Sentences with phrase «house painting gallery»
NEW CANAAN — Through the burrowed, fortress - like entrance of the Philip Johnson Glass House Painting Gallery, away from the view of casual visitors, behind the floor - to - ceiling panels lining three of the four sides of the room, the permanent collection of the home's namesake and his partner, David Whitney, is kept.
https://www.mysanantonio.com/ Not exact matches
Biker gangs and the Mafia own galleries and move stolen paintings and forgeries to one another through auction houses, which turn a blind eye to the proceedings and quietly pocket their commissions.
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Among her most famous representations today are the armless statue known as the Venus de Milo, on show in the Louvre in Paris, and Sandro Botticelli's painting, entitled The Birth of Venus, housed in the Uffizi Gallery in Florence.
Housed in our Inman Center, adjacent to the Middle School, students paint, draw, sculpt and design in a Middle School art suite, complete with two large classrooms, gallery space, a supply room and a kiln.
Buchanan Gallery the converted school house is a must for those interested in pottery and paintings.
Attractions include the Huichol art galleries, which house colorful yarn paintings that symbolize the visions experienced during spiritual ceremonies.
Owner and artist, Gale, has an art gallery at Brecon House, which displays her collection of paintings and her own watercolour paintings.
Housed in the magnificent fourteenth - century Château Grimaldi, which briefly served as Picasso's studio in 1946, this museum and gallery contains a number of original paintings, sketches and ceramic works by the artist as well as biographical exhibits and a selection of works by other European artists.
The lower gallery of the Lembu Bale houses the current Australian owner's astonishing collection of Balinese art — including the Donald Friend painting he bought from the artist himself on first visiting Villa Batujimbar in 1972.
The American Folk Art Gallery houses the paintings of the weeping willow period, the chalkware and wooden sculptures with which our ancestors decorated their what - nots and goodness - knows - what.
Her paintings are currently on display at the White House, the Brooklyn Museum, the Smithsonian American Art Museum, the Kennedy Space Center and at other international galleries.
Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.
Located in Trafalgar Square, London, The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries.
I am pleased to have three paintings in «Little Things Mean A Lot» at Swan Coach House Gallery in Atlanta, Georgia.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
2010 Joan Mitchell: The Last Decade, Gagosian Gallery, Beverly Hills (November 13 — December 23) Joan Mitchell, Inverleith House Royal Botanic Garden, Edinburgh, Scotland (July 27 — October 3) Joan Mitchell in New Orleans: Paintings, New Orleans Museum of Art (March 31 — June 30) Joan Mitchell in New Orleans: Prints, Contemporary Arts Center, New Orleans (March 31 — June 30) Joan Mitchell in New Orleans: Works on Paper, Newcomb Art Gallery, Tulane University (March 31 — June 30) Joan Mitchell: The Roaring Fifties, Galerie Thomas Modern, Munich (February 26 — May 15)
Housed in the Empire State Plaza's underground Concourse gallery, this sprawling bunker of generic hard - edged abstract painting and minimal sculpture was regarded by students and faculty alike as something of an embarrassment of riches, the last vestiges of overblown Greenbergian dictates on advanced art.
Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?
Yet to be titled (the house), 2012 Acrylic plaster, wood, steel, gypsum fiber board, and acrylic paint Photo: Timo Ohler Courtesy of the artist and Gladstone Gallery, New York and Brussels © Andro Wekua
Traveled to Westmoreland Museum of American Art, Greensburg, Pennsylvania (June 14 — September 6, 2009); Dayton Art Institute, Dayton, Ohio (October 10, 2009 — January 2, 2010); Telfair Museum of Art, Savannah, Georgia (November 13, 2010 — February 5, 2011); Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee (March 19 — June 19, 2011); and Reynolda House Museum of American Art, Winston - Salem, North Carolina (October 7, 2011 — January 1, 2012) De Kooning, Mitchell, Richter: Paintings from the 1980s, Tina Kim Gallery, New York (October 17 — November 15) De Miro à Warhol: La Collection Berardo à Paris, Musée du Luxembourg, Paris, France (October 16, 2008 — February 22, 2009) Synesthesia: Art and the Mind, McMaster Museum of Art, Ontario, Canada (September 18 — December 20) Abstract Expressionism: A World Elsewhere, Haunch of Venison, New York (September 12 — November 21) Action / Abstraction: Abstract Expressionism and Postwar America, The Jewish Museum, New York (May 2 — September 21).
