Sentences with phrase «how much originality»

Not exact matches

No matter how much they know about gardening, they can enjoy these easy - peasy projects for their originality, the fun of seeing results quickly, and the ability to do them both indoors and out.

I think it all depends on the design process, as you mention too, and how much of originality and creativity goes into making a garment, don't you think?

The Simpsons still finds out how to bring a few laughs of its bizarre social satire, but in its 27th season it lacks much of its charm, originality and clever writing, enough to consider the show's possibly retirement.

So if you've already seen The Untouchables and you're a stickler for originality, you'll likely be irritated at how much Gangster Squad cribs from the earlier film.

Now I wonder how much of «Shorty's» humor derived from director Barry Sonnenfeld's drollery and how much of «Sight's» gritty romantic allure stemmed from director Steven Soderbergh's originality and elegance.

In an industry like the specialty - equipment market, which thrives on originality, innovation is as much about how the job is accomplished as it is the finished product.

«It might not be a good suggestion for everyone but I found that when you think too much about marketing and how to please players, then your game will easily loose its appeal and originality.

While Crash may not have brought much originality to the platform genre, the first game in the series was at the time a high watermark for colourful graphics, and the gameplay was perfectly poised between just - one - more - go addictiveness and argghh - how - can - you - do - that - to - me frustration.

His observation made me realize how much the selection of a novel subject has become the dominant standard of originality in the last half century.

The Art of Reading: Peter Nagy and the Xerox panel asks such questions as how does the copy or what is appropriated come to function as a work art and what is its relation to originality; how does «reading the caption'to understand a work of art, how does «reading» itself (which pretty much describes the complaint against so - called «caption art») become an integral part of the work of art; does the context of a work of art define that work in some vital way; are there languages embedded in this «reading» process, in the culture, and does it behoove us to try to decode them?

Anne Tallentire, much praised for the originality of her work, presents recent projects and related pieces focusing on how the ordering, or disordering, of things can signify everyday social and cultural determinants.

Judges will consider factors such as originality, how much the community will benefit from the idea and whether it will generate a «pay it forward» effect.