with vampires and werewolves, I couldn't help but explore the realms of the
horror genre.
However, I think it deserves its own separate niche
since it blends elements of not just these two previously distinct
genres of fantasy and romance but also often science fiction and even
horror.
Resident Evil and Wolfenstein may count among the most recognisable franchises in gaming, but the latest entry of the former reverted to an intense survival -
horror experience that, after the crowd - pleasing action excesses of recent entries, was always going to be a hard sell, while the latter is part of a
genre in which story campaigns have scarcely mattered
since 2007.
Now don't mis - understand me, co-op I guess could be done in any
genre / game but outside of shooters it doesn't automatically make sense, Alan Wake is a psychological action thriller, set in an open world game where YOU play as a writer who's trying to discover the mystery of what seems to be your latest
horror story which you can't even remember for some reason is now coming to life, in a small isolated town; oh and your wife has vanished too = Alan Wake himself IS the story, co-op in this case would be redundant for a story driven type game like Alan Wake
since at its core its all about YOU deciding where to go an «unlocking» the plot for YOURSELF.
may count among the most recognisable franchises in gaming, but the latest entry of the former reverted to an intense survival -
horror experience that, after the crowd - pleasing action excesses of recent entries, was always going to be a hard sell, while the latter is part of a
genre in which story campaigns have scarcely mattered
since 2007.
Since the inception of VR,
horror titles have enjoyed the «must be seen in VR» label like few other
genres.
With unlimited resources though, I would be able put in even more work in the games that we would create
since there would be no deadlines about money,» said Gustav, adding, «Notes was the first
horror game I ever made and I have really fallen in love with the
genre.
If you're looking for a high - speed shooter, stay far away, but if you're looking for survival
horror, this looks to be the best game in the
genre since Amnesia & Siren Blood Curse.
The Resident Evil franchise, which pioneered the
horror genre in video games, has sold 60 million units
since 1996 and spawned a series of successful motion pictures that have grossed over $ 900 million worldwide.
Since Resident Evil 6, this
genre of
horror has flooded the market, and entries such as Outlast and Layers of Fear have done a better job than what we have been shown so far.
Survival
horror is one of the more unique
genres,
since they work against what is typically seen in games.
The latest entrant to the
horror genre, Phantasmal, finally gets a trailer and boasts the improvements Eyemobi have been making
since the Alpha last year.
for the birth of the survival
horror genre, Resident Evil first burst onto the scene in 1996 and has
since paved the way for a multitude of survival
horror titles throughout the years, right up until