This means that the galleries show chairs and tables arranged in symmetrical patterns as though in a great house, even if four identical chairs give no more information than one; they contain numerous «cutesy vignettes» (in the present curators» words) with vases placed on furniture to create a decorative effect, often to the detriment of the support; and are filled with paintings which make a decorative but not thematic contribution to the whole.
1978 David Mirvish Gallery, Toronto, Canada Fifteen Sculptors in Steel around Bennington, 1963 — 1978, Park McCullough House Association, North Bennington, VT Major Paintings, Douglas Drake Gallery, Kansas City, KS
A later gallery features a darkly cheery homage to Splitting — Los Angeles artist Daniel Joseph Martinez's The House America Built (2004 - 17), comprised of blueprints and a similarly split, life - size replica of the Unabomber's cabin painted with Martha Stewart Signature colors.
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Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.
To the consternation of some and the delight of others, the painting is now housed less than two miles away from the Corcoran at the National Gallery of Art — a public museum that is arguably the most prestigious in the United States — where its been brought into the permanent collection.
A selection of my original landscape paintings and wildlife paintings are on display and for sale at fellow Welsh artist Anna Waters» Studio Gallery in Milford Haven - Anna Waters Studio Gallery, 1 Victory House, Milford Marina, Pembrokeshire, SA73 3AA, Wales, UK.
Selected forthcoming and recent group exhibitions include The Painting Show, British Council Touring Exhibition; Electronic Superhighway 2016 — 1966,, Whitechapel Gallery, London; Celia Hempton, Mendes Wood DM, São Paulo, (2016); The Ultimate Vessel, Koppe Astner, Glasgow; fig - 2 25/50 in collaboration with Prem Sahib and Cecilia Bengolea, ICA Studio, London; I'm here but you've gone, Fiorucci Art Trust, London; The Chic and the Borderline, DRAF Istanbul, Grand Hotel de Londres, Istanbul,; La femme de trente ans, Galerie Art: Concept, Paris; Odradek, Instants Chavirés, Montreuil (2015); Tomorrow: London, South London Gallery, London; Burning Down The House, Gwangju Biennale; Pontoon Lip with Katie Cuddon, Cell Project Space, London (2014) and Abstract Cabinet, David Roberts Art Foundation, London, (2013).
Bartlett has been a commercial success since the 1970s when her highly acclaimed artwork, Rhapsody (1975 - 76, collection Museum of Modern Art), a painting based on geometry and the figural motifs of house, tree, mountain, and sea on 987 gridded, enameled steel plates was shown in May 1976 at the Paula Cooper Gallery in New York.
2014 Julie Langsam: Revisiting Paradise, Richard & Dolly Maass Gallery, SUNY Purchase, Purchase, NY (essay / brochure) 2013 Julie Langsam: Now (here), 532 Gallery Thomas Jaeckel, New York, NY 2013 Buildings & Blueprints, Espai 8, Barcelona, Spain 2012 Floor Plan Prototypes, Reykjavik Art Gallery, Reykjavik, Iceland 2008 Of Other Spaces, Frederieke Taylor Gallery, New York, NY (catalogue) 2005 From Here to Modernity, Michael Steinberg Fine Art, New York, NY 2002 Julie Langsam: House Paintings, Cleveland Center for Contemporary Art / MOCA Cleveland, Cleveland, OH 1999 Recent Work, Acme Art Co., Columbus, OH 1997 Julie Langsam, Clementine Gallery, New York, NY 1993 Recent Work, Brownson Art Gallery, Manhattanville College, Purchase, NY 1991 Julie Langsam: Recent Work, Fairleigh Dickinson University, Rutherford, NJ
, Vitrine Gallery, London; About Face, ACME Gallery, Los Angeles, The John Moores Painting Prize 2012, Walker Art Gallery, Liverpool; The Future Can Wait, Victoria House, London; The Smallest Composite Number, Standpoint Gallery, London; Damien Meade, Charlie Dutton Gallery, London; SV12 Members» Show (selected by Jenni Lomax and Mike Nelson), Studio Voltaire, London.
Option 2 - Private guided tour of Katara Cultural Village that includes art galleries, Katara Art Center and QM Gallery Katara, plus the chance to experience a live art auction of islamic and oriental paintings at AlBahie Auction House.
One might be stirred by other paintings seen in an art gallery or a private house — or one may be prompted by a wish for self - expression, a longing to convey something deeply felt.
Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.
They have attained the status of «art world superstars,» as such figures are commonly called today, for continuing Baldessari's mission of raiding mass - produced entertainment in such a direct, unmediated way that it has become increasingly unclear what sets their photographs, collages, paintings, videos, and installations apart from the commercial products they are «appropriating,» except for the fact that their work is displayed in art galleries and museums and auction houses.
2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.
2003 Painting Lesson, Galleria Cardi & Co., Milan (catalogue) Conversations: Influence and Collaboration in Contemporary Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue) A Notion of Time, Ingrao Gallery, New York Intersection... Art / Design / New Media, Jan Abrams Fine Art, New York Fall Colors: Group Show, Baldwin Gallery, Aspen, CO On the Edge: Contemporary Art from the DaimlerChrysler Collection, The Detroit Institute of Arts, Detroit, MI On: Inaugural Show, Galerie Xippas, Athens Unframed First Look, Lehmann Maupin Gallery, New York The DaimlerChrysler Collection, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany The Past of the Present: Selections from the ABN AMRO Collection, Shanghai Art Museum, Shanghai, China; travelled to Singapore Art Museum, Singapore; Pinacoteca do Estado de São Paulo, São Paolo Painting: from Rauschenberg to Murakami, 1964 — 2003, 50th Venice Biennale, Venice (catalogue) American Beauty, McClain Gallery, Houston, TX Recent Screenprints, Maya Stendhal Gallery, New York New York Contemporaries, Maya Stendhal Gallery, New York White on White, Galerie Xippas, Paris
Keith Gill, Head of Sale, Impressionist and Modern Art Evening Sale, Christie's, London: «Among the most iconic works of Fauvism, many of this rare series of London paintings are now housed in museum collections across the world, including the Musée d'Orsay, Paris; Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and the Tate Gallery, London, where a selection of other works from this groundbreaking London series are currently on view in the exhibition, «Impressionists in London».
These smaller works in the Painting Gallery's foyer are among those from the holdings at the Glass House that have never been on view to the public.
NEW CANAAN, Conn. — The Glass House is pleased to present Personal Effect: Works from the Collections of Philip Johnson and David Whitney this spring in our Painting Gallery, the structure designed and built by Philip Johnson in 1965 to house the personal collection so carefully acquired by bothHouse is pleased to present Personal Effect: Works from the Collections of Philip Johnson and David Whitney this spring in our Painting Gallery, the structure designed and built by Philip Johnson in 1965 to house the personal collection so carefully acquired by bothhouse the personal collection so carefully acquired by both men.
The inner walls of the gallery house Matt Connolly's paintings, the second part of the title, WORK.
«One way of looking at my work is to view the subject as rooms,» writes David Collins of his second Valley House Gallery & Sculpture Garden exhibition of his paintings and monotypes.
This important modern British painting will be displayed as part of the Scottish National Gallery of Modern Art's upcoming exhibition «From Sickert to Gertler: Modern British Art from Boxted House.»
Marshall's vision for social justice reaches its apotheosis in the central gallery, where seven paintings present idealised versions of public housing projects.
[306] The most senior art gallery is the National Gallery in Trafalgar Square, which houses a collection of over 2,300 paintings dating from the mid-13th century tgallery is the National Gallery in Trafalgar Square, which houses a collection of over 2,300 paintings dating from the mid-13th century tGallery in Trafalgar Square, which houses a collection of over 2,300 paintings dating from the mid-13th century to 1900.